IN LOCAL HISTORY: LEO GOODEN "BLUE NOTE" CLUB, 4200 MISSOURI AVENUE,EAST ST. LOUIS,ILLINOIS

by Dwight L. Quinn

When I was growing up in East St. Louis, music was every

where, at night live bands was heard coming out of the

doors of almost every lil club or travern on a corner.

And don't let the club be close to a Church were they are

having night service,now you're getting it all. On radio

there's a Live, remote broadcast going a local band is 

jamming and people are having themselves a good time.

There were clubs like this on both sides of the wateri.e

as we would than describe the division of the Mississippi 

River. The Club that was getting popular than in the early

60's was the The Blue Note Club,located at 4200 Missouri

Avenue, in East St. louis,Illinois owned by the late Leo 

Gooden. Leo, as most people, who knew him would address 

him was an important local St. Louis mover-and-shaker 

whose ear for talent helped him assemble one of the best 

bands of its time, assembled initially to be the house 

band at Gooden's Blue Note Club.

A look into the mini-soul empire of Leo Gooden -- an tiny 

little enclave in East St Louis that was making some mighty 

hip music in the early 60s! Gooden wore many hats at the time 

-- politician, club owner, and local businessman -- but he 

also put together his own band and record label L. G. Records. 

He worked in a very hip mix of R&B and early 60s soul jazz modes! 

Through his nightclub, The Blue Note, Gooden came into contact 

with a variety of great musicians, both national and local -- 

and he brought their inspiration to play on sessions recorded here 

for his LG family of labels – he is featured on a handful of 

singles and two rare LPs.

Early 60s East St Louis jazz band. Originaly assembled to be the 

house band at Leo Gooden's Blue Note nightclub. The group, anchored 

by the Hammond B-3 playing of Don James, the dynamic drumming of 

Kenny Rice, and the tenor sax work of Charles "Little Man" Wright, 

pre-shadowed the organ-led jazz combos that appeared later.

Albert King would frequently set in with the Band and was given

the opportunity to play on several Leo Five recordings,"Worrisome 

Baby","Lonesome",and "You Threw Your Love On Me So Strong". Other 

local greats that worked with Leo and his L.G.Record Label was 

Ccharles Drain and Jamie Ross.

Members of Leo's Five:

Charles Wright, Don James, Fred Jackson, Leo Gooden

The 60's bands couldn't have been so widely recognized if it hadn't

been for the newer upcoming Radio personalities,bringing in a new

way of introducing music to the general listening public one of those

pioneering radio personalities of the time in the Greater St. Louis

was Spider Burks one of St. Louis’ first black disc jockeys, and 

he is remembered for giving jazz an urban identity in St. Louis market. 

He had graduated from Hampton Institute and began working at KXLW here 

in 1947. During his stint at that station, which lasted until 1956, 

Spider became a huge moneymaker for the station and himself.

He got the job initially when a radio shop owner on Easton Avenue 

sponsored a half-hour block of time and used Spider as his disc jockey.

Things went so well that the station hired him, and he would sell 

advertising to supplement his income.

He’d bring in his own records, and his two shows, “After School Swing 

Session” and “Down the Alley Behind My House” were huge favorites of the 

high school set. The record companies soon realized Spider Burks’ show 

could really “sell” their product.

Burks also worked as a disc jockey on KSTL, KADY/KADI-FM and KATZ, 

leaving the business in 1969.

St. Louis and East St. Louis histroically been a huge contributor and

weight station for all types of music,especially the sounds of blues,

gospel and jazz.Making St.Louis not only the Gateway to the West,but 

also the one of the Main birth places of the Blues.

Sources:Ace Records,East St. Louis Library Archives,Monitor and 

D.L. Quinn

KL&R2'S LEAD MAN,KEVIN WHEELER RELEASES NEW CD SINGLE ON OCTOBER 8,2013

by Dwight L. Quinn

On October 8,2013 Quinn Records TM will release Let's Go Party, a follow up to Kevin's, Got My Swag On a recent release on Quinn Records TM label. Recorded in Stafford, Virginia and produced by Kevin himself who is a two-timeGrammy-nominee, James Powell - Bass Guitar,Kevin Wheeler Jr. - Drummer/Background Vocals Larry Mount - keyboards, Mike Bella - Lead Guitar,Harvey Lee - Percussions/Background Vocals, all are bringing to this album a solid vourage of sound and soul that come from Kevin's long years of singing and ministering to the Gospel.

Let's Go Party is written by Bobby Conerly and Charles Burton. Kevin was taken in by the
song for the Club fun and feel. Some of Kevin's previous songs all have the presents of life
and excitement intrenched deep into the lyrics, tempo and beats.

Kevin is feeling good about this Album. Kevin said his hope is that everyone who listens to
Let's Go Party, feels it like he did. Kevin is now working with a new East-coast Agency and
is planning his national tour in support of the album.

Kevin's history is unfolding.KL was born and raised in the Washington DC metropolitan area,
he was inspired in music by his grandfather, the late Grant Williams 111, who played the tenor
saxophone for Louis Armstrong band KL, started his musical training at a young age in the
traditional Baptist church.

K L started playing music professionally in the late 70`s with a local GO GO band.
Then he went on to form his own national gospel group. The group recorded its first gospel album
on Redemption Records which included the instant hit Victory, which vaulted the victory album to
number 18 on the Billboard charts. The album was a huge success and the group was nominated
for the GMWA Excellence award, Dove award, and Soul Train music nominee. The group has also
charted the Billboard at least 5 times.

Kevin first recorded under his own name for Quinn Records TM in 2004, along with the R2, they
fisrt national release was titled,Can You Get Away written by Oliver Johnson. Since that time Kevin
has gone on to record and release five albums on the Quinn Records TM label. He toured with
the Divine Messengers and recorded for the now defunct Redemption Records before stepping
out on his own. As the head of his own group, he quickly made a name for himself in the soul n'
blues arena, doing live show in and around the Washington D.C., Stafford and Maryland area.

Kevin Wheeler & KL&R2 is rapidly gaining the respect and recognition as a soul n' blues force
to reckon with. His pure passion for the music is the driving force behind Kevin's tireless efforts
to becoming the next-best soul and blues artist. So the World had better get ready. Kevin Wheeler & KL&R2 has a Show for you.

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Where the sound of blues,gospel, jazz and soul music is made..

GLOBAL RECORDED MUSIC INDUSTRY REVENUES INCEASED

  GLOBAL RECORDED MUSIC INDUSTRY REVENUES INCEASED 
  by Dwight L. Quinn

Global recorded music industry revenues increased by an estimated 0.3 per cent in 2012, the first year of industry growth since 1999, to US$16.5 billion. Digital revenues increased by an estimated 9 per cent to US$5.6 billion in 2012, now accounting for around 34 per cent of global industry revenues. Download sales increased in volume by 12 per cent globally in 2012 and represent around 70 per cent of overall digital music revenues The number of people paying to use subscription services leapt 44 per cent in 2012 to 20 million. Subscription revenues are expected to account for more than 10 per cent of digital revenues for the first time in 2012. Digital channels account for the majority of record companies' income in an increasing number of markets including India, Norway, Sweden and the US Digital retailers' rapid global expansion is opening up the potential for markets such as Brazil and India, to become major sources of future industry growth. At the start of 2011, the major international services were present in 23 countries. Two years later, they are in more than 100 countries. Digital music consumption has become mainstream, as shown by consumer research by Ipsos MediaCT across nine markets in four continents. Two-thirds of internet users (62%) have used a licensed digital music service in the past six months. Among younger consumers (aged 16-24) this figure jumps to 81 per cent. Consumer satisfaction with licensed music services is demonstrably high. 77 per cent of users of licensed services rate them as excellent, very good or fairly good. Even 57 per cent of those who use unlicensed services believe "there are good services available for legally accessing digital music." Many non-digital revenue channels are also increasing. Performance rights income increased in value by an estimated 9.2 per cent in 2012 and now accounts for around 6 per cent of overall industry revenues, up from 3 per cent in 2007. Album charts in most markets show that investment in local repertoire is alive and well. In many countries, local repertoire accounts for the vast majority of the top selling albums of the year. Five major non-English language markets illustrate this. In Italy, Spain and Sweden, eight in 10 of the top selling albums of 2012 were by local artists; in Germany, seven in 10, and in France six in 10.


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 (sources:ifpi,riaa,nielson)

THE MARKETING MIX USED TO PROMOTE OUR ARTISTS

by Dwight L. Quinn


Promoting and marketing of the artist is among one of the largest line item spending accounts in Quinn Records TM’s budget. In a extemely high competitive market it is important for artists to benefit from having promotional support if they are to have the opportunity to build and connect with a large audience.

 Today the marketing mix used to promote our artist to fans has changed dramatically over recent years. Social media channels now complement traditional gatekeepers such as radio and television. With an educated guess,we estimate that just five years ago 75 to 80 per cent of our marketing dollars spent was targeted at broadcast advertising, now this amount has fallen to less than 55 per cent of our marketing budget while the increase in online marketing will reach an expected equal balance between the two media mix of 50/50.

 Social marketing is constantly growing. When we released Kevin Wheeler’s KL&R2 album, I Got My Swag On in 2010 among the top ten things we needed to do in promoting it was to include – the YouTube video (Quinn President Choice), and a music-targeted Facebook campaign, an Online marketing strategy. Several of the channels did not exist when their previous album, Par-Tae! Get Your Groove On  had been released five years earlier. This was also true when we released their latest album If You Need Me! In July, we again had to add several more new platforms to the mix.” The growth of online media has meant that we have to spend increasing resources to supply the content that these channels need. Dwight Quinn says: “The content that we have to create in the digital erea is probably two-fold in comparsion to what it was five years ago; with the people it has almost become a way of  life.” Ronnie Ray promotion manager Quinn Records TM agrees. “You have to be in your best creative-mode when you do social marketing for your artist, it has to be real-real, it has to be home-grown. It has to come from the artist. It can’t be just what we as a company feeds out to the fans. What’s the message, who is it coming from, how does it get to the consumer? We're planning in the very near future the creation of an entirely new digital department, with upto 10 people.

 There is so much we can be doing with our artists, with their content and with their music.” New media channels offer the opportunity for us to communicate directly with our fans. “The internet has become the new television, with immediate feedback and real-time interaction.” No two promotional campaigns are the alike. Dwight says: “The real beauty of the music business is that there are no scripts. It’s about gut instinct and where ever the dice falls.

Why record companies are so relevant is that we can take more risks than any other industry.” In our experience and our research into this subject we,discovered that today promotional activities can often cover a broader range of activity than was once not the case, traditionally. Many artists such as our own, want to become involved in a range of areas, “Some of our artists want to create clothing lines,fragrants, produce their own materials and so forth, so we, like the Major labels are bringing in experts to offer directions to this new, artist goal along with giving to the artist all sort of advice that will assist the artist in obtaining their goals. So we're investing.

Visit us: www.quinnrecords.net 
Listen to us: http://www.youtube.com/user/quinnrecords 
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MY FAVORITE JUNK FOOD WAS A BOX OF CRACKER JACKS

by Dwight Quinn

I bet you didn't know that when ever you purchase a Quinn Records TM product, we always give the customer something Free, it just comes natural with the Company. The idea came about when I was a boy growing up in East St. Louis. My favorite junk food was a box of Cracker Jacks. What I became to love and appreciate about a box of Cracker jacks, is that it wasn't the fact that it was  a great tasting, lip-smacking snack with its sweet caramel covered popcorn flavor and roasted salted peanuts that blended well with popcorn, it was as I began to realize that with every box of Cracker jacks that you purchased there were always a prize in the box. It was Free, a plastic ring or a spinning top you  name it, it was the prize that excited us. And it soon became apparent that it was the FREE prizes that was drawing us kids to the Cracker Jacks,the prizes was creating the buzz and making for a grand conversation piece, a friend maker and so on. Well I took that Cracker Jacks mentality into the business with me and applied the same strategy here at Quinn Records TM. We appreciate the customer so much that it is always proper for us to give the customer something back. To show our deepest appreciation and thanks for their business.
Quinn Records TM, from July 24th, 2013 until August 24th, 2013  is offering 25% Off List Price Program on all of our Gospel Albums, our customers will not find this offer nowhere else but at Quinn Records TM Online Store. And, if you purchase two or more CD's, we'll give you a FREE Quinn Records TM Signature T-Shirt, a $16.98 value or maybe another CD to go along with the purchase, that's just what we do. After almost forty-two years in business we still get overly excited when customer buy from us. It's the "Cracker Jacks" in us.

And, please do take our "FREE SHIPPING" program seriously when a purchase of $99.99 is ringed up on our P O S Register. We will Ship your order anywhere in the greater U.S.A. FREE. And don't be surprised if you won't find an additional Free gift when your order arrives, we can just see the smile on your face....

I know that being generous to our customers, will make for a grand conversation piece, a friend-maker, a collection item, but most of all, it will be a token of our most deepest and sincere appreciation for doing business with us. Giving back,just comes from our,"Cracker Jack Box" mentality.

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn
Blues This Morning by James Gilbert                   (QR 131232-1)

CLOSE THE DOOR- PE-POLES-AND CLOSE IT QUICK. 
CAUSE, SOMEBODY JUST THREW 
A "ROCK" IN OUR BLUES-
THE SIZE OF A BRICK!
WHO DID? "JAMES GILBERT, DID!" 

 YEP! Blues This Morning is bumping head on  with the likes of the sound of the early 60's,i.e. Little Milton Campbell, B.B. King, Bobby Blues Boy Bland, Elmore James, Jimmy Reed, and the style-like-list goes on and on, James Gilbert's nailed this song he put his Soul in, Blues This Morning. Rock is James fundamental style and it is awesome packed, when he blends both the Rock-a-peal and moody blues together, then you got an ex-bluesion, on your hand,Blues This Morning, has that rumble. James powerful vocals don't leave much room for criticism because this song has all of the flavor that's needed to stir up the taste buds of  Rocking Blues Lover's all over the universe. It's Smooth and Rock hard-Blues This Morning," CD. 

Available: CD Compilation 
Tracks: 16
Album: GO SLOW-Blues Crossing 
Cat.No. (QR 121222-1) 
Format: CD/CAS/12"Vinyl/ Digital 
Genre: Blues/Soul 
Order Online: www.quinnrecords.net

 Published 6/25/2013 YouTube Quinn'President Choice Have a listen, "BLUES THIS MORNING " Enjoy.

 

Visit Us: quinnrecords.net

QUINN RECEIVED SOME ENLIGHTENMENT FROM MARSHALL THOMPSON OF THE CHI-LITES

By Dwight L. Quinn

I'm just a bigger fan today as I was in years past of Groups like the Chi-lites out of Chicago, Illinois. I had the pleasure of speaking with Marshall Thompson Saturday by phone in great length. And I was totally delighted with the wisdom and enlightenment that I gained from my conversation with Marshall. He brought me out of that Old School mode and into the understanding of the now a day, what-you-should-know, about the entertainment climate the habits, attitudes and practices that influences the Live Music Market. 

Well it soon became pretty clear that I had been walking around with blinders on, being distracted by the effects, and paying little or no attention to the,cause i.e.(the Market). We both agreed that the Music business has definitely changed and the audience (the Market) that we play to today is just as different as we were (the Market) in the 60's. I can't emphasize enough as to how different that we were. And it's that different that causes,change, how they buy, how they listen to music, how they move it around, what's acceptable today as opposed to what 
was and wasn't acceptable yesteryear is 360 degrees different. But the fundamental foundation of the Business are still intact.
Marshall Thompson new Album, Hot On A Thing is riding on the waves of the today's sound but like a pro, Marshall carefully applied this legendary Groups signature-sound-style that is a legacy of the Chi-Lites. 
For those of you, who haven't had the pleasure of hearing, Marshall's new Album, Hot On A Thing. I highly recommend you to click this link and Listen, 


Just fourteen and half more weeks will mark a very special milestone at Quinn Records TM. It will be 42 years ago that I recorded and released my first album, by a local r&b group from St. Louis called The Amazing Dramas. Thus began the amazing legacy of River City Records and approximately one month later  the label was re-named Quinn Records TM. 
LiL Aaron Mosby’ Rev. Anderson Sparks, Chas. O. Collier & The Original Golden Ares of Cincinnati,The Kirkwood Spiritual Ares,The Masonic Quintet,Albert Phillips & The Divine Messengers, Jimmy Jones’ Carolyn Adams, Terry Williams, Oliver Johnson, Nikki Cunningham, KL&R2, Osee Anderson,Mississippi Red,Melvin "Smokehouse" Moore, Rev. Roy Page & The Spiritual Ares, Leroy Crisp & The Orig. Southern Harmonizers, Carlina Q. Aldridge, James Gilbert all were recorded by Dwight L. Quinn. 
Adding to this musical legacy. Quinn has released over 633 songs, over 50  jazz, 150 gospel and 110 r&b,soul,hip-hop,owned D.L. Quinn Music Publishing and Boogie City Music Group in St. Louis. 
Since 1971 Quinn Records TM is still going as strong as ever with new releases on KL& R2, James Gilbert, and Oliver Johnson available now. GO SLOW-Blues Crossing.

We continue our look at the Boogie City 33 tour scene with James Gilbert feature on GO SLOW- Blues Crossing CD Compilation, Oliver Johnson and KL&R2. 
Oliver is looking towards the last week in September, 2013 to get things rolling. The Show is planned to awesome Artists will be performing the hit recordings and will feature Nationally known Recording artists performing on each Show. Will have a complete Show Schedule a few days and we will posting this Online at Quinnrecords.net.

It’s time for Quinn to get the Digital Mood. We've got a nice bunch of new songs being release for this year and I am making my customer choices easier. I've  added a Digital Download Station category online at the Quinn Store, and I've reduced the songs that I'm offering to you in Digital format from $0.99 to $0.89 go to  www.quinnrecords.net and buy digitally. It’s the fastest, easiest and cheaper way to buy our music..

 And don’t forget, the Quinn Records TM Top-10 Song Charts are now posted Mondays and Fridays on our website as well.


Dwight L. Quinn

Founder

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn

 Blues This Morning by James Gilbert (QR 121222-1)
WARNING!READERS PLEASE THIS SONG IS THE REAL BLUES- IF SOMEONE HAVE BROKEN YOUR HEART OR THE PEOPLE IN POWER IS MAKING IT HARD FOR YOU TO MAKE ENDS MEET, THAN CAUTION IS ADVISED.
"JAMES GILBERT, IS POURING HIS HEART OUT IN THIS SONG!"

 Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

WAS A REGULAR ON THE CHIT'LIN CIRCUIT.

by Dwight Quinn

Freddie King was Born in Gilmer, Texas, Sept. 3, 1934, King was six years old when his uncle taught him how to play a guitar.Lil Aaron said, that this is where Freddie got his style of guitar playing from his uncle teaching.
Still a teenager Freddie left Gilmer,Texas and moved to Chicago, where he got into the urban Blues scene, going to clubs, sitting in with bands and eventually forming his own band, The Every Hour Blues Boys.
He began working as a Studio musician,doing  sessions for than independent label Parrot Records.King auditioned for Chess Records, but was turned down, because it was said that he sounded too much like the then up coming blues artist Riley B. King a.k.a B.B. King.

He finally made his solo debut, as Freddy King in 1956 — he began spelling his name Freddie King in
1968 — with the single “Country Boy,” a duet with Margaret Whitfield, for El Bee Records.
Success was still a few years off. In 1960, he signed with Federal Records, a subsidiary of Syd Nathan’s
King Records label — a good omen, although his first single for the label, “Have You Ever Loved A Woman” (originally written by Billy Miles) made little impression. King began 1961 with “You’ve Got To Love Her With A Feeling,” which reached No. 93, then had his biggest pop-chart success with “Hide Away,” named after the Chicago bar Mel’s Hide Away Lounge. The swinging instrumental, partly drawn on other blues licks, was King’s sole Top 40 entry, peaking at No. 29 (and reaching No. 5 on the R&B charts); “San-Ho-Zay,” also released in 1961, just missed the Top 40 at No. 47 (No. 4 R&B). King alternated between releasing vocal and instrumental material, as evidenced by the albums he released in 1961: “Freddy King Sings” and “Let’s Hide Away and Dance Away With Freddy King: Strictly Instrumental.” King stayed with Federal until 1968.

A regular on the Chitlin’ Circuit, King landed a gig in 1966 in the The Beat Boys, the house band of the R&B TV show “The !!!! Beat” (the band was led by Clarence “Gatemouth” Brown). His stint with the show paved the way for a contract with Atlantic Records, which released the albums “Freddie King is a Blues Master” and “My Feeling for the Blues” in 1968. That same year, King did his first overseas tour to a warm welcome. There was a blues boom in Britain, and aficionados were already fans of King’s work.

“Hide Away” was covered by John Mayall & The Bluesbreakers on the 1966 album “Bluesbreakers With Eric Clapton,” and two other King numbers, “The Stumble” and “Someday After Awhile (You’ll Be Sorry)” were on the Mayall & The Bluesbreakers 1967 album “A Hard Road” (this time with Peter Green on guitar). “Have You Ever Loved A Woman” also would appear on Derek And The Dominos’ 1970 album “Layla and Other Assorted Love Songs,” and became a live favorite of Clapton’s. It was then that King began crossing over into the rock market. He signed with Leon Russell’s label, Shelter Records. Russell was very involved with King’s Shelter albums; he produced, performed and wrote songs for “Getting Ready” (1971), “Texas Cannonball” (1972) and “Woman Across The River” (1973, which reached No. 54 R&B,
No. 158 pop). “Getting Ready” featured another of King’s signature songs, “Going Down.”

The rock influences were now on the forefront, and King began playing for more white rock audiences. Grand Funk Railroad, which toured with King, even name checked him in their song, “We’re An American Band”: “Up all night with Freddie King/I got to tell you, poker’s his thing.” King also toured with Clapton and shared the stage with Led Zeppelin.

There was no shortage of musicians who wanted to work with King; both Clapton and Bobby Tench of The Jeff Beck Group appear on King’s 1974 album “Burglar.” Tench also appears on 1975’s “Larger Than Life” (the last album released during King’s lifetime, which reached No. 53 R&B).
King was considered the most emotive of the “Three Kings.” His singing has a pronounced rawness, and his guitar work is distinctive thanks to his use of thumb and finger picks (in contrast to B.B. King’s single-string style).

King’s primary means of making money was through touring, and he spent most of his years on the road. As a result, his health began to decline, and in 1976, he began having problems with stomach ulcers. King died Dec. 28, 1976, at the age of 42, suffering complications from his ulcers and pancreatic.
Freddie King didn't become a big name like,Fats Domino, Chuck Berry, Little Richard and B.B. King. He got life with the young rockers such as George Harrison, Jimi Hendricks, Eric Clapton and Jeff Beck they all displayed his influence in their playing and Freddie won a new audience.

NEWS & UPDATES TO BE REPORTED:

NEWS & UPDATES TO BE REPORTED:

APD Global Radio Indicator Charts ™

Top 50 APD Blues / Jazz / R&B Albums - Last Week, 

(as of 10:18 pm Friday, May 24th 2013)

#48-Quinn Records TM Present "GO SLOW Blues Crossing"

Location: AMERICA NORTH: USA:Missouri (MO)

SPRING SUMMER AND THAN COME'S FALL!

by Dwight L. Quinn
This Summer you'll be hearing a lots more R&B coming out of our doors in these Summer Releases due out June,2013. Kevin of KL&R2 in particular are working on an aggressive Soul project that will almost surely put him and KL&R 2 in a demanding position. 
And,James Gilbert our hot,new Recording Artist that hails from Kansas City, Missouri has already shown us what he can do. James has brought a whole new dimension and broadness to our sound and the fans are letting us know that by keeping James at the very Top of our Song Chart each week. James is expected to be releasing his second Album on the Quinn Records Label this Summer. With new and original cuts,and you guest it, it will have all of that KC "Rock" in each of the Songs along with those powerful vocal cords spurting out  soulful tunes.Oliver Johnson, the guy that brought the trumpet to soul, said that he has a bunch of new songs that he put together between gigs. Oliver will be offering a bit of both,Jazz and Soul in this package this Summer. I can't promise you how the weather is going to be out of doors but I can surely promise you that inside of Quinn Records TM, it's going to be HOT! And than comes Fall, this is the time when we usually Releases our last project for the year,i.e. October, but there's something usual about this coming October 27th, 2013 but from my perspective, it doesn't seen like it's been that long,but time doesn't lie either. This October 27th, 2013 will be marking our 42nd year in the Blues Business,"My-My Ain't It Funny How Time,Just Slips On Away?.-GO SLOW-Blues Crossing! 

JAMES GILBERT QUINN NEWEST MEMBER TO IT'S FAMILY OF RECORDING ARTIST IS BEING WELL RECEIVED BY RADIO PROFESSIONALS

James Gilbert made his debut presence  known on the Quinn Records TM label on September 28th, 2013 with a reissued  original  hot cut  titled "Keep On Keeping On", his version of Brook Benton's "63" R&B hit song,"Rainy Night In Georgia" "and a original  slow-moody Blues cut,titled "Blues In The Morning". The songs has made James Gilbert one of the most recognizable new up coming R&B/Blues artist  in the industry today. To further prove this statement ,Airplay reports received by Quinn is used to compile Quinn's Top-10 Song Chart and James songs has been ranked on nearly all of the Charts since the release of his  debut CD,"Keep On Keeping On". Kansas City is where James Gilbert calls home.  KC has always been a key market for Blues Music and over the years Kansas City have produced some of the biggest names in  R&B/Blues music such as, Annette "Cotton Candy" Washington, Arnold "Gate mouth" Moore, and Lighting Hopkins just to name a few of the many Kansas City R&B/Blues  gurus. Now,James Gilbert is walking along that path with his strong ambitious R&B rocking Blues style that has people calling him the next great KC Blues giant like,"Lightning Hopkins, while re-kindling the fire that made Kansas City one the top ranking Markets  in the Blues Business.I'm really excited about James, said Dwight Quinn founder of Quinn Records TM, he can carry us to a level of high achievement, because Blues Music is our Business and having a talent like James delivering the real-true sound of the Blues will give us that recognition. Blues Radio has very high standards when it comes to Blues Music, so when you see those Professionals embrace a Artist like they are doing with James Gilbert, than you better watch out, you could very well be looking at the next Little Milton Campbell,Albert King or Bobby Bland coming over the horizon, said Dwight Quinn.

A short tour is being planned that will cover thirty-three U.S. Cities, giving James the opportunity to take his Blues Business to the streets. James said that he's eager to get started because performing live on stage is in his blood and that's where I'm at my best self, James said. James has six songs on Quinn Records TM's New Release,"GO SLOW-Blues Crossing", which is a Special Compilation that features eight of Quinn's Blues/Soul Artists. James Gilbert bringing the Kansas City blues sound to the Album makes it hard to cut it off, when you play it. You get a whole mix of Blues styles, such as, Osee Anderson Chicago style, LiL Aaron Mosby,Delta stlye, Oliver Johnson,Urban style, Mississippi Red, Traditional style and Carl Marshall Texas blues styles.
 James has been invited to do several Radio interviews with the most recent one was on April 15, 2013 with Kevin LEGS Walker of btinternet.com (UK). James has also, been actively promoting his need project through  Radio Drops and Voice Overs that he has been in great demands for by the Media.

Quinn Records TM has just recently released new Single by James Gilbert titled,It's A Real Good Sign. It's A Real Good Sign has already hit the Quinn's Top-10 Song Chart for Monday, 2013 in the #4  spot, making it the third Song that James has on Quinn's Top-10 Song Chart. It's a powerful indication from the Airway that this new Kansas City songster is about to Break. It's A Real Good Sign.
The song "It's A Real Good Sign was published by Quinn Records TM on their YouTube Channel,"Quinn President Choice", please have a listen. Enjoy!

OLIVER JOHNSON GOT NEW MATERIAL COMING OUR WAY.

Oliver Johnson "the guy that bought the trumpet to Soul", has been busy working Shows six and sometimes seven nights a week found time to get a little Studio work in between gigs. Today he told me that he have come with some awesome new material that will fit Quinn Records TM taste to a tee. Well, Oliver should know what kind of music that we like. Since he's credited with over eight Albums and four Singles on the Quinn Records TM's label. Oliver Johnson is a very active member of the St. Louis blues, jazz and Motown community. He appears frequently at R& B concerts, clubs, and private parties both as single performer and as a leader of his own group,:The Nite Train Express". Oliver at the age of six, began his study as a vocalist with his mother, Roberta Johnson of Uttica, Mississippi. Roberta, who was a gospel church singer, also introduced Oliver to the music of Performers like Louis Armstrong and Nancy Wilson. When Oliver was eight years old, the famous Jazz organist Tabb Smith and his group would rehearse in Oliver's home. At ten years old, Oliver started the study of the trumpet with Harry Turner of the Count Basie Band. Oliver's first professional performance, at age 13, started at the Cosmo Hall in East St. Louis that featured regular acts like Ike Turner, Johnny Johnson, Chuck Berry, Little Milton and Albert King. After high school Oliver started touring with Westmoreland,Inc. This band that eventually became Albert King's Band included Motown recording regulars like Tyrone Perry and Paul Jackson. For 12 years Oliver toured throughout Europe and Japan playing trumpet and singing with Mel and Tim (Backfield in Motion), Joe Tex (Skinny Leg's and All, Shirley Brown (Woman To Woman, Albert King,(Born Under A Bad Sign), Gladys Knight and The Pips, Rufus Thomas (Walking The Dog), Carla Thomas (B-A-B-Y Baby). Aside from Oliver's regular performances he has recently played the Black Rep's Production"One More Time". Oliver is mostly known for his versatility in many different music formats, from serious Be-bop trumpet to Falsetto R&B singing. Oliver signed on with Quinn Records TM in 2004 and have since created an impressive Catalog of titles both in the R&B, Soul and Jazz genres constantly performing headliners shows in venues all over the St. Louis Metropolitan area.