JAMES E. GILBERT OUT IN THE OPEN, BLUES N' SOUL MUSIC'S BEST KEPT SECRET!

By Dwight L. Quinn

 The Biography 

James Gilbert has been delighting audiences all over the world for nearly four decades. A James Gilbert & Legacy show promises to take you on a journey of an era when music was MUSIC!! James Gilbert is a man with a missionto get you to listen to what you've been missin.

 James Gilbert starting his singing career in 1974 performing in his grammar school talent show, James been a singing my whole life. James says that his vocal ability is a family trait, as his Mom & Dad both love to sing. James is a self thought musician, learning lead guitar, bass & drums and to avoid trouble as a teenager. Blues music was a staple in our household in his early years as I studied the mechanics of the Blues, which played out when he was 17, as he was fortunate enough to share the stage with Blues Legend John Lee Hooker. From then on performing has been James Gilbert's way of life.

After bouncing around the country as a member of a Top40 Rock and RnB band in the early 1980's, James decided to return home to expand on his own versatility. So he joined a local musicians union singing radio jingles, of which his first assignment was vocalist for the Missouri Lotteries New Pick-3 campaign in 1992. That same year, his new band got noticed and was selected to perform as actors for the Toyota Corporations Big Spring Sale TV commercial. Although falling in love with the art of voiceovers, performing continued to hold James heart hostage, so he put doing voiceovers on the back burner and continued to pursue his musical career. In nearly four decades of performing, James played with and opened for such superstars as B.B King, KoKo Taylor, Johnny Winter and War.

 In 2006 James released his first solo CD project entitled Best Kept Secret, where he had the #1 song for two weeks on Southern Soul radio and received rave reviews in both the US and Europe. In September 2012, James Gilbert was signed to the roster of Quinn Records TM, where his talents as a recording artist as well as company official spokesperson continues to attract attention from all over the world.

 JAMES GILBERT"S Discography; 
1-BEST KEPT SECRET
2-GO SLOW,BLUES CROSSING (QR121222-1)
3-KEEP ON KEEPING ON (QR121236-1)

 JAMES GILBET'S Set List; 
BLUES THIS MORNING
A REAL GOOD SIGN
RAINY NIGHT IN GEORGIA (COVER)
SOMEONE TO LOVE
OOH BABY
KEEP ON KEEPIN ON
KISS (COVER)
I BELIEVE PEOPLE ARE TALKIN
PLEASE COME BACK HOME
LONELY MAN
BREAKING MY HEART AGAIN

 MEET JAMES GILBERT & THE LEGACY BAND 

• JAMES GILBERT-LEAD VOCALS, LEAD GUITAR, BASS GUITAR, DRUMS 
• ROBERT (BOBBY) ADAMS-DRUMS 
• EUGENE SMILEY, SR.-RHYTHM GUITAR 
• BRENT WHEATLEY-KEYBOARD 
• TOM FLORA-BASS 
• RONNIE REED-TRUMPET ERNEST MELTON-SAX 

 James Gilbert's dreams and goals is to continue to work,thrive and delight audiences all over the world for many,many more years to come.

Total Song List is 85+ songs performed own show by James Gilbert & Legency Band.
Average Showtime: 3-4 Hours long..

Covers: see above list.
 Typical Repertoire: Blues/Soul/R&B

Check Out James's Electronic Press Kit (EPK)

Book James email: bookaartist@quinnrecords.net

Visit Us: www.quinnrecords.net
Mobile App: Download It Here
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Bookmark This Link:
 EPK URL: http://www.sonicbids.com/JamesGilbert3

Source: James Gilbert,Quinn Records TM Archives.

Where the sound of blues,gospel, jazz and soul music is made..

DISCOVERING AND SIGNING THE BEST TALENT

 by Dwight L. Quinn

Discovering and signing the best artistic talent is the motor that keeps a record company running. “Breaking acts and protecting A&R will always be the lifeblood of our culture. It’s at the heart of every conversation we have”, says Dwight Quinn, CEO of Quinn Records TM.
There is fierce competition between record companies to discover and sign the best new artistic talent. We are constantly scouting for performers that have the potential to develop their career in music to the highest level. Traditional A&R methods are today complemented by other ways of finding and signing talent.

The way to find talent nowadays is completely different from 25 years ago when bars or small venues were the places to find artists and musicians. Now there are a multitude of different ways. But at the end of the day, no matter how we find talent, it’s about someone making music and someone feeling the emotion that it creates. The internet is often the first port of call for Quinn's A&R looking to find the top performers of tomorrow.

The internet has made pre-selection much easier. Instead of travelling to every gig, you can do a lot of the groundwork online, checking out bands on their homepage, Myspace or YouTube.

 The internet is where you first hear of a buzz around an artist. We’re not the sort of label that looks for someone who’s got two million hits on YouTube, but we do look for an online buzz. While the internet can cut out some of the legwork for our A&R executive, viewing artists online is no substitute for seeing them live and developing a personal relationship with them.

 Evaluating artistic talent is a subjective process, but Quinn agree we are looking for something beyond technical competence when searching for an act to sign. We are looking for an artist that can move music fans. We looking for empirical evidence of a connection between the audience and the artist.

Submit Music To Quinn Records TM


Visit Us: www.quinnrecords.net
Mobile App: Download It Here
Follow Us: Facebook
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Book A Artist:  bookaartist@quinnrecords.net

WE NOTICED A NEW NAME IN THE DIGITAL SERVICES 
BUSINESS
by Dwight L. Quinn

Last month we noticed a new name added to the list of Digital Service companies selling Quinn Records TM music.
Of couse we're not there yet in terms of large revenues coming from the Digital stream, but it's clear to each and everyone of us in the record business that within the next five years,or so and
if not sooner,Digital Downloading when take the lead in being the main choice of accessing and aquiring  music by cusumers.
Digital has added a new dimension to the services record companies provide for artists. Digital accounted for 31 per cent of record companies’ trade revenues in 2011 and the major services expanded their reach from 23 to 58 countries in the
same year. While some services, such as AmazonMP3 or iTunes, effectively replicate the physical format market with consumers buying albums or singles, others, such as Deezer, Spotify and VEVO, rely on either advertising income, people paying a monthly subscription fee or some combination of both.
Such services are still in the early stages of development but offer the opportunity of global scale. Subscription services in June 2012 had an estimated 16 million subscribers globally, a number that has almost doubled in the last 18 months.
Many streaming services are relatively recent start-ups.
One of the largest services, Spotify, only opened in Germany,the world’s third largest music market, in March 2012.
Spotify is most developed in Sweden, where large numbers of consumers use the paid-for subscription tier of the service, we believes it has had a positive effect. “In Sweden, Spotify has changed the music business and made it a happy place to work again.
Now large numbers of people have a premium account, the revenue stream is fantastic. People listen to an album or song and put it on their playlist. They won’t stop listening to it. It’ll be giving the artist and Quinn Records TM and other record company a revenue stream for years.

New Digital Service companies are sprouting up all over the place and streaming,downloading and buying music from a IPad,IPhone and/ or Tablets is sooner than ever is fast becoming the the norm.

We at Quinn Records TM with our new mobil app is still making it easy or fans who are still hold fast to the interest of blues,gospel, jazz and soul music can have continuous access to our music.

Our mobile-app is the cusumers gateway to current information that includes: Quinn's Top-10 Song Chart, music news, current events,Quinn's President Choice, shop n' buy at Quinn store, new releases, coming soon, catalog, tickets,coupons,Facebook, Twitter, photos,artist tour schedule and free music downloads.
Not only will our Mobile app give you access to our music but it would be like having a whole complete Record Company in the palm of your hands

GET CONNECTED WITH QUINNRECORDS TM MOBILE APP!

THE ARTIST FAMILY TEAM WORKING TOGETHER.

 by Dwight L. Quinn

 If there's one thing that I've  notice , here at the Company,   is the strong sense of creative energy that seem to never stop flowing in the Artist family at Quinn Records TM. I'm delighted to have such great talent around me who are  not only looking out for their own career growth and welfare but they also put their skills and talents where ever needed in the Company doing whatever it takes to keep  both areas operating at full steam.  This week alone behind the scene Artist Kevin Wheeler has been working diligently
both in the Studio and in the field recruiting, interviewing and rehearsing new Band members for the kick off of KL&R 2 road shows, with the plan being focused on most shows being self-produced. Kevin has remixed his I Got My Swag On Album, and has expanded the Album to include three (3) new songs. Kevin has brought on Harvey Lee on as his percussionist.  The Artist Family has decided last week to increase the Band size from five to eight musicians, that's going to include two horns, that will give them a total of three horns in the Band.  

A.J Dickerson,who's a well known Music Scholar and entertainer in his own rights, in the St. Louis Music World was instrumental in partnering Quinn Records TM with a local venue to bring Live Southern Soul, Blues and Jazz Shows through this new St. Louis venue. Mr. Dickerson, Oliver Johnson and myself, met Monday at the Club with the owner and finalized the arrangement. The first Show according to Oliver Johnson has been scheduled for Thursday September 26th,2013 and there will be regular scheduled Live Shows from that point on. I want to re-introduce St. Louis to the outstanding Southern Soul acts that are out there today, that would be a new exciting  and long awaited experience for the St. Louis Market.

James Gilbert is bringing a new and exciting image to Quinn Records TM with his education and major in Broadcasting,Voice overs for Radio and Television. James has already made a great noticeable impact on the Company not only as a great outstanding artist but  his behind the scene work it's very welcomed. James is now the official Voice  for Quinn Records TM  taking us  into the today's  world of visual and sound technology.


The Artist Family Team working together, communicating,sharing ideas among each other and helping each other in there career goals is something to watch. They most definitely want the customer to know that they will be at all times, giving to them by way of there music, their very best.


Visit Us: quinnrecords.net

IT'S MUSIC BUSINESS TODAY!

by Dwight L. Quinn



As the model for a label has changed, so has the role of the artist in the industry. 
Artists today are more powerful than ever, noting that an active Artist can reach 
high on Charts today with very little traditional radio or other marketing. 
They are business people, marketers... They know how to relate to their audience 
and know how to connect properly. Selling "Show Tickets" is the Artist goal. The
income is huge for an Artist who sells from 6,000 to 28,000 tickets per year with a 
indie Label. 
Quinn Records TM and other  different independent labels have different programs 
and signing with John Doe label, for example, is not the same as signing with Willie Earl
records. Artists need to be aware of which indie labels do what best before signing a deal.
An Artist that's into Techno Soul is not going to do well with a Traditional Blues indie Label.

And with today's artists having more options than ever of how to release their music, 
The old record contracts are being  tossed aside in favor of a more 
egalitarian split -- and with digital platforms becoming ubiquitous, the differences between 
major labels and indies will be reduced. Yet the role of the label -- as the vessel, the support 
structure and the team assisting the artist in achieving success -- will not be going away.

The power is and always have been with the artist "but the infrastructure and guidance 
of a label is still a very important and necessary role in the music industry."

Visit Us: quinnrecords.net

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn

 Blues This Morning by James Gilbert (QR 121222-1)
WARNING!READERS PLEASE THIS SONG IS THE REAL BLUES- IF SOMEONE HAVE BROKEN YOUR HEART OR THE PEOPLE IN POWER IS MAKING IT HARD FOR YOU TO MAKE ENDS MEET, THAN CAUTION IS ADVISED.
"JAMES GILBERT, IS POURING HIS HEART OUT IN THIS SONG!"

 Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

WAS A REGULAR ON THE CHIT'LIN CIRCUIT.

by Dwight Quinn

Freddie King was Born in Gilmer, Texas, Sept. 3, 1934, King was six years old when his uncle taught him how to play a guitar.Lil Aaron said, that this is where Freddie got his style of guitar playing from his uncle teaching.
Still a teenager Freddie left Gilmer,Texas and moved to Chicago, where he got into the urban Blues scene, going to clubs, sitting in with bands and eventually forming his own band, The Every Hour Blues Boys.
He began working as a Studio musician,doing  sessions for than independent label Parrot Records.King auditioned for Chess Records, but was turned down, because it was said that he sounded too much like the then up coming blues artist Riley B. King a.k.a B.B. King.

He finally made his solo debut, as Freddy King in 1956 — he began spelling his name Freddie King in
1968 — with the single “Country Boy,” a duet with Margaret Whitfield, for El Bee Records.
Success was still a few years off. In 1960, he signed with Federal Records, a subsidiary of Syd Nathan’s
King Records label — a good omen, although his first single for the label, “Have You Ever Loved A Woman” (originally written by Billy Miles) made little impression. King began 1961 with “You’ve Got To Love Her With A Feeling,” which reached No. 93, then had his biggest pop-chart success with “Hide Away,” named after the Chicago bar Mel’s Hide Away Lounge. The swinging instrumental, partly drawn on other blues licks, was King’s sole Top 40 entry, peaking at No. 29 (and reaching No. 5 on the R&B charts); “San-Ho-Zay,” also released in 1961, just missed the Top 40 at No. 47 (No. 4 R&B). King alternated between releasing vocal and instrumental material, as evidenced by the albums he released in 1961: “Freddy King Sings” and “Let’s Hide Away and Dance Away With Freddy King: Strictly Instrumental.” King stayed with Federal until 1968.

A regular on the Chitlin’ Circuit, King landed a gig in 1966 in the The Beat Boys, the house band of the R&B TV show “The !!!! Beat” (the band was led by Clarence “Gatemouth” Brown). His stint with the show paved the way for a contract with Atlantic Records, which released the albums “Freddie King is a Blues Master” and “My Feeling for the Blues” in 1968. That same year, King did his first overseas tour to a warm welcome. There was a blues boom in Britain, and aficionados were already fans of King’s work.

“Hide Away” was covered by John Mayall & The Bluesbreakers on the 1966 album “Bluesbreakers With Eric Clapton,” and two other King numbers, “The Stumble” and “Someday After Awhile (You’ll Be Sorry)” were on the Mayall & The Bluesbreakers 1967 album “A Hard Road” (this time with Peter Green on guitar). “Have You Ever Loved A Woman” also would appear on Derek And The Dominos’ 1970 album “Layla and Other Assorted Love Songs,” and became a live favorite of Clapton’s. It was then that King began crossing over into the rock market. He signed with Leon Russell’s label, Shelter Records. Russell was very involved with King’s Shelter albums; he produced, performed and wrote songs for “Getting Ready” (1971), “Texas Cannonball” (1972) and “Woman Across The River” (1973, which reached No. 54 R&B,
No. 158 pop). “Getting Ready” featured another of King’s signature songs, “Going Down.”

The rock influences were now on the forefront, and King began playing for more white rock audiences. Grand Funk Railroad, which toured with King, even name checked him in their song, “We’re An American Band”: “Up all night with Freddie King/I got to tell you, poker’s his thing.” King also toured with Clapton and shared the stage with Led Zeppelin.

There was no shortage of musicians who wanted to work with King; both Clapton and Bobby Tench of The Jeff Beck Group appear on King’s 1974 album “Burglar.” Tench also appears on 1975’s “Larger Than Life” (the last album released during King’s lifetime, which reached No. 53 R&B).
King was considered the most emotive of the “Three Kings.” His singing has a pronounced rawness, and his guitar work is distinctive thanks to his use of thumb and finger picks (in contrast to B.B. King’s single-string style).

King’s primary means of making money was through touring, and he spent most of his years on the road. As a result, his health began to decline, and in 1976, he began having problems with stomach ulcers. King died Dec. 28, 1976, at the age of 42, suffering complications from his ulcers and pancreatic.
Freddie King didn't become a big name like,Fats Domino, Chuck Berry, Little Richard and B.B. King. He got life with the young rockers such as George Harrison, Jimi Hendricks, Eric Clapton and Jeff Beck they all displayed his influence in their playing and Freddie won a new audience.

GET A SINGLE SONG OR AN ENTIRE ALBUM AT OUR DIGITAL MUSIC STORE..

The Quinn Digital Music Store has a large music library of the label's prerecorded blues, gospel,jazz and soul music all selected for your best musical enjoyment-- ensuring you that every one of our genre is catered for. You have the option to preview any music track before you buy via a 30-second music clip (for a track over 2:30 (U.S. only). The Quinn Digital Music Store is always being updated with new releases, keeping the selection fresh and up to date.So that you can keep your digital music collection spiced up with the newest and latest in blues,gospel,jazz and soul music
see more

NEWS & UPDATES TO BE REPORTED:

NEWS & UPDATES TO BE REPORTED:

APD Global Radio Indicator Charts ™

Top 50 APD Blues / Jazz / R&B Albums - Last Week, 

(as of 10:18 pm Friday, May 24th 2013)

#48-Quinn Records TM Present "GO SLOW Blues Crossing"

Location: AMERICA NORTH: USA:Missouri (MO)

2013 Summer Release Season

by Dwight L. Quinn

We're well into our 2013 Summer release season. And the Season looks  very good  for CD Sales,because of their unexpected increase  during this tuf economy. Of course that's music to our ear. Since  the past five years or so, we've released our projects in both formats digital and CD. We know that Digital and streaming is a great way for  fans to get their music fast and convenient, but the CD is still the format of choice by fans and industry professionals. In fact this is not a new phenomenon in the music industry. The music industry has always offered music in two formats simultaneously. 
 This Summer we are going to release three new projects and they're all going to be available in both formats digital and CD,also our customers still will be able to buy the releases in our Special order formats,vinyl, cassette tape and sheet music. This year projects will have a difference that is going to be easily recognized by our regular customers and that is we're going to be offering several covers that will be playing a big part in this years releases and I'm rather excited about this plan because it is not usually our preference to use cover songs in a new projects, since we offer and promote to our customers, new music. Smooth Jazz is one the categories that we will be providing a new product. Kevin has finished four new cuts for this category and I know our Smooth Jazz fans are going to truly love what we got to offer them in the Smooth Jazz area. The other categories that we will  offer this Summer is of course, our signature category,"Blues" with the release of our hot,fast-moving CD Compilation,"GO SLOW-Blues Crossing",the album already has produced a lead off, run away hit song, it's James Gilbert's"Blues In The Morning" the song has been Blues Radio's top selection for the past nine weeks.Other popular songs on the Album is,"Mississippi Red's,Send Me Someone To Love,"Osee Anderson, Breaking Up Somebody's Home," Lil Aaron Mosby,Last Night" and Oliver Johnson,Want You Dance With Me". To further promote the GO SLOW-Blues Crossing Album we're booking a five city tour scheduled to start in July, 2013 promoting the the targeted Cities are,St.Louis,MO.,Chicago,IL.,Houston,TX.,Lansing,MI. and Memphis,TN. We're on a mission to galvanize our Artists fan base by bringing them a hot show that will be packed with new moving and entertaining sounds.

And if you would want the Show to stop in your City email; dwight@quinnrecords.net. 

 Lastly, we are expecting to cover a release in our Jazz category with a Single that's been on the drawing board for nearly three years and the cut is a most-waited on tune since a few Radio pros has already got a sample of it and sitting on needles waiting on it's completion. You can learn more about our new releases and coming soon projects on our website; Visit www.quinnrecords.net

READY OR NOT!

by Dwight L. Quinn
Face it, a big change have come to the record business and there is no turning back. Digital downloads are here to stay and so be it. For the record labels this means a big dip in revenues and of course,a new way of distributing their music. The compact disc allowed the labels to make more money and gave them a lot of marketing funds to do the job of getting the buzz out. Something the Digital format won't do in it's early stages, especially for the smaller label guy. The number of downloads that it takes to earn $7.00 is about 12.86 and/or 13 downloads. So if you have a Sales Budget of 65,000 units and/or $ 455,000.00 a year, you would to have a download of 1.9 million to make that same budget in the digital arena today,this by far is a big change. Does this mean, the compact disc is gone for good, absolutely not, it just means that the cd is going to be another side of the revenue stream such as the vinyl,videos,cassette tapes, a small but not totally a depleted product,etc. From 1990 to 2011, worldwide mobile phone subscriptions grew from 12.4 million to over 6 billion, penetrating about 87% of the global population and reaching the bottom of the economic pyramid. In economics, the bottom of the pyramid is the largest, but poorest socio-economic group. In global terms, this is the 4 billion people who live on less than US$2.50 per day.[1] The phrase “bottom of the pyramid” is used in particular by people developing new models of doing business that deliberately target that demographic, often using new technology. This field is also often referred to as the "Base of the Pyramid" or just the "BoP". Well this sector will be able to download music right from their mobile units. And never before has we ever been able to know who exactly is our End Users,until now.    We even know now, with a shadow of a doubt,what song is selling an album. But like with any progress, there are going to be casualties.And in this case,business models that are finding it hard to adapt to this new way users are getting their music and the niche music companies that have non-working artists. So, does a artists still needs a record label? My answer has always been this,does a sports professional need a coach? You can only be a master of one thing,and after almost 42 years I think that I'm still learning,something new, I'm more comfortable today of the music business than at anytime ever,I can see a bright light at the end of the tunnel. We know to increase sales there have to be an increase in productivity. There are more useful tools out here today to increase that productivity and viability. Artists are able to work more today and build fans faster and bigger today and that's the,"Key"to large Sales numbers. People buy things that they know, and if they like it, they become loyal to that thing.The more an Artist work,the more known they become and if the people like them,then they(the people) become loyal fans of the Artists ,then the Artist grows. It's clear to me is that the only thing that significantly changed in the music business is, how people get their music today. But the mechanics that makes it all happens, have not changed and that is, the Entertainment side,the Show business side,the show must go on side,the come on out and take another bow side. And this is what the whole thing  is all about. READY OR NOT!

SUBMITTING YOUR MUSIC TO QUINN RECORDS TM

by Dwight Quinn, April 26th, 2013

Today the phone calls are a bit different than they were a few minutes back, when a promising artists would call us and ask, if we accepted unsolicited demos, and in our case the answer would always be "yes and then we would proceed on to give the caller instructions as to  how to send us the demo.
But, today the call come in asking us, do we accept unsolicited demos, and our answer is still,yes, but the different in this call is that the promising artist is now asking us can they email us a mp3 or several mp3's of their song or they would ask us to go to their website to both look and listen to their music. That process is good in one way but harmful in the other. Here's what I mean, Quinn Records TM take music very seriously, and we are always releasing new projects and in most cases with new upcoming artists. But in order to do that on a continuous bases, like year end and year out, we must have an inventory of available music. We get that available music from demos being sent in to us and we process those demos into our inventory and add the demo to our Library. Now only the demos the match our style of music gets to go into that inventory. So when each release quarter  rolls around we don't have to run around looking for new music, we already have it,and ready to go. Call it old school,but we call it resourcefulness. It's clear that technology is great for getting thing their fast,and being accessible, but that human thing that makes us different is utilizing time,each Thursday for many,many minutes we have set aside four hours( 10:00 am til 2:00 p.m) dedicated to listening to the demos that came in that week and when we hear one that meets our standards than we grab it up,process into our Library and contact the Artist with our decision, we don't mess around. We are serious, and we know that the next big act is out there somewhere and we want it. Now the guy that calls in and wants us to stop and go to there website or send us an mp3 along with the 6000 emails that we get everyday, we can't process them in that way. Email gets deleted, computers crashes and gets attacked by viruses, that's not good for neither one of us. Our physical Library don't have those kind of crises or threats, so the artists Demo is always available to us to be used in a Quinn's project.  Our newest Artist to the Quinn Records TM family of Recording Artists, James Gilbert, It's A Real Good Sign, was selected from our Library of Demos and he's doing well, but if it wasn't for our Library of Demos,he would have been over looked. So we have a Demo Policy that is good for both parties, a Demo is a File and that's the way we treat it. And that's the place where we go to four times a year when it's time to get ready for us to release a new project. So I hope that this shaded a little light on submitting your music to Quinn Records TM. Keep your Demos coming in.

QUINN HIRES HARVEY LEE AS ITS' NEW ENTERTAINMENT MANAGER.

by Dwight L. Quinn
April 15th, 2013

Managing performances, events, artists and company's entertainers will be the responsibility of Mr. Harvey Lee Entertainment Manager for Quinn Records TM. Harvey Lee is coming to Quinn Records TM with over thirty-five years of Entertainment Management experience. Twenty-six of those were spent the United States Army where he performed as a Musician in Military Bands around the Globe, part of that experience lead Harvey into Club Management while Stationed in Germany. Harvey continued his musical activity playing local and national Bands here in the U.S. and performs occasionally as a Club DJ for various events.Harvey's love for the music business allowed him to gain great exposure and success in Booking acts as part of his wide array of Entertainment activities. A natural people-person a heart, Harvey is a natural for this job. Harvey will work extensively throughout the world. The job that Harvey will be doing for Quinn will provides limitless opportunities to travel nationally or internationally in markets where Quinn's music prominent This is a stressful and demanding job, but Harvey's project management and people skills will assists him in managing sufficiently. The position requires the Harvey to multi task effectively in this competitive, fast paced environment!! As the first order of business Harvey's main focus for Quinn will be to identify, select, create, oversee, manage thirty-three (33) small type venues with seating capacities not to exceed 800 and not less than 400 seats on an ongoing and continue bases, with the expected revenue goal of approximately $264,000 annually and develop an opened door communication with company artists, vendors, local radio stations, records stores, press etc. Harvey also will be working with parks, lodges, holiday venues, international organizations, company artists, hotels, and other companies involved in the entertainment industry. Harvey will create and have a team of professionals to manage and delegate responsibilities to. They include costume designers, makeup artists, sound and lighting technician, performers and other professionals.We Welcome Mr. Harvey Lee aboard. You can contact Mr. Harvey Lee by email: harveylee@quinnrecords.net -GO SLOW-Blues Crossing!