WANTED IN-HOUSE ENTERTAINMENT MANAGER

12/06/2013

Quinn Records TM is seeking a In-house Entertainment Manager to manage its artists touring and  event activities. The successful candidate will be responsible for overseeing and managing company artists outside events, inhouse events and othe special touring and entertainment events. In accordance with the policies the label's Partners and under the direction of the President and CEO. Ideal candidate will possess at least ten (10) years in event management.

Description

Managing performances, events, artists and entertainers is the responsibility of the In-house Entertainment Manager. This professional will work extensively throughout the world. The job provides limitless opportunities to travel nationally or internationally. This is a stressful and demanding job, but your project management and people skills often assists you in managing sufficiently. This position requires the In-house Entertainment Manager to multi task effectively in a competitive, fast paced environment!! In-house Entertainment Manager will be required to identify, select, create, oversee,book and  manage thirty-three (33) venues with seating capacities not to exceed 3000 and not less than 500 seats on an ongoing and continue bases, with the expected minimum gross revenue earnings goal of approximately $330,000 annually  and develop an opened door communication with company artists, vendors, local radio stations, records stores, press etc.

In-house Entertainment Manager will be working with parks, lodges, holiday venues, international organizations, company artistes, hotels, and other companies involved in the entertainment industry. The In-house Entertainment Manager will create and have a team of professionals to manage and delegate responsibilities to. They include costume designers, makeup artists, sound and lighting technician, performers and other professionals.

The In-house Entertainment Manager will perform the following tasks:

• Booking venues
• Managing budgets
• Negotiating contracts and fees
• Booking Quinn Records TM’s performers
• Managing events
• Conducting research
• Handling publicity
• Working with agents

Skills

Expertise in the following areas is an asset:

• Being confident and assertive
• Networking
• Being persuasive
• People management
• Project management
• Being flexible
• Communication and listening
• Being focused and self motivated
• Being attentive and thorough
• Being able to multitask
• Working in a team environment
• Meeting deadlines
• Marketing and sales
• Generating innovative ideas
• Resolving problems quickly

Education

There are several degree specializations that are very helpful in getting the job as Quinn Records TM’s In-house Entertainment Manager. These include:

•    Event Management
•    Hospitality
•    Business
•    Management
•    Marketing
•    Public Relations
•    Communication
•    Event Planning

Persons with experience working in Journalism, Communications, Liberal Arts, Business and Public Relations are able to transfer their skills readily becoming competent professionals.

In-house Entertainment Manager  

·                                 Company: Quinn  Records TM

·                                 Compensation: Commission 21%/gross receipts /benefit package

·                                 Location: St. Louis, MO.

·                                 Job Type: Full Time

Submit resume to Quinn Records TM,

 771693,St. Louis, MO. 63177-1693, 

or quinnrecords@quinnrecords.net

EOE/M/F/V/D

please, no phone calls

100,000+ QUINN RECORDS TM CUSTOMERS CAN'T BE WRONG

by Dwight L. Quinn

                     SNEAK PEEK 33 (42nd Anniversary Addition 3-CD Box 

~ Disc 1: All Of A Sudden,  Breaking Up Somebody's Home, Shake For Me,Send Me Some To Love, Day Dreaming Again,Do You Love Me Not,I Got My Swag On, Sweetness Is Her Weakness, S.O.S.,
Ain't That's A Bitch, & Rainy Night In Georgia.

~ Disc 2: Keep On Keeping On, Sweet Sixteen, Slip Away,Trying Not 2,  Dr.Love Jones,  Brazil, In The Moment, This Magic Moment,
But Not For Me, Anniversary,



~ Disc 3: Bump The Stump, Draw Me Nearer,Beams Of Heaven,
One Day, You Told Me To Sing, Tomarrow May Never Come, India The Dancing Queen, I Like The Girls In The Clubs, Child'z Play, Why Are You Here, Jealous Kind Of Love, & Lied For The Last Time.

BUY IT 

"FREE SHIPPPING" on all CD's when you order online at quinnrecords.net

"OUR BEST BLUES N' SOUL", 

is on our 

GO SLOW-Blues Crossing (2-CD Box Set) 

click link to order Quinn's 2-CD Box Set, NOW!

Code: 612106121222

Visit Us: www.quinnrecords.net

Radio/Retail/Press: Get Promo Copies Here

Mobile App: Download It Here

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Where the sound of blues,gospel, jazz and soul music is made..

Tell Quinn Records TM: Is this company on the "ONE"? post a comment

BLUES THIS MORNING ( THE MOODY BLUES SONG)

by Dwight L. Quinn
10/10/2013

"Blues This Morning" is a 2009 song by the Kansas City rocker singer/songwriter/musician
 James Gilbert.
It was written by K-City Records owner and Producer Eugene Smiley,Sr.,and was first
released on Big Woody's, Going Home cd and recently released on the Quinn Records TM's
2012 popular 2-CD Box Set album Go Slow Blues Crossing. The album is a concept album
chronicling the typical style,side and sound of Blues "Blues This Morning" featured on the third track, which is titled "Blues This Morning."
It is one of two songs written by Eugene Smiley,Sr. on Go Slow-Blues Crossing, with the other being "A Real Good Sign." The song (by Special Guest Carl Marshall, titled" I Got The Blues Trying To Find Love") get a group of musician together taking turns in telling about their personal experience of how they got blues while trying to find love on a pleasant, sunny morning, while the chorus and bridge suggest wistful nostalgia from the inquisitive Carl Marshall the narrator:

"My baby left me this morning, And I just couldn’t understand
Ask her why she’s leaving, She said she’s found another man"

"Blues This Morning" was one of James Gilbert's first compositions for the Moody Blues.
It was also the second Moody Blues recording to feature him on lead vocals, the first song
being the cover of "Rainy Night In Georgia", from Keep On Keeping On. The album would
later go on to include some highly successful songs for the Moody Blues, such as "Oh Baby
You Don't Have To Go" (LiL Aaron Mosby), "Send Me Someone To Love" (Mississippi Red),
 and "Last Night" (LiL Aaron Mosby).
"Blues This Morning" was later released in 2013 as the second track on the Quinn Records TM
CD/SP  single "Keep On Keeping On".

"BLUES THIS MORNING", is on our GO SLOW-Blues Crossing (2 CD Box Set)   click on link to order our 2 CD Box Set,Now!

Code: 612106121222

Listen to: Blues This Morning

Visit Us: www.quinnrecords.net
Radio/Retail/Press: Get Promo Copies Here

Mobile App: Download It Here

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Where the sound of blues,gospel, jazz and soul music is made..

Tell Quinn Records TM: Is this company on the "ONE"? post a comment

FIVE QUINN RECORDS TM ARTISTS ARE RECEIVING HUGE INTERNATIONAL ATTENTION

[09/27/2013]

On Thursday, September 26th 2013 The APD Global Radio Indicator Charts ™ posted in it's Top 50 Albums - Today, #20-Quinn Records TM Present GO SLOW Blues Crossing. Soul blues singer James Gilbert's Blues This Morning is the # 1 song, followed by Mississippi Red,Send Me Somebody To Love.

 The late LiL Aaron Mosby a.k.a. Blues Man is making notariety again with the powerful rendention covered of Jimmy Reed's 60's hit Oh Baby, You Don't Have To Go. However LiL Aaron is not a stranger in the UK by no means of the word. Had performed in front of a sold out record crowd of twenty thousand at the Holland, Blues, Festival in 2001.

 Blues singer/guitarist Osee Anderson, Breaking Up Somebody's Home employing his signature guitar licks like those of the late great Jimmy Hendricks and the famous Guitar Watson adds a whole new dimension to Albert Blues-Boy Kings Stax's Records hit recording,Breaking Up Somebody's Home.

 Quinn Records TM artist Kevin Wheeler's domestic releases has dropped today in Brussels Belguim and Victoria Australia.

 FM Brussel [FM98] (98.8 FM) Date: 09/26/2013 05:17:33 am www.fmbrussel.be Elsene, Brussels, Brussels Belgium
 1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke)

 West Gippsland Community Radio [3BBR] (103.1 ) Date: 09/26/2013 05:17:33 am 3bbrfm.org.au Drouin, Victoria Australia
1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke) 

Quinn Records TM "GO SLOW-Blues Crossing 2-CD Box Set) available: Buy Here.

Visit Us: www.quinnrecords.net

Mobile App: Download It Here

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Where the sound of blues,gospel, jazz and soul music is made..

Tell Quinn Records TM: Is this company on the "ONE"? post a comment

DISCOVERING AND SIGNING THE BEST TALENT

 by Dwight L. Quinn

Discovering and signing the best artistic talent is the motor that keeps a record company running. “Breaking acts and protecting A&R will always be the lifeblood of our culture. It’s at the heart of every conversation we have”, says Dwight Quinn, CEO of Quinn Records TM.
There is fierce competition between record companies to discover and sign the best new artistic talent. We are constantly scouting for performers that have the potential to develop their career in music to the highest level. Traditional A&R methods are today complemented by other ways of finding and signing talent.

The way to find talent nowadays is completely different from 25 years ago when bars or small venues were the places to find artists and musicians. Now there are a multitude of different ways. But at the end of the day, no matter how we find talent, it’s about someone making music and someone feeling the emotion that it creates. The internet is often the first port of call for Quinn's A&R looking to find the top performers of tomorrow.

The internet has made pre-selection much easier. Instead of travelling to every gig, you can do a lot of the groundwork online, checking out bands on their homepage, Myspace or YouTube.

 The internet is where you first hear of a buzz around an artist. We’re not the sort of label that looks for someone who’s got two million hits on YouTube, but we do look for an online buzz. While the internet can cut out some of the legwork for our A&R executive, viewing artists online is no substitute for seeing them live and developing a personal relationship with them.

 Evaluating artistic talent is a subjective process, but Quinn agree we are looking for something beyond technical competence when searching for an act to sign. We are looking for an artist that can move music fans. We looking for empirical evidence of a connection between the audience and the artist.

Submit Music To Quinn Records TM


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Book A Artist:  bookaartist@quinnrecords.net

A HARDWORKING ENTERTAINER KEVIN WHEELER & R2 (KL&R2)

by Dwight L.Quinn 

 THE BIOGRAPHY

 KL was born and raised in the Washington DC metropolitan area, he was inspired in music by his grandfather, the late Grant Williams 111, who played the tenor saxophone for Louis Armstrong band KL, started his musical training at a young age in the traditional Baptist church. K L started playing music professionally in the late 70`s with a local GO GO band. Then he went on to form his own national gospel group. The group recorded its first gospel album on Redemption Records which included the instant hit Victory, which vaulted the victory album to number 18 on the Billboard charts. The album was a huge success and the group was nominated for the GMWA Excellence award, Dove award, and Soul Train music nominee. The group has also charted the Billboard at least 5 times. Then K L signed a contract on the Quinn Record Label. The group was also nominated for a Grammy award for their latest album A Message From The Messengers. K L and his group has performed all over America, appeared on national television shows. K L is now enjoying his latest Soul R&B album`s which include Can You Get Away, Par-Tee Time, Somebody Said, Lied For The Last Time, Do You Love Me, I Got My Swagg On, Sweetness Is Her Weakness, That Lady and Ms Niece.

 LIST OF SINGLES & EP'S OF KEVIN WHEELER & KL&R2
 A.-SINGLES
- Can You Get Away, (QRS41133-1) Release Date:10/22/2004
- Par-Tae! Get Your Groove On,(QRS51135-1) Release Date:01/01/2005
- Somebody Said,(QRS51138-1),Release Date: 02/07/2005
- Let's Go Party,(QRS13032-1), Released Date: 07/09/2013 B.

- EP - I Got My Swag On, (QR100122-1),Release Date:06/03/2013

 SONGS PERFORMED ON SHOW: Kevin Wheeler & KLR2
 Let's Go Party
 I Got My Swag On
Sweetness Is Her Weakness
 If You Need Me Lied For The First Time

 In addition to several other songs from Kevin's albums and EP's.
 Covered Songs Performed By Kevin Wheeler * KL&R2:
 Can I Change My Mind- Tyrone Davis
 Don't Let the Green Grass Fool You- Wilson Pickett
 Sweet Caroline-Bobby Womack

 Total Song List is 150+ songs performed own show by Kevin Wheeler & KL&R2. 
Average Showtime: 3-4 Hours long..

 Covers: see above list.
 Typical Repertoire: Blues/Soul/R&B

 Check Out Kevin's Electronic Press Kit (EPK)

Book Kevin email: bookaartist@quinnrecords.net

Visit Us: www.quinnrecords.net
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Source:Quinn Records TM Archives

THE INTERGRATION BETWEEN APP AND AUTO ALL SUGGEST A STREAMING MUSIC MARKET

by Dwight L. Quinn

Despite gloomy reports coming from the state of the economy this year there's been quite interesting news all positive and complementary. Here are recent highlights reported by the RIAA :
•    riaa reported their 2012 year-end sales and shipment numbers, including the increasing importance of streaming music – so-called “access models” which now total $1 billion in revenues
•    new data from NPD finding that “subscription-based and free

• Internet radio services accounted for nearly one quarter (23 percent) of the average weekly music listening time among consumers between the ages of 13 and 35, an increase from a share of 17 percent the previous  year”
• booming car sales so far in 2013, which, as  Billboard observed, portend further positive news for music business:

First, better integration between app and auto will mean more subscribers
to services like Spotify, which allow smartphone owners to take music into
the vehicle via cached files. Second, more listening to Internet radio over
broadcast radio means more money. Whereas broadcast radio lacks a
performance right, digital services have a performance right that results in
royalties paid for Internet radio listening.

Jonathan Lamy, EVP, Communications, RIAA said, that this is a positive virtuous
cycle, with each set of data points and facts further validating each other and the
underlying proposition.
RIAA year-end 2012 numbers showed substantial growth in these access models.
NPD 2012 data showed more usage of and time spent with these types of services.
And a booming car industry is leveraging fans’ appetite for these services and the
popularity of music generally to offer more value to would-be customers.
This year  auto show, one companies touted music app integration as one of their
key selling points.
All these developments are interrelated, and all suggest a streaming music market
that will only further expand in importance and reach.




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Source: ifpi,riaa,npd

HOW DO A SONG MAKE IT ON OUR TOP 10?

by Dwight L. Quinn

Each week (Monday and Friday), Quinn Records TM puts together a chart of it's top 10 most popular songs based on a national sample of top 10 radio airplay, top 10 radio playlists, and music sales. Since our Top 10 comes from the 220 radio stations, APD,89 Digital Companies,YouTube Reporting, 40 Cable TV Channels tracked each week, let's look at how our tracking is compiled. 

First, there is airplay. What songs of ours that is actually being played on the radio and on music video channels on TV and screaming? Frequent calls to program directors and disc jockeys that reports and have their finger on the music, this is our good measure of what their listeners like. Airplay is tracked through our in-house Radio trackers, Air Play Direct (APD), YouTube and Broadcast Data Systems (BDS), run by Nielsen. BDS uses digital pattern-recognition technology to identify songs that are played on radio stations and music video TV channels across the United States and Canada. With the combination of Physical tracking a.k.a Manual tracking and the incorporation of tracking Technology, we've been able to track 24 hours a day, seven days a week, following over 220 targeted Radio Stations,APD,Digital Distributor,Cable TV YouTube and Spotify weekly. 

 Our Radio Promotions Department manual tracking consist of Playlists and verbal reporting from Radio with emphasis placed on obtaining as close as possible the number of people listening to a the station and we would multiply that number by the number of times one of our songs are played.

 When the company record a new song, a copy of the recording is sent to BDS so it can be encoded and tracked by its system on the stations it monitors. This data is used not only by Quinn in compiling our weekly Top 10 chart, but also by record company executives, radio stations, publishing firms, performance rights organizations (to calculate performance royalties), music retailers, independent promoters, film and TV producers, and artist managers.  

Another measure of what song of ours that is hot and what people are buying. To find out what music is selling in record stores, Quinn goes to Sound Scan  Nielsen Sound Scan is an information system that tracks the sales of music and music videos throughout the United States and Canada. By scanning the bar codes, they can collect sales information from cash registers each week from over 14,000 retail, mass merchant, and non-traditional sources such as online stores, concert sales, etc. The data is compiled and used in positioning the song on our Top 10 each Monday and Friday. Like BDS data, the data from Sound Scan is also very valuable for us in compiling a clear Top 10 Song Chart. 

 Our method for compiling our Top 10 Song chart have gone through a change or two over the past five years. Since publicizing our Radio Promotions Reports and Activities as a Promotional tool, we followed the foot prints of the icon of Charts, Billboard  we to changed the weighting of airplay versus sales in the compiling our Top 10 Song Chart. We found through researching and practical experiences that tracking a single song through album sales isn't exactly accurate, singles sales have always been used to track the sales side of song popularity. But, since only about 20% of people actually buy singles and over 90% listen to the radio, it made sense for us too, to alter the ratio of points. Now, the overall points are weighted to 20% sales and 80% airplay. 

 Quinn's Top 10 Song Chart is an important and valuable tool that let our fans,user of our music, music retailers,radio stations, promoters, film and TV producers, artist managers know what kind of music that we offer and how the music that we offer is performing in the very highly competitive music marketplace. The information that our Top 10 Song Chart gives to the Buyer is precious, it gives the Buyer the kind of Education that he or she needs to make the right Buying decision. 

 Quinn bases its Top 10 Song charts on its own prerecorded music and what is already being played on the radio and purchased in music stores, this is also the avenue to how radio stations find out about our new music. 

 Visit Us: www.quinnrecords.net

BUYING POWER OF OTHER RECORD COMPANY MUSIC.

by Dwight L. Quinn

Help Center

With over forty years experience in prerecorded music, we are qualified to handle every kind of music format imaginable. And, as a Quinn Records TM customer you always have a direct line to one of our representatives. Your success is our success.
We are your source for new blues music, new gospel music, new jazz and new soul music.

How competitive is Quinn's pricing?

When you buy from Quinn you leverage the buying power of other record company music.

We base our pricing on our combined volume and pass the savings along to you.

How fast is Quinn's turnaround time?

Our normal turnaround time is one days from receipt of order. However, we often

ship the same day when orders are received by 2:00 pm (central time). We under

stand that every order we receive is date sensitive and we guarantee  that we will

not only receive your order, but deliver it- on time, where ever it needs to be.

What are Quinn's formats?

We offer our prerecorded music products in formats ranging from, sheet music,

compact disc,cassette tapes, vinyl, dvd's, MP3,video,(New) phone apps.

What are Quinn's method of ordering?

1- Online (Preferred method)

2-By phone; 1-314-241-1538

3-By fax:     1-314-241-1538

4-By mail: Quinn Records TM

               P.O. Box 771693

               St. Louis, MO. 63177-1693

Visit us online: www.quinnrecords.net

MY FAVORITE JUNK FOOD WAS A BOX OF CRACKER JACKS

by Dwight Quinn

I bet you didn't know that when ever you purchase a Quinn Records TM product, we always give the customer something Free, it just comes natural with the Company. The idea came about when I was a boy growing up in East St. Louis. My favorite junk food was a box of Cracker Jacks. What I became to love and appreciate about a box of Cracker jacks, is that it wasn't the fact that it was  a great tasting, lip-smacking snack with its sweet caramel covered popcorn flavor and roasted salted peanuts that blended well with popcorn, it was as I began to realize that with every box of Cracker jacks that you purchased there were always a prize in the box. It was Free, a plastic ring or a spinning top you  name it, it was the prize that excited us. And it soon became apparent that it was the FREE prizes that was drawing us kids to the Cracker Jacks,the prizes was creating the buzz and making for a grand conversation piece, a friend maker and so on. Well I took that Cracker Jacks mentality into the business with me and applied the same strategy here at Quinn Records TM. We appreciate the customer so much that it is always proper for us to give the customer something back. To show our deepest appreciation and thanks for their business.
Quinn Records TM, from July 24th, 2013 until August 24th, 2013  is offering 25% Off List Price Program on all of our Gospel Albums, our customers will not find this offer nowhere else but at Quinn Records TM Online Store. And, if you purchase two or more CD's, we'll give you a FREE Quinn Records TM Signature T-Shirt, a $16.98 value or maybe another CD to go along with the purchase, that's just what we do. After almost forty-two years in business we still get overly excited when customer buy from us. It's the "Cracker Jacks" in us.

And, please do take our "FREE SHIPPING" program seriously when a purchase of $99.99 is ringed up on our P O S Register. We will Ship your order anywhere in the greater U.S.A. FREE. And don't be surprised if you won't find an additional Free gift when your order arrives, we can just see the smile on your face....

I know that being generous to our customers, will make for a grand conversation piece, a friend-maker, a collection item, but most of all, it will be a token of our most deepest and sincere appreciation for doing business with us. Giving back,just comes from our,"Cracker Jack Box" mentality.

HOW I POSITIONED OUR BRAND

by Dwight L. Quinn

I remember when I opened the label several years ago.
 As a team we were working on how we wanted to position the label, looking for the 
emotional benefit that we could offer to our customers. We finally landed on "We'll give you what you want" as our positioning. We never used it as a tagline, but more as a positioning statement for how we would serve up what we offered customers.

Many of our customers were mid-size independent retail record stores, operating in small and large urban cities. The idea of helping them to get the kind of music that they wanted was engaging. 
Our work would get them track able sales results and they would recognized that.The fact that 
we were and still are today a brand promotion label gave our positioning statement double meaning.
Once it caught on, our brand's positioning became the basis for building the brand experience 
across our entire marketing plan. We realized that the key was to make sure that our actual brand experience delivers on what was intended in the positioning.

In the label at the time, we made sure we helped our customers showcase and display our products to get the recognition they needed in order to generate a sale. We make a big deal when one of our customers sale our products by celebrating every successful sale. It became part of our personality and part of the experience of working with us. This came directly out of our positioning statement:"We'll give you what you want."

Take a look at our brand and what we've done for positioning. Notice, 
our tagline is  a big hint:

Quinn Records TM: "Where the sound of blues,gospel, jazz and soul music is made."

Notice the level of emotion in each of our tagline, which essentially highlights our brand's 
positioning. 

Here's how we translate the tagline into our positioning statements:

Quinn Records TM: Makes you feel like you'll get what you asked for.

We digs deep into the emotional benefit that we offer to our customers. We're always thinking  
about how we want our customer to feel about us, every time they think about us. We tried to 
capture that in a brief statement that best describes what we can offer, and keep a list of  options on hand. And throw them out to the team and do a little brainstorming. 
It's makes for a lot of fun,especially when those creative juices start flowing and ideas comes from seemly out of nowhere.

Visit us: www. quinnrecords.net

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QUINN RECEIVED SOME ENLIGHTENMENT FROM MARSHALL THOMPSON OF THE CHI-LITES

By Dwight L. Quinn

I'm just a bigger fan today as I was in years past of Groups like the Chi-lites out of Chicago, Illinois. I had the pleasure of speaking with Marshall Thompson Saturday by phone in great length. And I was totally delighted with the wisdom and enlightenment that I gained from my conversation with Marshall. He brought me out of that Old School mode and into the understanding of the now a day, what-you-should-know, about the entertainment climate the habits, attitudes and practices that influences the Live Music Market. 

Well it soon became pretty clear that I had been walking around with blinders on, being distracted by the effects, and paying little or no attention to the,cause i.e.(the Market). We both agreed that the Music business has definitely changed and the audience (the Market) that we play to today is just as different as we were (the Market) in the 60's. I can't emphasize enough as to how different that we were. And it's that different that causes,change, how they buy, how they listen to music, how they move it around, what's acceptable today as opposed to what 
was and wasn't acceptable yesteryear is 360 degrees different. But the fundamental foundation of the Business are still intact.
Marshall Thompson new Album, Hot On A Thing is riding on the waves of the today's sound but like a pro, Marshall carefully applied this legendary Groups signature-sound-style that is a legacy of the Chi-Lites. 
For those of you, who haven't had the pleasure of hearing, Marshall's new Album, Hot On A Thing. I highly recommend you to click this link and Listen, 


Just fourteen and half more weeks will mark a very special milestone at Quinn Records TM. It will be 42 years ago that I recorded and released my first album, by a local r&b group from St. Louis called The Amazing Dramas. Thus began the amazing legacy of River City Records and approximately one month later  the label was re-named Quinn Records TM. 
LiL Aaron Mosby’ Rev. Anderson Sparks, Chas. O. Collier & The Original Golden Ares of Cincinnati,The Kirkwood Spiritual Ares,The Masonic Quintet,Albert Phillips & The Divine Messengers, Jimmy Jones’ Carolyn Adams, Terry Williams, Oliver Johnson, Nikki Cunningham, KL&R2, Osee Anderson,Mississippi Red,Melvin "Smokehouse" Moore, Rev. Roy Page & The Spiritual Ares, Leroy Crisp & The Orig. Southern Harmonizers, Carlina Q. Aldridge, James Gilbert all were recorded by Dwight L. Quinn. 
Adding to this musical legacy. Quinn has released over 633 songs, over 50  jazz, 150 gospel and 110 r&b,soul,hip-hop,owned D.L. Quinn Music Publishing and Boogie City Music Group in St. Louis. 
Since 1971 Quinn Records TM is still going as strong as ever with new releases on KL& R2, James Gilbert, and Oliver Johnson available now. GO SLOW-Blues Crossing.

We continue our look at the Boogie City 33 tour scene with James Gilbert feature on GO SLOW- Blues Crossing CD Compilation, Oliver Johnson and KL&R2. 
Oliver is looking towards the last week in September, 2013 to get things rolling. The Show is planned to awesome Artists will be performing the hit recordings and will feature Nationally known Recording artists performing on each Show. Will have a complete Show Schedule a few days and we will posting this Online at Quinnrecords.net.

It’s time for Quinn to get the Digital Mood. We've got a nice bunch of new songs being release for this year and I am making my customer choices easier. I've  added a Digital Download Station category online at the Quinn Store, and I've reduced the songs that I'm offering to you in Digital format from $0.99 to $0.89 go to  www.quinnrecords.net and buy digitally. It’s the fastest, easiest and cheaper way to buy our music..

 And don’t forget, the Quinn Records TM Top-10 Song Charts are now posted Mondays and Fridays on our website as well.


Dwight L. Quinn

Founder

THE ARTIST FAMILY TEAM WORKING TOGETHER.

 by Dwight L. Quinn

 If there's one thing that I've  notice , here at the Company,   is the strong sense of creative energy that seem to never stop flowing in the Artist family at Quinn Records TM. I'm delighted to have such great talent around me who are  not only looking out for their own career growth and welfare but they also put their skills and talents where ever needed in the Company doing whatever it takes to keep  both areas operating at full steam.  This week alone behind the scene Artist Kevin Wheeler has been working diligently
both in the Studio and in the field recruiting, interviewing and rehearsing new Band members for the kick off of KL&R 2 road shows, with the plan being focused on most shows being self-produced. Kevin has remixed his I Got My Swag On Album, and has expanded the Album to include three (3) new songs. Kevin has brought on Harvey Lee on as his percussionist.  The Artist Family has decided last week to increase the Band size from five to eight musicians, that's going to include two horns, that will give them a total of three horns in the Band.  

A.J Dickerson,who's a well known Music Scholar and entertainer in his own rights, in the St. Louis Music World was instrumental in partnering Quinn Records TM with a local venue to bring Live Southern Soul, Blues and Jazz Shows through this new St. Louis venue. Mr. Dickerson, Oliver Johnson and myself, met Monday at the Club with the owner and finalized the arrangement. The first Show according to Oliver Johnson has been scheduled for Thursday September 26th,2013 and there will be regular scheduled Live Shows from that point on. I want to re-introduce St. Louis to the outstanding Southern Soul acts that are out there today, that would be a new exciting  and long awaited experience for the St. Louis Market.

James Gilbert is bringing a new and exciting image to Quinn Records TM with his education and major in Broadcasting,Voice overs for Radio and Television. James has already made a great noticeable impact on the Company not only as a great outstanding artist but  his behind the scene work it's very welcomed. James is now the official Voice  for Quinn Records TM  taking us  into the today's  world of visual and sound technology.


The Artist Family Team working together, communicating,sharing ideas among each other and helping each other in there career goals is something to watch. They most definitely want the customer to know that they will be at all times, giving to them by way of there music, their very best.


Visit Us: quinnrecords.net

IT'S MUSIC BUSINESS TODAY!

by Dwight L. Quinn



As the model for a label has changed, so has the role of the artist in the industry. 
Artists today are more powerful than ever, noting that an active Artist can reach 
high on Charts today with very little traditional radio or other marketing. 
They are business people, marketers... They know how to relate to their audience 
and know how to connect properly. Selling "Show Tickets" is the Artist goal. The
income is huge for an Artist who sells from 6,000 to 28,000 tickets per year with a 
indie Label. 
Quinn Records TM and other  different independent labels have different programs 
and signing with John Doe label, for example, is not the same as signing with Willie Earl
records. Artists need to be aware of which indie labels do what best before signing a deal.
An Artist that's into Techno Soul is not going to do well with a Traditional Blues indie Label.

And with today's artists having more options than ever of how to release their music, 
The old record contracts are being  tossed aside in favor of a more 
egalitarian split -- and with digital platforms becoming ubiquitous, the differences between 
major labels and indies will be reduced. Yet the role of the label -- as the vessel, the support 
structure and the team assisting the artist in achieving success -- will not be going away.

The power is and always have been with the artist "but the infrastructure and guidance 
of a label is still a very important and necessary role in the music industry."

Visit Us: quinnrecords.net

WHAT KIND OF BUSINESS AM I REALLY IN ?

                                                                      

by Dwight L. Quinn          

First, I want to began by wishing all of you a very Happy and Safe 4th of July. And despite how bad our Economic condition may seem, we have always managed to overcome adversities and bounce back, that is the American way and we should first above any and  all things be conscious of that fact.
I don't think that there is not a day that goes by that I don't asked the question,What kind of business am I really in? And I asked that question regularly because sometimes you can loose your direction or should I say focus as to what it is that you are doing and where are you going? Well, over the years I finally narrowed that question down to two simple words that I clearly understood and thus the enlightenment put me directly on track and I began to see clearly what kind of  business that I was really in. The business that I'm really in with Quinn records TM is, the listening business. When I first started in this business I  was always  prepared to tell myself and anyone else who asked me, what kind of business am I in, I would be quick to answer by telling them that I was in the music business, or the record business and so on, but I notice that these terms was never clicking, they where empty, to broad, the music business was to generic, what was  really going on here? than it came together it dawn on me, I'm in the listening business.  Now all of my planning and goals are built around that business, the listening business.Now I feel perfectly at ease, my directions are clear and I'm comfortable at being the Clerk behind the counter at the Record Store.
And, that's the feeling that you're  get when you follow Quinn Records TM, we have the ability to let you hear our music first-hand at every opportune time that is made available and at what ever vehicle available to get it out to our fans. We make our music available for you to listen to it at your own convenience 24/7.
We know that it  is unusual for Record Labels to Market like other Industries, but thing changes, those changes can cause you to have change your course in order to continue be able to effectively compete in an ever changing Industry and Market.
Last week we had the good fortune to introduce to you our new CD Single Blues This Morning by James Gilbert (QR 121222-1) that became the top song on the new Blues CD Compilation,GO SLOW-Blues Crossing that was released this Spring.

Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

On Sales this 4th of July week is our ever-popular "Jazz On Washington Ave by Oliver Johnson for $ 9.98 and I really believe for you Jazz Lovers that Jazz On Washington Avenue is a long awaited works. Oliver Johnson put together an assemble of St. Louis legendary Jazz musician for Jazz On Washington Ave, that included jazz pianist,Henry Burns,St. Louis renowned bass play Raymond Eldridges Jr. and on drums, Wallace Alvin Troop, jazz and blues guitarist, Henry Taylor and horn,Oliver Johnson himself. The entertainment history of these talented musician are extensive, making Jazz On Washington Avenue a Jazz treasure.It's available on Sale at www.quinnrecords.net.

Quinn Records TM is known for it's Traditional Quartet Gospel catalog, that has the likes of, The Masonic Quintet, Albert Phillips & The Divine Messengers, Rev. Roy Page & The Spiritual Ares, Leroy Crisp & The Original Southern Harmonizers, Rev. Anderson Sparks & The St. Louis Silvertones, Elder Henry Moye & The Kirkwood Spiritual Ares and Charles O.Collier & The Original Golden Ares.Our Gospel catalog is a valued collection of a Artistry that is lacks the music industry today, but is a lave and well at Quinn Records TM. You order theses Great Gospel treasures online at Quinn Records TM 24/7 and get free shipping on our Volume Purchase program.Check us out at www.quinnrecords.net.

Quinn Records TM President Choice Channel at YouTube is a great tool designed for our fans. They have first-hand access to hear what Quinn music is being sent  and offered to Broadcast  Radio. I wanted my fans to hear what we are doing in this highly competitive Market that is coming from Quinn Records TM and YouTube is that vehicle being used to get  our music to our fans quick and fast, giving them, the fan the power to judge and decide the value of  our music. So, Quinn's President Choice is the place to visit and stay abreast to music we send to Radio. Now you our fans can stay in the know as to what we are doing and how our music is sounding,visit  Quinn's President Choice and Hear It-First.
New CD Single;
YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

DIGITAL STORES BECOMING THE PRIMARY OUTLET FOR BUYING ALBUMS

by Dwight L. Quinn

Last year, 193 million CD's were sold vs. 118 million digital albums, according to Nielsen Soundscan's year-end data report. 
In the album format,digital jumped 6% in 2012, though fans still favor the physical version. 
While album sales at digital services outpaced those at mass merchants, they were far 
exceeded by the combined sales of physical albums at all outlets.

The breakdown in total album sales:

• Digital services such as iTunes and Amazon MP 3: 37%
• Walmart, Target and other mass merchants: 29%
• Best Buy and similar chains: 15%
• Non-traditional outlets such as Amazon physical sales, mail order, venue and fan club sales: 10%
• Indie stores: 7%

CD's, cost more than downloads, have been allocated  far less shelf space at Mass Merchants like Best Buy,Walmart,Target and other chains, fueling digital sale increases.
Digital is consistently growing, and that's to be expected as we get  away from physical 
purchases and get further into streams and music that nobody actually owns.
Its the price of progress.

And yet the LP comeback is flourishing. While only a small piece of the musical pie, vinyl rose 19%, reaching  4.6 million copies in 2012, breaking the 2011 record of 3.9 million.
The wax-is-back, the old way of experiencing music continues to grow every year. 
"A lot of people still want something with value, an element that music have always been able
to give to its users."

READY OR NOT!

by Dwight L. Quinn
Face it, a big change have come to the record business and there is no turning back. Digital downloads are here to stay and so be it. For the record labels this means a big dip in revenues and of course,a new way of distributing their music. The compact disc allowed the labels to make more money and gave them a lot of marketing funds to do the job of getting the buzz out. Something the Digital format won't do in it's early stages, especially for the smaller label guy. The number of downloads that it takes to earn $7.00 is about 12.86 and/or 13 downloads. So if you have a Sales Budget of 65,000 units and/or $ 455,000.00 a year, you would to have a download of 1.9 million to make that same budget in the digital arena today,this by far is a big change. Does this mean, the compact disc is gone for good, absolutely not, it just means that the cd is going to be another side of the revenue stream such as the vinyl,videos,cassette tapes, a small but not totally a depleted product,etc. From 1990 to 2011, worldwide mobile phone subscriptions grew from 12.4 million to over 6 billion, penetrating about 87% of the global population and reaching the bottom of the economic pyramid. In economics, the bottom of the pyramid is the largest, but poorest socio-economic group. In global terms, this is the 4 billion people who live on less than US$2.50 per day.[1] The phrase “bottom of the pyramid” is used in particular by people developing new models of doing business that deliberately target that demographic, often using new technology. This field is also often referred to as the "Base of the Pyramid" or just the "BoP". Well this sector will be able to download music right from their mobile units. And never before has we ever been able to know who exactly is our End Users,until now.    We even know now, with a shadow of a doubt,what song is selling an album. But like with any progress, there are going to be casualties.And in this case,business models that are finding it hard to adapt to this new way users are getting their music and the niche music companies that have non-working artists. So, does a artists still needs a record label? My answer has always been this,does a sports professional need a coach? You can only be a master of one thing,and after almost 42 years I think that I'm still learning,something new, I'm more comfortable today of the music business than at anytime ever,I can see a bright light at the end of the tunnel. We know to increase sales there have to be an increase in productivity. There are more useful tools out here today to increase that productivity and viability. Artists are able to work more today and build fans faster and bigger today and that's the,"Key"to large Sales numbers. People buy things that they know, and if they like it, they become loyal to that thing.The more an Artist work,the more known they become and if the people like them,then they(the people) become loyal fans of the Artists ,then the Artist grows. It's clear to me is that the only thing that significantly changed in the music business is, how people get their music today. But the mechanics that makes it all happens, have not changed and that is, the Entertainment side,the Show business side,the show must go on side,the come on out and take another bow side. And this is what the whole thing  is all about. READY OR NOT!

NEWS & UPDATES

NEWS & UPDATES TO BE REPORTED:

APD Global Radio Indicator Charts ™

Top 50 APD Blues / Jazz / R&B Albums - Last Week, 

(as of 10:18 pm Thursday, May 9th 2013)

#13-Quinn Records TM Present "GO SLOW Blues Crossing"

Location: AMERICA NORTH: USA:Missouri (MO)