Showing posts with label live music. Show all posts
Showing posts with label live music. Show all posts

Sunday, November 17, 2013

HAPPY HOLIDAYS! "CHRISTMAS MUST BE LOVE"

by Dwight L. Quinn
11/18/2013

OLIVER JOHNSON
“ Christmas Must Be Love”


Christmas Must Be Love is collection of Christmas favorites created and produced by Oliver Johnson on the Quinn Records TM label. Oliver features both instrumental as well as vocal versions of these classical Christmas tunes. The original songs, Christmas Must be Love, Jingle Bell Jazz, all have that be-bop flavor that Oliver is known for displaying in his live performances in all making Christ Must Be Love, a listening pleasure. The late-great Louis Sash-Mo” Armstrong was Oliver’s idle, and in Christmas In New Orleans, Oliver demonstrates his love and appreciation for the legendary Louis Armstrong with his impersonation of Louie.
Oliver also featured his son Alex in his version of “Winter Wonderland,” Christmas Must Be Love will most definitely get you in the Christmas spirit. With lots horns, piano and chimes and bells all adding up to joyous fun.      Enjoy Christmas Must Be Love  CD

Catalog Number : QR051134-1
UPC# 6-62154-67436-2
TRACK LISTING:
1. Christmas Must Be Love
2. White Christmas, instrumental
3. Christmas In New Orleans
4. Jingle Bell Jazz, instr.
5. I’ll Be Home For Christmas
6. Merry Christmas Baby
7. This Christmas
8. Have Yourself A Merry Christmas
9. Winter Wonderland
10. Silver Bells
11. Santa Claus Is Coming To Town
12. I’ll Be Home For Christmas
13. Bells Will Be Ringing
14. Christmas Song
15. Santa Is Coming
16. Silent Night, instrumental

"FREE SHIPPPING" on all CD's when you order online at quinnrecords.net

"OUR BEST BLUES N' SOUL", 
is on our 
click link to order Quinn's 2-CD Box Set, NOW!

Code: 612106121222




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Where the sound of blues,gospel, jazz and soul music is made..


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Monday, October 28, 2013

100,000+ QUINN RECORDS TM CUSTOMERS CAN'T BE WRONG

by Dwight L. Quinn

                     SNEAK PEEK 33 (42nd Anniversary Addition 3-CD Box 

~ Disc 1: All Of A Sudden,  Breaking Up Somebody's Home, Shake For Me,Send Me Some To Love, Day Dreaming Again,Do You Love Me Not,I Got My Swag On, Sweetness Is Her Weakness, S.O.S.,
Ain't That's A Bitch, & Rainy Night In Georgia.

~ Disc 2: Keep On Keeping On, Sweet Sixteen, Slip Away,Trying Not 2,  Dr.Love Jones,  Brazil, In The Moment, This Magic Moment,
But Not For Me, Anniversary,



~ Disc 3: Bump The Stump, Draw Me Nearer,Beams Of Heaven,
One Day, You Told Me To Sing, Tomarrow May Never Come, India The Dancing Queen, I Like The Girls In The Clubs, Child'z Play, Why Are You Here, Jealous Kind Of Love, & Lied For The Last Time.


"FREE SHIPPPING" on all CD's when you order online at quinnrecords.net

"OUR BEST BLUES N' SOUL", 
is on our 
click link to order Quinn's 2-CD Box Set, NOW!

Code: 612106121222





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Monday, October 14, 2013

(RE-HATCHING THE PAST) LARRY MOODY MAKING BIG BUZZ WITH SONG ABOUT PRESIDENT OBAMA

by Dwight L. Quinn
(10/14/2013



Rapper-songwriter Larry Moody is creating buzz for himself and even getting
recognition from President Obama for this song, "Repect Before You Ellect,"
Moody spoke with rolling out about his positive music and upcoming porjects.
-iesha danial





How did"Respect Before You Elect" come about?
My cousin ccame to me and said, Larry, you know we're going to have a
chance to have our first black president. I think we should do a song to
get out here and help the world. What do you think about " Respect Before
You Elect? And I said, it sounds good. And I wrote the whole song. Once
Obama became the President, I said, "Wow, now it's time to do another
song. So that's how I came up with "Respect and Protect: Obama's the
President".

How did it feel to be recognized by President Obama?
That was truly a blessing. That was one of the greatest things of my life,
when his staff got a chance to view my songs and listen to it before the
President got it.

What advice would you give to someone interested in pursuing a career
in the music industry?
When you know you have talent and you know that you've creative, you
just have to keep going. You can't worry about whether you're going to
blow up or you're going to make millions of dollars. It's gift that you have
and you have to keep going.

What's next for you?
Right now I have a record label that's looking at my stuff. I'm in the process
of doing a jingle for the Cardinals. I'm working on a fundraiser in St. Louis
and I'm going to put that together to help the homeless and underprivileged
people. I can truly say, no matter how big I get or how famous, I still want
to help other people.

source: www.rollingout.com/ february 11, 2010

"MC Larry Moody", is on our Sneak Peek 33 (42nd Anniversary Addition 3-CD Box Set)
 click on link to order our 3-CD Box Set,Now!
Code: 612111091220

A BIG EVENT!!! COMING THIS WEEKEND:

 Join MC Larry Moody a.k.a. The TruE MC
as he HOST a Star-Studied Show Right Here
in St. Louis MO. on Sunday, October 20th, 2013

Oliver Johnson Presents Richard Brooks 
Rock & Roll Hall of Fame Inductee Flormerly of 
"The Impressions" with AJSR & Mother's Children

A Nostalgic Journey Into The Musical Era of The 
Impressions, Jerry Butler, Major Lance, and 
Curtis Mayfield

Sunday, October 20, 2013
Deja Vu Ii Cafe
2805 Target Drive
Florissant, Mo. 63136
Doors open at 5pm
Showtime: 6pm
General Admission Seating $20
Mezzanine/VIP: $30 w/picture
Orchestra/VIP: $40

For Tickets call Metrotix (314) 534-1111

Deja Vu II Cafe (314) 438-0586

Oliver Johnson (618) 581-4521 or (314) 596-1642

Artists
Oliver J Johnson
Richard Brooks
AJSR & Mother's Children
Night Train Express

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Thursday, October 10, 2013

BLUES THIS MORNING ( THE MOODY BLUES SONG)

by Dwight L. Quinn
10/10/2013

"Blues This Morning" is a 2009 song by the Kansas City rocker singer/songwriter/musician
 James Gilbert.
It was written by K-City Records owner and Producer Eugene Smiley,Sr.,and was first
released on Big Woody's, Going Home cd and recently released on the Quinn Records TM's
2012 popular 2-CD Box Set album Go Slow Blues Crossing. The album is a concept album
chronicling the typical style,side and sound of Blues "Blues This Morning" featured on the third track, which is titled "Blues This Morning."
It is one of two songs written by Eugene Smiley,Sr. on Go Slow-Blues Crossing, with the other being "A Real Good Sign." The song (by Special Guest Carl Marshall, titled" I Got The Blues Trying To Find Love") get a group of musician together taking turns in telling about their personal experience of how they got blues while trying to find love on a pleasant, sunny morning, while the chorus and bridge suggest wistful nostalgia from the inquisitive Carl Marshall the narrator:

"My baby left me this morning, And I just couldn’t understand
Ask her why she’s leaving, She said she’s found another man"

"Blues This Morning" was one of James Gilbert's first compositions for the Moody Blues.
It was also the second Moody Blues recording to feature him on lead vocals, the first song
being the cover of "Rainy Night In Georgia", from Keep On Keeping On. The album would
later go on to include some highly successful songs for the Moody Blues, such as "Oh Baby
You Don't Have To Go" (LiL Aaron Mosby), "Send Me Someone To Love" (Mississippi Red),
 and "Last Night" (LiL Aaron Mosby).
"Blues This Morning" was later released in 2013 as the second track on the Quinn Records TM
CD/SP  single "Keep On Keeping On".

"BLUES THIS MORNING", is on our GO SLOW-Blues Crossing (2 CD Box Set)   click on link to order our 2 CD Box Set,Now!
Code: 612106121222
Listen to: Blues This Morning


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Monday, October 7, 2013

VIDEO OF QUINN RECORDS TM'S RECORDING ARTIST KL&R2 REHEARSING THEIR BRAND NEW RELEASE TITLED, "LET'S GO PARTY".

by Dwight L. Quinn
10/7/2013

 Here's a video recorded by Carla of Winksays Production capturing Quinn Records TM's recording artist KL&R2, rehearsing their brand new soul n blues release titled, "Let's Go Party". Meet the members of Kevin Wheeler's Rockin' Soul n' Blues band  "R2", starting with Kevin,Jr..(drums), Larry,(key boards), Harvey Lee,(Percussions & Background vocals),JP.,(Bass) and Mike Bella,(Lead Guitar).



"LET'S GO PARTY", is on our GO SLOW-Blues Crossing (2 CD Box Set)   click on link to order our 2 CD Box Set,Now!
Code: 612106121222



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Sunday, September 29, 2013

QUINN RECORDS TM RELEASES NEW ALBUM ON NOVEMBER 5 THE BEST OF OLIVER JOHNSON

by Dwight L. Quinn
09/29/2013


Two time Sodexho Award-winning blues/soul/jazz trumpeter Oliver Johnson is  one of the most proliferated trumpet greats of all time....Oliver, known as the guy who brought the trumpet to Soul." On November 5, 2013 Quinn Records TM will release The Best of Oliver Johnson, a rocking collection of Oliver's top tunes  celebrating Oliver's six years as an international blues/soul/jazz recording artist and a professional musical experience that started  at age seven. Recorded in Centreville, Illinois and produced by Quinn Records TM producer/ songwriter/ label owner,Dwight L. Quinn the album is a mix of blues and soul sounds that allowed Oliver to stretch his thundering-trumpet solo's to all time highs.

Oliver wrote,You Make Me Sing The Blues track, Quinn wrote five additional tracks and the album was topped with four covers. The songs were collected from Oliver's best-sellers. The Best of Oliver Johnson will bring Oliver's discography to nine albums,since signing with Quinn Records TM in 2004.

 Making up the core of Oliver's Nite Train band on the CD are Benton (drums), Henry Taylor
(guitar), Oliver (keyboards), Nephew Davis (bass), Oliver (Trumpet). Oswald Peters and Julio each add guitar to three tracks. Oliver, who vocal duties are to wam-bam the audience, was inspired by the sessions to monorate in the songs, something that ole band musician use to do, talk to the audience and/or the band members while the song is in play, singing If You Repay Evil For Good,Oliver would break out and direct his Nite Train Band and shout out to whoever is listening that it's hot up in here, making The Best of Oliver Johnson the most personal, free-jamming and just plain fun recording of  his nearly four-decade career.

According to Oliver, "I have a personal attachment to the music in this album. Mr. Harry Turner my music teacher while in high school would always reminded me that music is about feeling -- And I don't ever forget that".
My hope is that everyone who listens to,The Best of Oliver Johnson feels it. I know that I sure did!" Oliver  is signed with the prestigious LA De Da Entertainment and Events in St. Louis and he will be touring nationally in support of the album.

Oliver's history is proof that dreams do come true. Oliver at age six, began his study as a vocalist with his mother,Roberta Johnson of Uttica Mississippi. Roberta, who was a gospel church singer, also introduced Oliver to the music of performers like Louis Armstrong and Nancy Wilson. When Oliver was eight years old, a famous jazz organist Tabb Smith and his groups use to rehearse in Oliver's home. At ten years old, Oliver started the study of the trumpet with Mr. Harry Turner of the Count Basie Band.

Oliver's first professional performances at thirteen, started at the Cosmo Hall in East St. Louis that featured regular acts like Ike Turner, Johnny Johnson, Chuck Berry, Little Milton and Albert King.
After high school Oliver started touring with Waestmoreland, Inc. The Band that eventually became Albert King's Band included Motown-Recording regulars like, Tyrone Perry and Paul Jackson. For twelve years (12) Oliver toured throughout UK and Japan playing trumpet and singing with Mel and Tim (Backfield In Motion), Joe Tex (Skinny Leg's and All), Shirley Brown (Woman to Woman), Albert King (Born Under A Bad Sign), Gladys Knight & The Pips, Rufus Thomas (Walking The Dog), and Carla Thomas (B-A-B-Y Baby).

Aside from Oliver's regular performances he has recently played the Black Rep's Production "One More Time". Oliver is mostly known for his versatility in many different music formats, from Be-bop trumpet to Falsetto R&B singing.

He first recorded under his own name with his Cheese and Butter album a self-produced, project with the help of Roberta his mother. Hard Times! was his second project, Hard Times was later picked up and re-issued on Quinn Records TM label.
He made his first solo albums two in the late 1990's, with bands featuring outstanding musicians, including famed guitarist Oswald Peters. With his be-bop sound and rockin blues band (later featuring side man Henry Taylor), it wasn't long before he was adopted by the southern soul audience as one of their own. .

Oliver signed with Quinn Records TM in 2004, releasing Hard Times: On The Other Side of Midnight!
(which earned him his two Sodexho Lifetime Achievement Awards). In 2007 he joined the late Earl Wilson Jr. Gateway Classics annual events!. He won a Sedexho Lifetime Achievement Award in 2006 for his dedication to the arts.
During the mid-2000s Oliver has continued recording and touring relentlessly, playing clubs, concert halls and festivals all over, electrifying audiences wherever he performs. Oliver's 2012 Argosy Casino Show featuring the legendary Richard Brooks original founding member of infamous,Impressions was hailed as an over-whelming success.
Oliver and his Nite Train Band continues to tour and work nitely in clues and venues all around the St. Louis City and Metropolitan area and shortly Oliver  will be touring  internationally with his own band.


The Best of Oliver Johnson proves Oliver Johnson's be-bop rocking trumpeting  is a true force of nature, while his songs and lyrics are a living history of the blues n soul earning him the reprutation as the guy who bought the trumpet to soul.
His thundering trumpet like Gabriel's is blowing the walls of blues and soul away. His improvisations on the blues and soul are full of fun and good humor. The blues and soul don't get much better."




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Thursday, September 26, 2013

FIVE QUINN RECORDS TM ARTISTS ARE RECEIVING HUGE INTERNATIONAL ATTENTION

[09/27/2013]

On Thursday, September 26th 2013 The APD Global Radio Indicator Charts ™ posted in it's Top 50 Albums - Today, #20-Quinn Records TM Present GO SLOW Blues Crossing. Soul blues singer James Gilbert's Blues This Morning is the # 1 song, followed by Mississippi Red,Send Me Somebody To Love.

 The late LiL Aaron Mosby a.k.a. Blues Man is making notariety again with the powerful rendention covered of Jimmy Reed's 60's hit Oh Baby, You Don't Have To Go. However LiL Aaron is not a stranger in the UK by no means of the word. Had performed in front of a sold out record crowd of twenty thousand at the Holland, Blues, Festival in 2001.

 Blues singer/guitarist Osee Anderson, Breaking Up Somebody's Home employing his signature guitar licks like those of the late great Jimmy Hendricks and the famous Guitar Watson adds a whole new dimension to Albert Blues-Boy Kings Stax's Records hit recording,Breaking Up Somebody's Home.

 Quinn Records TM artist Kevin Wheeler's domestic releases has dropped today in Brussels Belguim and Victoria Australia.

 FM Brussel [FM98] (98.8 FM) Date: 09/26/2013 05:17:33 am www.fmbrussel.be Elsene, Brussels, Brussels Belgium
 1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke)

 West Gippsland Community Radio [3BBR] (103.1 ) Date: 09/26/2013 05:17:33 am 3bbrfm.org.au Drouin, Victoria Australia
1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke) 

Quinn Records TM "GO SLOW-Blues Crossing 2-CD Box Set) available: Buy Here.


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Friday, September 20, 2013

TERRESTRIAL RADIO'S CRITICS WOULD HAVE YOU THINKING TERRESTRIAL RADIO IS "DEAD".

9/20/2013

Let’s Look Well Into The Matter


Satellite radio, as an example, gained 453,000 subscribers in the first quarter of 2013, bringing its total to 24.4 million. In the same first quarter of 2013, Pandora has around 70 million active users, Pandora One gained more than 700,000 new subscribers, which brings their total subscribers to 2.5 million. Spotify has over 24 million active users,currently and over 6 million paying subscribers.

 Terrestrial radio’s absolute biggest competitor, is iTunes accounting for about 75% of global digital music with over 600 million users worldwide. iTunes has just recently revealed their own iTunes Radio which will compete with the streaming services.

 These numbers reflect global users rather than only in the United States, so the numbers cannot be taken as face value right now. But these are the numbers that critics quote, and even still, some of these numbers can hardly touch the impact of terrestrial radio in the U.S. today.

 Why Digital Radio Is Gaining Strength.

 The question is, how has digital radio gained such speed and momentum, enough to begin to compete with terrestrial radio? For starters, the instantaneous selection of music from one’s library is something that terrestrial radio simply cannot do. Waiting for your favorite song? You don’t have to wait for it to come on the radio—just browse, select and push play.

Another advantage to digital radio is the breadth of one’s music library. Terrestrial radio has its certain playlist of songs decided by the DJ at that time. But with digital and streaming radio, you are the DJ. You have the entire selection of your uploaded or streaming music library at your fingertips, ready to be called up at will.

 Still another advantage is mobility. In the advent of mobile phones and tablets, carrying around your music library has never been easier. There are thinner and sleeker Walkmans these days, but carrying around a device just for radio in addition to your mobile phone or tablet just doesn’t sit well with the majority of consumers.

 Despite All Of The Hype, Terrestrial Radio Still Has Its Own Unique Benefits.

While digital radio is gaining momentum due to these benefits, terrestrial radio still has a hold on the American public for reasons of its own. For starters, some people prefer to not have to choose the music they listen to, and they like a DJ playing the top hits or genre-specific hits of that station for them.
This also helps with song and artist discovery, just in a different way than some of the streaming services.

 Terrestrial radio lives and breathes local content. As wavelengths and signals can only travel so far, radio stations are generally encouraged to maintain some sense of locality in their programming and possibly even sound choice. This includes local news, music from local artists and even advertisements for local businesses that you just can’t get from digital radio.

 In terms of artist royalties, radio stations, for the most part, have got a system, and it’s a system that has worked for many years. Streaming and digital radio services are still trying to work out the kinks in their own plans for rewarding artists for their music, and many people—especially artists—are turned off by this fact.

 And finally, terrestrial radio is free. Several of these digital and streaming providers do end up having free music as well, but terrestrial radio will always be free. No subscriptions necessary. If these providers ever decide to go subscription only, terrestrial radio will always be free. While digital radio does pose something of a threat to terrestrial radio, the traditional medium is just too far engrained to be going anywhere anytime soon. There may be some adaptation involved as the music industry continues to evolve over time, but for the most part, terrestrial radio has found and will continue to hold a special place in the hearts of music listeners.

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Thursday, September 5, 2013

DISCOVERING AND SIGNING THE BEST TALENT

 by Dwight L. Quinn


Discovering and signing the best artistic talent is the motor that keeps a record company running. “Breaking acts and protecting A&R will always be the lifeblood of our culture. It’s at the heart of every conversation we have”, says Dwight Quinn, CEO of Quinn Records TM.
There is fierce competition between record companies to discover and sign the best new artistic talent. We are constantly scouting for performers that have the potential to develop their career in music to the highest level. Traditional A&R methods are today complemented by other ways of finding and signing talent.

The way to find talent nowadays is completely different from 25 years ago when bars or small venues were the places to find artists and musicians. Now there are a multitude of different ways. But at the end of the day, no matter how we find talent, it’s about someone making music and someone feeling the emotion that it creates. The internet is often the first port of call for Quinn's A&R looking to find the top performers of tomorrow.

The internet has made pre-selection much easier. Instead of travelling to every gig, you can do a lot of the groundwork online, checking out bands on their homepage, Myspace or YouTube.

 The internet is where you first hear of a buzz around an artist. We’re not the sort of label that looks for someone who’s got two million hits on YouTube, but we do look for an online buzz. While the internet can cut out some of the legwork for our A&R executive, viewing artists online is no substitute for seeing them live and developing a personal relationship with them.

 Evaluating artistic talent is a subjective process, but Quinn agree we are looking for something beyond technical competence when searching for an act to sign. We are looking for an artist that can move music fans. We looking for empirical evidence of a connection between the audience and the artist.

Submit Music To Quinn Records TM


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Sunday, September 1, 2013

A HARDWORKING ENTERTAINER KEVIN WHEELER & R2 (KL&R2)

by Dwight L.Quinn 

 THE BIOGRAPHY

 KL was born and raised in the Washington DC metropolitan area, he was inspired in music by his grandfather, the late Grant Williams 111, who played the tenor saxophone for Louis Armstrong band KL, started his musical training at a young age in the traditional Baptist church. K L started playing music professionally in the late 70`s with a local GO GO band. Then he went on to form his own national gospel group. The group recorded its first gospel album on Redemption Records which included the instant hit Victory, which vaulted the victory album to number 18 on the Billboard charts. The album was a huge success and the group was nominated for the GMWA Excellence award, Dove award, and Soul Train music nominee. The group has also charted the Billboard at least 5 times. Then K L signed a contract on the Quinn Record Label. The group was also nominated for a Grammy award for their latest album A Message From The Messengers. K L and his group has performed all over America, appeared on national television shows. K L is now enjoying his latest Soul R&B album`s which include Can You Get Away, Par-Tee Time, Somebody Said, Lied For The Last Time, Do You Love Me, I Got My Swagg On, Sweetness Is Her Weakness, That Lady and Ms Niece.

 LIST OF SINGLES & EP'S OF KEVIN WHEELER & KL&R2
 A.-SINGLES
- Can You Get Away, (QRS41133-1) Release Date:10/22/2004
- Par-Tae! Get Your Groove On,(QRS51135-1) Release Date:01/01/2005
- Somebody Said,(QRS51138-1),Release Date: 02/07/2005
- Let's Go Party,(QRS13032-1), Released Date: 07/09/2013 B.

- EP - I Got My Swag On, (QR100122-1),Release Date:06/03/2013

 SONGS PERFORMED ON SHOW: Kevin Wheeler & KLR2
 Let's Go Party
 I Got My Swag On
Sweetness Is Her Weakness
 If You Need Me Lied For The First Time

 In addition to several other songs from Kevin's albums and EP's.
 Covered Songs Performed By Kevin Wheeler * KL&R2:
 Can I Change My Mind- Tyrone Davis
 Don't Let the Green Grass Fool You- Wilson Pickett
 Sweet Caroline-Bobby Womack

 Total Song List is 150+ songs performed own show by Kevin Wheeler & KL&R2. 
Average Showtime: 3-4 Hours long..

 Covers: see above list.
 Typical Repertoire: Blues/Soul/R&B

 Check Out Kevin's Electronic Press Kit (EPK)

Book Kevin email: bookaartist@quinnrecords.net

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Source:Quinn Records TM Archives




Thursday, August 29, 2013

THE INTERGRATION BETWEEN APP AND AUTO ALL SUGGEST A STREAMING MUSIC MARKET

by Dwight L. Quinn






Despite gloomy reports coming from the state of the economy this year there's been quite interesting news all positive and complementary. Here are recent highlights reported by the RIAA :
•    riaa reported their 2012 year-end sales and shipment numbers, including the increasing importance of streaming music – so-called “access models” which now total $1 billion in revenues
•    new data from NPD finding that “subscription-based and free


  • Internet radio services accounted for nearly one quarter (23 percent) of the average weekly music listening time among consumers between the ages of 13 and 35, an increase from a share of 17 percent the previous  year”
  • booming car sales so far in 2013, which, as  Billboard observed, portend further positive news for music business:

First, better integration between app and auto will mean more subscribers
to services like Spotify, which allow smartphone owners to take music into
the vehicle via cached files. Second, more listening to Internet radio over
broadcast radio means more money. Whereas broadcast radio lacks a
performance right, digital services have a performance right that results in
royalties paid for Internet radio listening.

Jonathan Lamy, EVP, Communications, RIAA said, that this is a positive virtuous
cycle, with each set of data points and facts further validating each other and the
underlying proposition.
RIAA year-end 2012 numbers showed substantial growth in these access models.
NPD 2012 data showed more usage of and time spent with these types of services.
And a booming car industry is leveraging fans’ appetite for these services and the
popularity of music generally to offer more value to would-be customers.
This year  auto show, one companies touted music app integration as one of their
key selling points.
All these developments are interrelated, and all suggest a streaming music market
that will only further expand in importance and reach.




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Source: ifpi,riaa,npd




Sunday, August 25, 2013

GLOBAL RECORDED MUSIC INDUSTRY REVENUES INCEASED


  GLOBAL RECORDED MUSIC INDUSTRY REVENUES INCEASED 
  by Dwight L. Quinn



Global recorded music industry revenues increased by an estimated 0.3 per cent in 2012, the first year of industry growth since 1999, to US$16.5 billion. Digital revenues increased by an estimated 9 per cent to US$5.6 billion in 2012, now accounting for around 34 per cent of global industry revenues. Download sales increased in volume by 12 per cent globally in 2012 and represent around 70 per cent of overall digital music revenues The number of people paying to use subscription services leapt 44 per cent in 2012 to 20 million. Subscription revenues are expected to account for more than 10 per cent of digital revenues for the first time in 2012. Digital channels account for the majority of record companies' income in an increasing number of markets including India, Norway, Sweden and the US Digital retailers' rapid global expansion is opening up the potential for markets such as Brazil and India, to become major sources of future industry growth. At the start of 2011, the major international services were present in 23 countries. Two years later, they are in more than 100 countries. Digital music consumption has become mainstream, as shown by consumer research by Ipsos MediaCT across nine markets in four continents. Two-thirds of internet users (62%) have used a licensed digital music service in the past six months. Among younger consumers (aged 16-24) this figure jumps to 81 per cent. Consumer satisfaction with licensed music services is demonstrably high. 77 per cent of users of licensed services rate them as excellent, very good or fairly good. Even 57 per cent of those who use unlicensed services believe "there are good services available for legally accessing digital music." Many non-digital revenue channels are also increasing. Performance rights income increased in value by an estimated 9.2 per cent in 2012 and now accounts for around 6 per cent of overall industry revenues, up from 3 per cent in 2007. Album charts in most markets show that investment in local repertoire is alive and well. In many countries, local repertoire accounts for the vast majority of the top selling albums of the year. Five major non-English language markets illustrate this. In Italy, Spain and Sweden, eight in 10 of the top selling albums of 2012 were by local artists; in Germany, seven in 10, and in France six in 10.


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 (sources:ifpi,riaa,nielson)

Friday, July 26, 2013

MY FAVORITE JUNK FOOD WAS A BOX OF CRACKER JACKS

by Dwight Quinn

I bet you didn't know that when ever you purchase a Quinn Records TM product, we always give the customer something Free, it just comes natural with the Company. The idea came about when I was a boy growing up in East St. Louis. My favorite junk food was a box of Cracker Jacks. What I became to love and appreciate about a box of Cracker jacks, is that it wasn't the fact that it was  a great tasting, lip-smacking snack with its sweet caramel covered popcorn flavor and roasted salted peanuts that blended well with popcorn, it was as I began to realize that with every box of Cracker jacks that you purchased there were always a prize in the box. It was Free, a plastic ring or a spinning top you  name it, it was the prize that excited us. And it soon became apparent that it was the FREE prizes that was drawing us kids to the Cracker Jacks,the prizes was creating the buzz and making for a grand conversation piece, a friend maker and so on. Well I took that Cracker Jacks mentality into the business with me and applied the same strategy here at Quinn Records TM. We appreciate the customer so much that it is always proper for us to give the customer something back. To show our deepest appreciation and thanks for their business.
Quinn Records TM, from July 24th, 2013 until August 24th, 2013  is offering 25% Off List Price Program on all of our Gospel Albums, our customers will not find this offer nowhere else but at Quinn Records TM Online Store. And, if you purchase two or more CD's, we'll give you a FREE Quinn Records TM Signature T-Shirt, a $16.98 value or maybe another CD to go along with the purchase, that's just what we do. After almost forty-two years in business we still get overly excited when customer buy from us. It's the "Cracker Jacks" in us.

And, please do take our "FREE SHIPPING" program seriously when a purchase of $99.99 is ringed up on our P O S Register. We will Ship your order anywhere in the greater U.S.A. FREE. And don't be surprised if you won't find an additional Free gift when your order arrives, we can just see the smile on your face....

I know that being generous to our customers, will make for a grand conversation piece, a friend-maker, a collection item, but most of all, it will be a token of our most deepest and sincere appreciation for doing business with us. Giving back,just comes from our,"Cracker Jack Box" mentality.

Thursday, July 11, 2013

THE ARTIST FAMILY TEAM WORKING TOGETHER.

 by Dwight L. Quinn

 If there's one thing that I've  notice , here at the Company,   is the strong sense of creative energy that seem to never stop flowing in the Artist family at Quinn Records TM. I'm delighted to have such great talent around me who are  not only looking out for their own career growth and welfare but they also put their skills and talents where ever needed in the Company doing whatever it takes to keep  both areas operating at full steam.  This week alone behind the scene Artist Kevin Wheeler has been working diligently
both in the Studio and in the field recruiting, interviewing and rehearsing new Band members for the kick off of KL&R 2 road shows, with the plan being focused on most shows being self-produced. Kevin has remixed his I Got My Swag On Album, and has expanded the Album to include three (3) new songs. Kevin has brought on Harvey Lee on as his percussionist.  The Artist Family has decided last week to increase the Band size from five to eight musicians, that's going to include two horns, that will give them a total of three horns in the Band.  

A.J Dickerson,who's a well known Music Scholar and entertainer in his own rights, in the St. Louis Music World was instrumental in partnering Quinn Records TM with a local venue to bring Live Southern Soul, Blues and Jazz Shows through this new St. Louis venue. Mr. Dickerson, Oliver Johnson and myself, met Monday at the Club with the owner and finalized the arrangement. The first Show according to Oliver Johnson has been scheduled for Thursday September 26th,2013 and there will be regular scheduled Live Shows from that point on. I want to re-introduce St. Louis to the outstanding Southern Soul acts that are out there today, that would be a new exciting  and long awaited experience for the St. Louis Market.

James Gilbert is bringing a new and exciting image to Quinn Records TM with his education and major in Broadcasting,Voice overs for Radio and Television. James has already made a great noticeable impact on the Company not only as a great outstanding artist but  his behind the scene work it's very welcomed. James is now the official Voice  for Quinn Records TM  taking us  into the today's  world of visual and sound technology.


The Artist Family Team working together, communicating,sharing ideas among each other and helping each other in there career goals is something to watch. They most definitely want the customer to know that they will be at all times, giving to them by way of there music, their very best.


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Sunday, July 7, 2013

IT'S MUSIC BUSINESS TODAY!

by Dwight L. Quinn



As the model for a label has changed, so has the role of the artist in the industry. 
Artists today are more powerful than ever, noting that an active Artist can reach 
high on Charts today with very little traditional radio or other marketing. 
They are business people, marketers... They know how to relate to their audience 
and know how to connect properly. Selling "Show Tickets" is the Artist goal. The
income is huge for an Artist who sells from 6,000 to 28,000 tickets per year with a 
indie Label. 
Quinn Records TM and other  different independent labels have different programs 
and signing with John Doe label, for example, is not the same as signing with Willie Earl
records. Artists need to be aware of which indie labels do what best before signing a deal.
An Artist that's into Techno Soul is not going to do well with a Traditional Blues indie Label.

And with today's artists having more options than ever of how to release their music, 
The old record contracts are being  tossed aside in favor of a more 
egalitarian split -- and with digital platforms becoming ubiquitous, the differences between 
major labels and indies will be reduced. Yet the role of the label -- as the vessel, the support 
structure and the team assisting the artist in achieving success -- will not be going away.

The power is and always have been with the artist "but the infrastructure and guidance 
of a label is still a very important and necessary role in the music industry."

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