OLIVER JOHNSON WILL PERFORM WITH RICAHARD BROOKS FORMERLY OF THE IMPRESSIONS AND AJSR & MOTHER'S CHILDREN AT DEJA VU LI CAFE

Richard Brooks

by Dwight L. Quinn
10/4/2013

Singer/songwriter/composer/trumpeter and international recording artist Oliver Johnson is bringing back to St.Louis for the second time around,Rock & Roll Hall of Famer and original founding member of the legendary iconic group,The Impressions, Richard Brooks whose new critically lauded Album Richard Brooks I'm Back is fast becoming a fan favorite, will perform with AJSR & Mother's Children at the Deja Vu li Cafe at 2805 Target Drive, Florissant, Missouri on Sunday, October 20, in St. Louis, Missouri. 

 Oliver Johnson will be join by other guests including Renee Smith and saxophonist Peaches for one jam-packed night of music. 

 INBeat calls Oliver "an artist who continues to grow before our eyes," and says Richard Brooks is a "critical acclaimed songwriter and artist.."

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QUINN RECORDS TM RELEASES NEW ALBUM ON NOVEMBER 5 THE BEST OF OLIVER JOHNSON

by Dwight L. Quinn
09/29/2013

Two time Sodexho Award-winning blues/soul/jazz trumpeter Oliver Johnson is  one of the most proliferated trumpet greats of all time....Oliver, known as the guy who brought the trumpet to Soul." On November 5, 2013 Quinn Records TM will release The Best of Oliver Johnson, a rocking collection of Oliver's top tunes  celebrating Oliver's six years as an international blues/soul/jazz recording artist and a professional musical experience that started  at age seven. Recorded in Centreville, Illinois and produced by Quinn Records TM producer/ songwriter/ label owner,Dwight L. Quinn the album is a mix of blues and soul sounds that allowed Oliver to stretch his thundering-trumpet solo's to all time highs.

Oliver wrote,You Make Me Sing The Blues track, Quinn wrote five additional tracks and the album was topped with four covers. The songs were collected from Oliver's best-sellers. The Best of Oliver Johnson will bring Oliver's discography to nine albums,since signing with Quinn Records TM in 2004.

 Making up the core of Oliver's Nite Train band on the CD are Benton (drums), Henry Taylor
(guitar), Oliver (keyboards), Nephew Davis (bass), Oliver (Trumpet). Oswald Peters and Julio each add guitar to three tracks. Oliver, who vocal duties are to wam-bam the audience, was inspired by the sessions to monorate in the songs, something that ole band musician use to do, talk to the audience and/or the band members while the song is in play, singing If You Repay Evil For Good,Oliver would break out and direct his Nite Train Band and shout out to whoever is listening that it's hot up in here, making The Best of Oliver Johnson the most personal, free-jamming and just plain fun recording of  his nearly four-decade career.

According to Oliver, "I have a personal attachment to the music in this album. Mr. Harry Turner my music teacher while in high school would always reminded me that music is about feeling -- And I don't ever forget that".
My hope is that everyone who listens to,The Best of Oliver Johnson feels it. I know that I sure did!" Oliver  is signed with the prestigious LA De Da Entertainment and Events in St. Louis and he will be touring nationally in support of the album.

Oliver's history is proof that dreams do come true. Oliver at age six, began his study as a vocalist with his mother,Roberta Johnson of Uttica Mississippi. Roberta, who was a gospel church singer, also introduced Oliver to the music of performers like Louis Armstrong and Nancy Wilson. When Oliver was eight years old, a famous jazz organist Tabb Smith and his groups use to rehearse in Oliver's home. At ten years old, Oliver started the study of the trumpet with Mr. Harry Turner of the Count Basie Band.

Oliver's first professional performances at thirteen, started at the Cosmo Hall in East St. Louis that featured regular acts like Ike Turner, Johnny Johnson, Chuck Berry, Little Milton and Albert King.
After high school Oliver started touring with Waestmoreland, Inc. The Band that eventually became Albert King's Band included Motown-Recording regulars like, Tyrone Perry and Paul Jackson. For twelve years (12) Oliver toured throughout UK and Japan playing trumpet and singing with Mel and Tim (Backfield In Motion), Joe Tex (Skinny Leg's and All), Shirley Brown (Woman to Woman), Albert King (Born Under A Bad Sign), Gladys Knight & The Pips, Rufus Thomas (Walking The Dog), and Carla Thomas (B-A-B-Y Baby).

Aside from Oliver's regular performances he has recently played the Black Rep's Production "One More Time". Oliver is mostly known for his versatility in many different music formats, from Be-bop trumpet to Falsetto R&B singing.

He first recorded under his own name with his Cheese and Butter album a self-produced, project with the help of Roberta his mother. Hard Times! was his second project, Hard Times was later picked up and re-issued on Quinn Records TM label.
He made his first solo albums two in the late 1990's, with bands featuring outstanding musicians, including famed guitarist Oswald Peters. With his be-bop sound and rockin blues band (later featuring side man Henry Taylor), it wasn't long before he was adopted by the southern soul audience as one of their own. .

Oliver signed with Quinn Records TM in 2004, releasing Hard Times: On The Other Side of Midnight!
(which earned him his two Sodexho Lifetime Achievement Awards). In 2007 he joined the late Earl Wilson Jr. Gateway Classics annual events!. He won a Sedexho Lifetime Achievement Award in 2006 for his dedication to the arts.
During the mid-2000s Oliver has continued recording and touring relentlessly, playing clubs, concert halls and festivals all over, electrifying audiences wherever he performs. Oliver's 2012 Argosy Casino Show featuring the legendary Richard Brooks original founding member of infamous,Impressions was hailed as an over-whelming success.
Oliver and his Nite Train Band continues to tour and work nitely in clues and venues all around the St. Louis City and Metropolitan area and shortly Oliver  will be touring  internationally with his own band.


The Best of Oliver Johnson proves Oliver Johnson's be-bop rocking trumpeting  is a true force of nature, while his songs and lyrics are a living history of the blues n soul earning him the reprutation as the guy who bought the trumpet to soul.
His thundering trumpet like Gabriel's is blowing the walls of blues and soul away. His improvisations on the blues and soul are full of fun and good humor. The blues and soul don't get much better."

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FIVE QUINN RECORDS TM ARTISTS ARE RECEIVING HUGE INTERNATIONAL ATTENTION

[09/27/2013]

On Thursday, September 26th 2013 The APD Global Radio Indicator Charts ™ posted in it's Top 50 Albums - Today, #20-Quinn Records TM Present GO SLOW Blues Crossing. Soul blues singer James Gilbert's Blues This Morning is the # 1 song, followed by Mississippi Red,Send Me Somebody To Love.

 The late LiL Aaron Mosby a.k.a. Blues Man is making notariety again with the powerful rendention covered of Jimmy Reed's 60's hit Oh Baby, You Don't Have To Go. However LiL Aaron is not a stranger in the UK by no means of the word. Had performed in front of a sold out record crowd of twenty thousand at the Holland, Blues, Festival in 2001.

 Blues singer/guitarist Osee Anderson, Breaking Up Somebody's Home employing his signature guitar licks like those of the late great Jimmy Hendricks and the famous Guitar Watson adds a whole new dimension to Albert Blues-Boy Kings Stax's Records hit recording,Breaking Up Somebody's Home.

 Quinn Records TM artist Kevin Wheeler's domestic releases has dropped today in Brussels Belguim and Victoria Australia.

 FM Brussel [FM98] (98.8 FM) Date: 09/26/2013 05:17:33 am www.fmbrussel.be Elsene, Brussels, Brussels Belgium
 1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke)

 West Gippsland Community Radio [3BBR] (103.1 ) Date: 09/26/2013 05:17:33 am 3bbrfm.org.au Drouin, Victoria Australia
1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke) 

Quinn Records TM "GO SLOW-Blues Crossing 2-CD Box Set) available: Buy Here.

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TERRESTRIAL RADIO'S CRITICS WOULD HAVE YOU THINKING TERRESTRIAL RADIO IS "DEAD".

9/20/2013

Let’s Look Well Into The Matter


Satellite radio, as an example, gained 453,000 subscribers in the first quarter of 2013, bringing its total to 24.4 million. In the same first quarter of 2013, Pandora has around 70 million active users, Pandora One gained more than 700,000 new subscribers, which brings their total subscribers to 2.5 million. Spotify has over 24 million active users,currently and over 6 million paying subscribers.

 Terrestrial radio’s absolute biggest competitor, is iTunes accounting for about 75% of global digital music with over 600 million users worldwide. iTunes has just recently revealed their own iTunes Radio which will compete with the streaming services.

 These numbers reflect global users rather than only in the United States, so the numbers cannot be taken as face value right now. But these are the numbers that critics quote, and even still, some of these numbers can hardly touch the impact of terrestrial radio in the U.S. today.

 Why Digital Radio Is Gaining Strength.

 The question is, how has digital radio gained such speed and momentum, enough to begin to compete with terrestrial radio? For starters, the instantaneous selection of music from one’s library is something that terrestrial radio simply cannot do. Waiting for your favorite song? You don’t have to wait for it to come on the radio—just browse, select and push play.

Another advantage to digital radio is the breadth of one’s music library. Terrestrial radio has its certain playlist of songs decided by the DJ at that time. But with digital and streaming radio, you are the DJ. You have the entire selection of your uploaded or streaming music library at your fingertips, ready to be called up at will.

 Still another advantage is mobility. In the advent of mobile phones and tablets, carrying around your music library has never been easier. There are thinner and sleeker Walkmans these days, but carrying around a device just for radio in addition to your mobile phone or tablet just doesn’t sit well with the majority of consumers.

 Despite All Of The Hype, Terrestrial Radio Still Has Its Own Unique Benefits.

While digital radio is gaining momentum due to these benefits, terrestrial radio still has a hold on the American public for reasons of its own. For starters, some people prefer to not have to choose the music they listen to, and they like a DJ playing the top hits or genre-specific hits of that station for them.
This also helps with song and artist discovery, just in a different way than some of the streaming services.

 Terrestrial radio lives and breathes local content. As wavelengths and signals can only travel so far, radio stations are generally encouraged to maintain some sense of locality in their programming and possibly even sound choice. This includes local news, music from local artists and even advertisements for local businesses that you just can’t get from digital radio.

 In terms of artist royalties, radio stations, for the most part, have got a system, and it’s a system that has worked for many years. Streaming and digital radio services are still trying to work out the kinks in their own plans for rewarding artists for their music, and many people—especially artists—are turned off by this fact.

 And finally, terrestrial radio is free. Several of these digital and streaming providers do end up having free music as well, but terrestrial radio will always be free. No subscriptions necessary. If these providers ever decide to go subscription only, terrestrial radio will always be free. While digital radio does pose something of a threat to terrestrial radio, the traditional medium is just too far engrained to be going anywhere anytime soon. There may be some adaptation involved as the music industry continues to evolve over time, but for the most part, terrestrial radio has found and will continue to hold a special place in the hearts of music listeners.

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AND THE BAND PLAYED ON

AND THE BAND PLAYED ON
by Dwight L. Quinn

An industry that transformed itself...

Do you know of, or can recall of any industry that has reinvented itself  like the music business has during   the past decade and a half?

Fifteen years ago the CD was the main format
for listening to music and the digital marketplace
was just beginning. Now here we are today and there are more than 400+ authorized digital music services worldwide offering more than 14 million songs.

Digital sales already comprise nearly half of total revenues for the music business in the United States.
To make a long story short, it’s no longer  about CDs,it’s about access to music anytime, anywhere and the experience,convenience and the accessibility that keeps fans coming back for more, more and more.
And of course their are going to be different business models that  will  continue to evolve, but around
one fundamental objective: it will all be about the music.

More than any other art or entertainment form, music transports, transforms and reconnects us.
But behind the emotional attachment and beyond the artist on the album cover is an army of people who make the music play – planning, developing and investing in your next favorite song.

Providing the songs that make up the soundtrack to your life takes significant work and investment, and
the modern label is committed to giving fans more musical options than ever. Which is just another
reason why the music industry is the best industry in the world.

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AWESOME COMBINATION Label + artist = chart

by Dwight L. Quinn




It's the label/artist collaboration that
takes talent to the next level, pairing
a great act with a well-tailored package
that transforms an aspiring musician
into a successful artist - the perfect
song, unforgetable cover art, a
groundbreaking music video, and a
push to nationwide play on FM and
digital radio services like Pandora
and Sirius XM Satellite Radio.

For more than four decades, the QRTM’s premier Blues, Gospel, Jazz and Soul music recording program has manifested major music sales and extraordinary artist
achievements.
First formatted to LP recordings but expanded to a variety of newer formats as technology advanced to include cassette tapes, CDs, digital tracks, digital albums, and ringtones, more than 633  titles have been recorded by the Quinn Records TM Music Company since 1971.

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WE NOTICED A NEW NAME IN THE DIGITAL SERVICES 
BUSINESS
by Dwight L. Quinn

Last month we noticed a new name added to the list of Digital Service companies selling Quinn Records TM music.
Of couse we're not there yet in terms of large revenues coming from the Digital stream, but it's clear to each and everyone of us in the record business that within the next five years,or so and
if not sooner,Digital Downloading when take the lead in being the main choice of accessing and aquiring  music by cusumers.
Digital has added a new dimension to the services record companies provide for artists. Digital accounted for 31 per cent of record companies’ trade revenues in 2011 and the major services expanded their reach from 23 to 58 countries in the
same year. While some services, such as AmazonMP3 or iTunes, effectively replicate the physical format market with consumers buying albums or singles, others, such as Deezer, Spotify and VEVO, rely on either advertising income, people paying a monthly subscription fee or some combination of both.
Such services are still in the early stages of development but offer the opportunity of global scale. Subscription services in June 2012 had an estimated 16 million subscribers globally, a number that has almost doubled in the last 18 months.
Many streaming services are relatively recent start-ups.
One of the largest services, Spotify, only opened in Germany,the world’s third largest music market, in March 2012.
Spotify is most developed in Sweden, where large numbers of consumers use the paid-for subscription tier of the service, we believes it has had a positive effect. “In Sweden, Spotify has changed the music business and made it a happy place to work again.
Now large numbers of people have a premium account, the revenue stream is fantastic. People listen to an album or song and put it on their playlist. They won’t stop listening to it. It’ll be giving the artist and Quinn Records TM and other record company a revenue stream for years.

New Digital Service companies are sprouting up all over the place and streaming,downloading and buying music from a IPad,IPhone and/ or Tablets is sooner than ever is fast becoming the the norm.

We at Quinn Records TM with our new mobil app is still making it easy or fans who are still hold fast to the interest of blues,gospel, jazz and soul music can have continuous access to our music.

Our mobile-app is the cusumers gateway to current information that includes: Quinn's Top-10 Song Chart, music news, current events,Quinn's President Choice, shop n' buy at Quinn store, new releases, coming soon, catalog, tickets,coupons,Facebook, Twitter, photos,artist tour schedule and free music downloads.
Not only will our Mobile app give you access to our music but it would be like having a whole complete Record Company in the palm of your hands

GET CONNECTED WITH QUINNRECORDS TM MOBILE APP!

A RECORD DEAL MATTERS

by Dwight L. Quinn

Quinn Records TM and other record companies alike,discover, nurture and promote artistic talent. We, the record companies are by far the largest upfront financial investors in artists’ careers. We also bring a huge range of expertise and experience to any campaign to bring a new artist to a broad audience. No other industry player currently offers access to such levels of investment or skills. Behind the breaking of a new artist there are a dynamic combination of creativity, talent, teamwork, strategy, finance and, of course, lots of prayers. Each project requires significant investment in research and development, as well as marketing and promotion. In 2011, record companies were estimated to have invested US$4.5 billion worldwide in artists and repertoire (A&R) combined with marketing. This represented 26 per cent of industry revenues. The four major labels combined had over 5,000 artists on their rosters and tens of thousands more artists are signed to independent labels like ourselves. New talent is the heartbeat of the industry and one in four of these artists (23%) are new signings (signed in the last 12 months). Quinn Record TM and labels alike are able to reinvest the proceeds of successful campaigns in the discovery and nurturing of the next generation of talent. Research study by five independent bodies found 80 per cent of unsigned artists with professional ambitions wanted a recording deal. The top reasons cited as ‘very important’ were marketing and promotional support (71%), TV and radio contacts (58%), the ability to focus on the creative process (50%), tour support (46%) and payment of a financial advance (45%). The findings are supported by countless personal accounts provided by unsigned artists and managers addressing this issue. Without significant investment, industry expertise and creativity (the business) and obviously the artist talent(the music), it is extremely difficult to break an artist or band into popular culture or the mainstream music markets. So where DIY demonstrates the artist ability to approach the industry in the correct manner, there is still no substitute for the experience of the industry to move an artist project forward.” Artists approach labels like Quinn Records TM wanting different types of support. This may be career development, financial support or a team to champion their creations. We want to help, whether it is assisting in the creative process, opening doors for them to work with great producers or supporting them with the right marketing campaign or distribution strategy. At Quinn Records TM we stand on the fact,that a Record deal matters.

BUYING POWER OF OTHER RECORD COMPANY MUSIC.

by Dwight L. Quinn

Help Center

With over forty years experience in prerecorded music, we are qualified to handle every kind of music format imaginable. And, as a Quinn Records TM customer you always have a direct line to one of our representatives. Your success is our success.
We are your source for new blues music, new gospel music, new jazz and new soul music.

How competitive is Quinn's pricing?

When you buy from Quinn you leverage the buying power of other record company music.

We base our pricing on our combined volume and pass the savings along to you.

How fast is Quinn's turnaround time?

Our normal turnaround time is one days from receipt of order. However, we often

ship the same day when orders are received by 2:00 pm (central time). We under

stand that every order we receive is date sensitive and we guarantee  that we will

not only receive your order, but deliver it- on time, where ever it needs to be.

What are Quinn's formats?

We offer our prerecorded music products in formats ranging from, sheet music,

compact disc,cassette tapes, vinyl, dvd's, MP3,video,(New) phone apps.

What are Quinn's method of ordering?

1- Online (Preferred method)

2-By phone; 1-314-241-1538

3-By fax:     1-314-241-1538

4-By mail: Quinn Records TM

               P.O. Box 771693

               St. Louis, MO. 63177-1693

Visit us online: www.quinnrecords.net

QUINN RECEIVED SOME ENLIGHTENMENT FROM MARSHALL THOMPSON OF THE CHI-LITES

By Dwight L. Quinn

I'm just a bigger fan today as I was in years past of Groups like the Chi-lites out of Chicago, Illinois. I had the pleasure of speaking with Marshall Thompson Saturday by phone in great length. And I was totally delighted with the wisdom and enlightenment that I gained from my conversation with Marshall. He brought me out of that Old School mode and into the understanding of the now a day, what-you-should-know, about the entertainment climate the habits, attitudes and practices that influences the Live Music Market. 

Well it soon became pretty clear that I had been walking around with blinders on, being distracted by the effects, and paying little or no attention to the,cause i.e.(the Market). We both agreed that the Music business has definitely changed and the audience (the Market) that we play to today is just as different as we were (the Market) in the 60's. I can't emphasize enough as to how different that we were. And it's that different that causes,change, how they buy, how they listen to music, how they move it around, what's acceptable today as opposed to what 
was and wasn't acceptable yesteryear is 360 degrees different. But the fundamental foundation of the Business are still intact.
Marshall Thompson new Album, Hot On A Thing is riding on the waves of the today's sound but like a pro, Marshall carefully applied this legendary Groups signature-sound-style that is a legacy of the Chi-Lites. 
For those of you, who haven't had the pleasure of hearing, Marshall's new Album, Hot On A Thing. I highly recommend you to click this link and Listen, 


Just fourteen and half more weeks will mark a very special milestone at Quinn Records TM. It will be 42 years ago that I recorded and released my first album, by a local r&b group from St. Louis called The Amazing Dramas. Thus began the amazing legacy of River City Records and approximately one month later  the label was re-named Quinn Records TM. 
LiL Aaron Mosby’ Rev. Anderson Sparks, Chas. O. Collier & The Original Golden Ares of Cincinnati,The Kirkwood Spiritual Ares,The Masonic Quintet,Albert Phillips & The Divine Messengers, Jimmy Jones’ Carolyn Adams, Terry Williams, Oliver Johnson, Nikki Cunningham, KL&R2, Osee Anderson,Mississippi Red,Melvin "Smokehouse" Moore, Rev. Roy Page & The Spiritual Ares, Leroy Crisp & The Orig. Southern Harmonizers, Carlina Q. Aldridge, James Gilbert all were recorded by Dwight L. Quinn. 
Adding to this musical legacy. Quinn has released over 633 songs, over 50  jazz, 150 gospel and 110 r&b,soul,hip-hop,owned D.L. Quinn Music Publishing and Boogie City Music Group in St. Louis. 
Since 1971 Quinn Records TM is still going as strong as ever with new releases on KL& R2, James Gilbert, and Oliver Johnson available now. GO SLOW-Blues Crossing.

We continue our look at the Boogie City 33 tour scene with James Gilbert feature on GO SLOW- Blues Crossing CD Compilation, Oliver Johnson and KL&R2. 
Oliver is looking towards the last week in September, 2013 to get things rolling. The Show is planned to awesome Artists will be performing the hit recordings and will feature Nationally known Recording artists performing on each Show. Will have a complete Show Schedule a few days and we will posting this Online at Quinnrecords.net.

It’s time for Quinn to get the Digital Mood. We've got a nice bunch of new songs being release for this year and I am making my customer choices easier. I've  added a Digital Download Station category online at the Quinn Store, and I've reduced the songs that I'm offering to you in Digital format from $0.99 to $0.89 go to  www.quinnrecords.net and buy digitally. It’s the fastest, easiest and cheaper way to buy our music..

 And don’t forget, the Quinn Records TM Top-10 Song Charts are now posted Mondays and Fridays on our website as well.


Dwight L. Quinn

Founder

THE ARTIST FAMILY TEAM WORKING TOGETHER.

 by Dwight L. Quinn

 If there's one thing that I've  notice , here at the Company,   is the strong sense of creative energy that seem to never stop flowing in the Artist family at Quinn Records TM. I'm delighted to have such great talent around me who are  not only looking out for their own career growth and welfare but they also put their skills and talents where ever needed in the Company doing whatever it takes to keep  both areas operating at full steam.  This week alone behind the scene Artist Kevin Wheeler has been working diligently
both in the Studio and in the field recruiting, interviewing and rehearsing new Band members for the kick off of KL&R 2 road shows, with the plan being focused on most shows being self-produced. Kevin has remixed his I Got My Swag On Album, and has expanded the Album to include three (3) new songs. Kevin has brought on Harvey Lee on as his percussionist.  The Artist Family has decided last week to increase the Band size from five to eight musicians, that's going to include two horns, that will give them a total of three horns in the Band.  

A.J Dickerson,who's a well known Music Scholar and entertainer in his own rights, in the St. Louis Music World was instrumental in partnering Quinn Records TM with a local venue to bring Live Southern Soul, Blues and Jazz Shows through this new St. Louis venue. Mr. Dickerson, Oliver Johnson and myself, met Monday at the Club with the owner and finalized the arrangement. The first Show according to Oliver Johnson has been scheduled for Thursday September 26th,2013 and there will be regular scheduled Live Shows from that point on. I want to re-introduce St. Louis to the outstanding Southern Soul acts that are out there today, that would be a new exciting  and long awaited experience for the St. Louis Market.

James Gilbert is bringing a new and exciting image to Quinn Records TM with his education and major in Broadcasting,Voice overs for Radio and Television. James has already made a great noticeable impact on the Company not only as a great outstanding artist but  his behind the scene work it's very welcomed. James is now the official Voice  for Quinn Records TM  taking us  into the today's  world of visual and sound technology.


The Artist Family Team working together, communicating,sharing ideas among each other and helping each other in there career goals is something to watch. They most definitely want the customer to know that they will be at all times, giving to them by way of there music, their very best.


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WAS A REGULAR ON THE CHIT'LIN CIRCUIT.

by Dwight Quinn

Freddie King was Born in Gilmer, Texas, Sept. 3, 1934, King was six years old when his uncle taught him how to play a guitar.Lil Aaron said, that this is where Freddie got his style of guitar playing from his uncle teaching.
Still a teenager Freddie left Gilmer,Texas and moved to Chicago, where he got into the urban Blues scene, going to clubs, sitting in with bands and eventually forming his own band, The Every Hour Blues Boys.
He began working as a Studio musician,doing  sessions for than independent label Parrot Records.King auditioned for Chess Records, but was turned down, because it was said that he sounded too much like the then up coming blues artist Riley B. King a.k.a B.B. King.

He finally made his solo debut, as Freddy King in 1956 — he began spelling his name Freddie King in
1968 — with the single “Country Boy,” a duet with Margaret Whitfield, for El Bee Records.
Success was still a few years off. In 1960, he signed with Federal Records, a subsidiary of Syd Nathan’s
King Records label — a good omen, although his first single for the label, “Have You Ever Loved A Woman” (originally written by Billy Miles) made little impression. King began 1961 with “You’ve Got To Love Her With A Feeling,” which reached No. 93, then had his biggest pop-chart success with “Hide Away,” named after the Chicago bar Mel’s Hide Away Lounge. The swinging instrumental, partly drawn on other blues licks, was King’s sole Top 40 entry, peaking at No. 29 (and reaching No. 5 on the R&B charts); “San-Ho-Zay,” also released in 1961, just missed the Top 40 at No. 47 (No. 4 R&B). King alternated between releasing vocal and instrumental material, as evidenced by the albums he released in 1961: “Freddy King Sings” and “Let’s Hide Away and Dance Away With Freddy King: Strictly Instrumental.” King stayed with Federal until 1968.

A regular on the Chitlin’ Circuit, King landed a gig in 1966 in the The Beat Boys, the house band of the R&B TV show “The !!!! Beat” (the band was led by Clarence “Gatemouth” Brown). His stint with the show paved the way for a contract with Atlantic Records, which released the albums “Freddie King is a Blues Master” and “My Feeling for the Blues” in 1968. That same year, King did his first overseas tour to a warm welcome. There was a blues boom in Britain, and aficionados were already fans of King’s work.

“Hide Away” was covered by John Mayall & The Bluesbreakers on the 1966 album “Bluesbreakers With Eric Clapton,” and two other King numbers, “The Stumble” and “Someday After Awhile (You’ll Be Sorry)” were on the Mayall & The Bluesbreakers 1967 album “A Hard Road” (this time with Peter Green on guitar). “Have You Ever Loved A Woman” also would appear on Derek And The Dominos’ 1970 album “Layla and Other Assorted Love Songs,” and became a live favorite of Clapton’s. It was then that King began crossing over into the rock market. He signed with Leon Russell’s label, Shelter Records. Russell was very involved with King’s Shelter albums; he produced, performed and wrote songs for “Getting Ready” (1971), “Texas Cannonball” (1972) and “Woman Across The River” (1973, which reached No. 54 R&B,
No. 158 pop). “Getting Ready” featured another of King’s signature songs, “Going Down.”

The rock influences were now on the forefront, and King began playing for more white rock audiences. Grand Funk Railroad, which toured with King, even name checked him in their song, “We’re An American Band”: “Up all night with Freddie King/I got to tell you, poker’s his thing.” King also toured with Clapton and shared the stage with Led Zeppelin.

There was no shortage of musicians who wanted to work with King; both Clapton and Bobby Tench of The Jeff Beck Group appear on King’s 1974 album “Burglar.” Tench also appears on 1975’s “Larger Than Life” (the last album released during King’s lifetime, which reached No. 53 R&B).
King was considered the most emotive of the “Three Kings.” His singing has a pronounced rawness, and his guitar work is distinctive thanks to his use of thumb and finger picks (in contrast to B.B. King’s single-string style).

King’s primary means of making money was through touring, and he spent most of his years on the road. As a result, his health began to decline, and in 1976, he began having problems with stomach ulcers. King died Dec. 28, 1976, at the age of 42, suffering complications from his ulcers and pancreatic.
Freddie King didn't become a big name like,Fats Domino, Chuck Berry, Little Richard and B.B. King. He got life with the young rockers such as George Harrison, Jimi Hendricks, Eric Clapton and Jeff Beck they all displayed his influence in their playing and Freddie won a new audience.

GET A SINGLE SONG OR AN ENTIRE ALBUM AT OUR DIGITAL MUSIC STORE..

The Quinn Digital Music Store has a large music library of the label's prerecorded blues, gospel,jazz and soul music all selected for your best musical enjoyment-- ensuring you that every one of our genre is catered for. You have the option to preview any music track before you buy via a 30-second music clip (for a track over 2:30 (U.S. only). The Quinn Digital Music Store is always being updated with new releases, keeping the selection fresh and up to date.So that you can keep your digital music collection spiced up with the newest and latest in blues,gospel,jazz and soul music
see more

IT'S RADIO TALK TODAY!

NEWS UPDATE: 
RADIO TALK-GO SLOW-Blues Crossing  CD Compilation

From: Ronnie Ray,Promotions Manager/Quinn Records TM

Below is a fantastic Radio interview with our own Rockin' Blues Artist James Gilbert.
GO SLOW-Blues Crossing got introduced to the Kansas City Blues scene by way of James Gilbert's informative radio interview with Kansas City's  ever-popular radio personality  Mike Lytle,host of "The Real Deal Blues Show on station KKFI 90 FM radio. The interview took place last Friday night May 31st, 2013. James is a native of Kansas City and for some he's a hometown legend. James was invited to the show by Mike to let his fan know how his musical career was moving along and that he has the number one song on Quinn Records TM's  new Go Slow-Blues Crossing album,titled, "Blues This Morning," while at the same time his other fan favorite titled ,It's A Real Good Sign," has been dominating Quinn's Top-10 Song Chart for the past eleven weeks. Mike told James in the interview that this is some good stuff. So, listen while James Gilbert gives his home-town nesting place, Kansas City, Missouri some good information as well as a touch of the Blues. 




For A Promotional Copy of GO SLOW-Blues Crossing:
Radio/Retail/Press/Entertainment Buyers
Email:promotions@quinnrecords.net

DIGITAL STORES BECOMING THE PRIMARY OUTLET FOR BUYING ALBUMS

by Dwight L. Quinn

Last year, 193 million CD's were sold vs. 118 million digital albums, according to Nielsen Soundscan's year-end data report. 
In the album format,digital jumped 6% in 2012, though fans still favor the physical version. 
While album sales at digital services outpaced those at mass merchants, they were far 
exceeded by the combined sales of physical albums at all outlets.

The breakdown in total album sales:

• Digital services such as iTunes and Amazon MP 3: 37%
• Walmart, Target and other mass merchants: 29%
• Best Buy and similar chains: 15%
• Non-traditional outlets such as Amazon physical sales, mail order, venue and fan club sales: 10%
• Indie stores: 7%

CD's, cost more than downloads, have been allocated  far less shelf space at Mass Merchants like Best Buy,Walmart,Target and other chains, fueling digital sale increases.
Digital is consistently growing, and that's to be expected as we get  away from physical 
purchases and get further into streams and music that nobody actually owns.
Its the price of progress.

And yet the LP comeback is flourishing. While only a small piece of the musical pie, vinyl rose 19%, reaching  4.6 million copies in 2012, breaking the 2011 record of 3.9 million.
The wax-is-back, the old way of experiencing music continues to grow every year. 
"A lot of people still want something with value, an element that music have always been able
to give to its users."

Keep Your Ears Up

TWO ROSTER ARTISTS
TO WATCH IN 2013

It's already established that 2013 is a big year for World music  by RIAA's account, music Sales has increased by a rather promising percentage. By all accounts the label scene is more vibrant than it has been in years. Steadfast positive attitude and optimism can have a strange feel to it but with our awesome demeanor towards self-appreciation  the news brings sure of relief. But, lately our music deserves it and some. In keeping, here are two Quinn Records TM 
roster artists that deserve your attention in 2013.

KL&R2: Kevin is taking on an ambitious undertaking that is bigger than what the group have experimented with in the past.
When KL&R2 first came to the label, they were hard-core hip/hop with many different focal points, but something changed in the making of their fifth single, things took off in  an entirely  different direction and today, with Kevin at  the helm as lead vocalist of KL&R2 the group is converted and re vamped itself into the World of R&B/Soul and when they lay their style down Live on stage they gets your attention. What the group is gearing up for today is touring. Kevin has put together a whole new band made up of funk jazz, soul and blues musicians that has a wealth of on stage experience.
KL&R2 is magic in that they manage to still have that hip/hop feel while venturing way out there in the world of R&B/Soul. But it's working, whatever the formula, the audiences are showing their pleasure with it and the group seems to gain a multitude of fans with every performance.
Don't be surprise what the group might do, they always have something in their show that is fresh and new, it might be their dress wear,a cover song, roses for the ladies, but there's one thing that is for sure, the group takes themselves very seriously. - Jus Brown

James Gilbert: Kansas City' James Gilbert a.k.a Jimmy G, came to the label by way of a Music Submission by the late Big Woody band. The demo was filed away in the our Music Library for nearly two years before it was selected for a new upcoming project that was planned to be release in September,2012. The singer,songwriter and multi-talented musician has already made a name for himself in the industry performing as an opening act and sideman for and with some of the top names in the business like,John Lee Hooker, B.B. King, Phil Guy, Little Milton Campbell, Little Johnny Taylor, A.C. Reed, David Dee, Tinsly Ellis, Charley Musselewhite, Little Hatch, Mary Moore, Lavalle White, Chick Willis, Vernon Garrett, Little Joe Blue, Blues Boy Willie, Buster Benton, Millie Jackson, Gary BB Coleman, Zapp, Bobby Bland,Koko Taylor, Johnny Taylor, Johnny Winter, Delbert McClinton, War, Doyle, Bramhall,Screaming Jay Hawkins, Tyrone Davis and Denise LaSalle. James can take his fans from one sphere to another with personal lyrics delivered in mellow baritone vocals reminiscence of Brook Benton,Jerry Butler  and Chuck Jackson to name a few. He transcends to this almost Super-star like Karma  when appear on  stage and we have heard it said many times that James sounds notoriously better Live than he do on his recordings. James will undoubtedly sell a lot records while building an huge dedicated fan base. -  Fred Walker  

BIRTHDATES OF SOME FAMOUS TAURUS

by Dwight L. Quinn

As Taurus's have a sense of material values and physical possessions, respect for property and a horror of falling into debt, they will do everything in their power to maintain the security of the status quo and be somewhat hostile to change. Mentally, they are keen-witted and practical more often than intellectual, but apt to become fixed in their opinions through their preference for following accepted and reliable patterns of experience. Their character is generally dependable, steadfast, prudent, just, firm 
and unshaken in the face of difficulties. Their vices arise from their virtues, going to extremes on occasion, such as sometimes being too slavish to the conventions they admire.
Here's the Birthdays of some Famous Taurus's. 
April 21, 1816 - Charlotte Bronte - Writer
April 21, 1838 - John Muir - Naturalist
April 21, 1926 - Queen Elizabeth II - British Royalty
April 22, 1724 - Immanuel Kant - Philosopher
April 22, 1870 - Nicolai Lenin - Marxist
April 22, 1904 - Robert Oppenheimer - Physicist
April 22, 1908 - Eddie Albert - Actor
April 22, 1916 - Yehudi Menuhin - Musician
April 22, 1936 - Glen Campbell - Entertainer
April 22, 1937 - Jack Nicholson - Actor
April 23, 1452 - Leonardo Davinci - Artist
April 23, 1519 - Catherine de Medici - French Royalty
April 23, 1891 - Sergei Prokofiev - Composer
April 23, 1928 - Shirley Temple Black - Actress
April 23, 1939 - Lee Majors - Actor
April 24, 1934 - Shirly MacLaine - Actress
April 24, 1942 - Barbara Steisand - Singer
April 25, 1874 - Guglielmo Marconi - Scientist
April 25, 1908 - Eduard R. Murrow - Broadcaster
April 26, 1933 - Carol Burnett - Comedian
April 26, 1924 - Jack Schwartz - Psychic Healer
April 26, 1894 - Rudolph Hess - Nazi
April 27, 1822 - Ulysses S. Grant - U.S. President
April 27, 1891 - Samual Morse - Inventor
April 27, 1822 - Ulysses S. Grant - U.S. President
April 27, 1922 - Jack Klugman - Actor
April 27, 1927 - Coretta King - Activitist
April 28, 1479 - Lucrezia Borgia - Historical Figure
April 28, 1912 - Odette Sanson - Secret Agent
April 29, 1901 - Hirohito - Japanese Royalty
April 29, 1936 - Mehta Zubin - Conductor
April 29, 1947 - Johnny Miller - Golfer
April 29, 1955 - Kate Mulgrew - Actress
April 29, 1970 - Uma Thurman - Actress
April 30, 1893 - J. von Ribbentrop - Nazi
May 01, 1769 - Duke of Wellington - Militarist
May 01, 1881 - Pierre.T. De Chardin - Priest Philosopher
May 01, 1918 - Jack Paar - TV Host
May 01, 1945 - Rita Coolidge - Singer
May 02, 1729 - Catherine the Great - Russian Royality
May 02, 1903 - Dr. Benj. Spock - Child Specialist
May 02, 1903 - Bing Crosby - Singer
May 02, 1925 - Roscoe Lee Browne - Actor
May 03, 1902 - Walter Slezak - Actor
May 03, 1919 - Pete Seeger - Singer
May 03, 1921 - Sugar Ray Robinson - Sports Figure
May 04, 1915 - Moshe Dayan - Politician
May 05, 1599 - Oliver Cromwell - Politician
May 05, 1818 - Karl Marx - Revolutionary
May 05, 1943 - Bob Woodward - Reporter
May 05, 1958 - Annette Benning - Actress
May 06, 1758 - Maximil. Robespierre - Revolutionary
May 06, 1856 - Sigmund Freud - Psychologist
May 06, 1895 - Rudolph Valentino - Actor
May 06, 1913 - Stewart Granger - Actor
May 06, 1915 - Orson Wells - Producer
May 06, 1931 - Willie
Mays - Sports Figure
May 06, 1937 - Rubin Carter - Homicide
May 07, 1861 - Randindranath Tagore - Poet
May 07, 1833 - Johnnes Brahms - Composer
May 07, 1901 - Gary Cooper - Actor
May 07, 1908 - Eva Perone - Dictator
May 08, 1929 - Jane Roberts - Channel
May 08, 1884 - Harry S. Truman - U.S. President
May 09, 1800 - John Brown - Radical
May 09, 1907 - Kathryn Kulman - Evangalist
May 09, 1918 - Mike Wallace - TV Personality
May 09, 1928 - Poncho Gonzales - Sports Figure
May 09, 1942 - David R. Gurgen - TV Personality
May 09, 1944 - Daniel Barrigan - Radical
May 09, 1946 - Candice Bergen - Actress
May 10, 1899 - Fred Astaire - Dancer
May 10, 1902 - David O. Selznick - Producer
May 10, 1900 - Karl Kraft - German Astrologer
May 10, 1939 - Jean Huston - Psychologist
May 10, 1940 - Wayne Dyer - Psychologist
May 11, 1469 - N. Machiavelli - Potitician
May 11, 1888 - Irving Berlin - Composer
May 11, 1894 - Martha Graham - Dancer
May 11, 1927 - Mort Sahl - Comedian
May 12, 1895 - Jeddu Krishnamurti - Religious Leader
May 12, 1820 - Florence Nightingale - Humanitarian
May 12, 1907 - Katherine Hepburn - Actress
May 12, 1937 - George Carlin - Comedian
May 13, 1914 - Joe Lewis - Sports Figure
May 13, 1923 - Richard Avedon - Photographer
May 13, 1931 - Jim Jones - Cultist
May 13, 1939 - Harvey Keitel - Actor
May 13, 1941 - Ritchie Valens - Singer
May 13, 1950 - Stevie Wonder - Singer
May 14, 1925 - Patrice Munsel - Singer
May 14, 1936 - Bobby Darin - Singer
May 14, 1944 - George Lucas - Film maker
May 14, 1952 - David Byrne - Singer
May 15, 1859 - Pierre Curry - Scientist
May 15, 1902 - Richard Daily - Politician
May 15, 1918 - Joseph Wiseman - Activist
May 15, 1937 - Madeleine Albright - Ambassador
May 16, 1905 - Henry Fonda - Actor
May 16, 1908 - Muktananda - Guru
May 16, 1925 - Liberace - Entertainer
May 17, 1866 - Eric Satie - Composer
May 17, 1895 - Gayelord Hauser - Nutritionist
May 18, 1949 - Rick Wakeman
May 19, 1896 - Ida Rolf - Body Worker
May 19, 1964 - Collin Chapman
May 20, 1799 - Honore Balzac - Writer
May 20, 1908 - James Stewart - Actor
May 20, 1946 - Cher - Singer/Actress
May 21, 1904 - Robert Montgomery - Actor
May 21, 1911 - Peter Hurkos - Psychic

SPRING SUMMER AND THAN COME'S FALL!

by Dwight L. Quinn
This Summer you'll be hearing a lots more R&B coming out of our doors in these Summer Releases due out June,2013. Kevin of KL&R2 in particular are working on an aggressive Soul project that will almost surely put him and KL&R 2 in a demanding position. 
And,James Gilbert our hot,new Recording Artist that hails from Kansas City, Missouri has already shown us what he can do. James has brought a whole new dimension and broadness to our sound and the fans are letting us know that by keeping James at the very Top of our Song Chart each week. James is expected to be releasing his second Album on the Quinn Records Label this Summer. With new and original cuts,and you guest it, it will have all of that KC "Rock" in each of the Songs along with those powerful vocal cords spurting out  soulful tunes.Oliver Johnson, the guy that brought the trumpet to soul, said that he has a bunch of new songs that he put together between gigs. Oliver will be offering a bit of both,Jazz and Soul in this package this Summer. I can't promise you how the weather is going to be out of doors but I can surely promise you that inside of Quinn Records TM, it's going to be HOT! And than comes Fall, this is the time when we usually Releases our last project for the year,i.e. October, but there's something usual about this coming October 27th, 2013 but from my perspective, it doesn't seen like it's been that long,but time doesn't lie either. This October 27th, 2013 will be marking our 42nd year in the Blues Business,"My-My Ain't It Funny How Time,Just Slips On Away?.-GO SLOW-Blues Crossing! 

SUBMITTING YOUR MUSIC TO QUINN RECORDS TM

by Dwight Quinn, April 26th, 2013

Today the phone calls are a bit different than they were a few minutes back, when a promising artists would call us and ask, if we accepted unsolicited demos, and in our case the answer would always be "yes and then we would proceed on to give the caller instructions as to  how to send us the demo.
But, today the call come in asking us, do we accept unsolicited demos, and our answer is still,yes, but the different in this call is that the promising artist is now asking us can they email us a mp3 or several mp3's of their song or they would ask us to go to their website to both look and listen to their music. That process is good in one way but harmful in the other. Here's what I mean, Quinn Records TM take music very seriously, and we are always releasing new projects and in most cases with new upcoming artists. But in order to do that on a continuous bases, like year end and year out, we must have an inventory of available music. We get that available music from demos being sent in to us and we process those demos into our inventory and add the demo to our Library. Now only the demos the match our style of music gets to go into that inventory. So when each release quarter  rolls around we don't have to run around looking for new music, we already have it,and ready to go. Call it old school,but we call it resourcefulness. It's clear that technology is great for getting thing their fast,and being accessible, but that human thing that makes us different is utilizing time,each Thursday for many,many minutes we have set aside four hours( 10:00 am til 2:00 p.m) dedicated to listening to the demos that came in that week and when we hear one that meets our standards than we grab it up,process into our Library and contact the Artist with our decision, we don't mess around. We are serious, and we know that the next big act is out there somewhere and we want it. Now the guy that calls in and wants us to stop and go to there website or send us an mp3 along with the 6000 emails that we get everyday, we can't process them in that way. Email gets deleted, computers crashes and gets attacked by viruses, that's not good for neither one of us. Our physical Library don't have those kind of crises or threats, so the artists Demo is always available to us to be used in a Quinn's project.  Our newest Artist to the Quinn Records TM family of Recording Artists, James Gilbert, It's A Real Good Sign, was selected from our Library of Demos and he's doing well, but if it wasn't for our Library of Demos,he would have been over looked. So we have a Demo Policy that is good for both parties, a Demo is a File and that's the way we treat it. And that's the place where we go to four times a year when it's time to get ready for us to release a new project. So I hope that this shaded a little light on submitting your music to Quinn Records TM. Keep your Demos coming in.

JAMES GILBERT QUINN NEWEST MEMBER TO IT'S FAMILY OF RECORDING ARTIST IS BEING WELL RECEIVED BY RADIO PROFESSIONALS

James Gilbert made his debut presence  known on the Quinn Records TM label on September 28th, 2013 with a reissued  original  hot cut  titled "Keep On Keeping On", his version of Brook Benton's "63" R&B hit song,"Rainy Night In Georgia" "and a original  slow-moody Blues cut,titled "Blues In The Morning". The songs has made James Gilbert one of the most recognizable new up coming R&B/Blues artist  in the industry today. To further prove this statement ,Airplay reports received by Quinn is used to compile Quinn's Top-10 Song Chart and James songs has been ranked on nearly all of the Charts since the release of his  debut CD,"Keep On Keeping On". Kansas City is where James Gilbert calls home.  KC has always been a key market for Blues Music and over the years Kansas City have produced some of the biggest names in  R&B/Blues music such as, Annette "Cotton Candy" Washington, Arnold "Gate mouth" Moore, and Lighting Hopkins just to name a few of the many Kansas City R&B/Blues  gurus. Now,James Gilbert is walking along that path with his strong ambitious R&B rocking Blues style that has people calling him the next great KC Blues giant like,"Lightning Hopkins, while re-kindling the fire that made Kansas City one the top ranking Markets  in the Blues Business.I'm really excited about James, said Dwight Quinn founder of Quinn Records TM, he can carry us to a level of high achievement, because Blues Music is our Business and having a talent like James delivering the real-true sound of the Blues will give us that recognition. Blues Radio has very high standards when it comes to Blues Music, so when you see those Professionals embrace a Artist like they are doing with James Gilbert, than you better watch out, you could very well be looking at the next Little Milton Campbell,Albert King or Bobby Bland coming over the horizon, said Dwight Quinn.

A short tour is being planned that will cover thirty-three U.S. Cities, giving James the opportunity to take his Blues Business to the streets. James said that he's eager to get started because performing live on stage is in his blood and that's where I'm at my best self, James said. James has six songs on Quinn Records TM's New Release,"GO SLOW-Blues Crossing", which is a Special Compilation that features eight of Quinn's Blues/Soul Artists. James Gilbert bringing the Kansas City blues sound to the Album makes it hard to cut it off, when you play it. You get a whole mix of Blues styles, such as, Osee Anderson Chicago style, LiL Aaron Mosby,Delta stlye, Oliver Johnson,Urban style, Mississippi Red, Traditional style and Carl Marshall Texas blues styles.
 James has been invited to do several Radio interviews with the most recent one was on April 15, 2013 with Kevin LEGS Walker of btinternet.com (UK). James has also, been actively promoting his need project through  Radio Drops and Voice Overs that he has been in great demands for by the Media.

Quinn Records TM has just recently released new Single by James Gilbert titled,It's A Real Good Sign. It's A Real Good Sign has already hit the Quinn's Top-10 Song Chart for Monday, 2013 in the #4  spot, making it the third Song that James has on Quinn's Top-10 Song Chart. It's a powerful indication from the Airway that this new Kansas City songster is about to Break. It's A Real Good Sign.
The song "It's A Real Good Sign was published by Quinn Records TM on their YouTube Channel,"Quinn President Choice", please have a listen. Enjoy!