Showing posts with label entertainment. Show all posts
Showing posts with label entertainment. Show all posts

Friday, September 20, 2013

TERRESTRIAL RADIO'S CRITICS WOULD HAVE YOU THINKING TERRESTRIAL RADIO IS "DEAD".

9/20/2013

Let’s Look Well Into The Matter


Satellite radio, as an example, gained 453,000 subscribers in the first quarter of 2013, bringing its total to 24.4 million. In the same first quarter of 2013, Pandora has around 70 million active users, Pandora One gained more than 700,000 new subscribers, which brings their total subscribers to 2.5 million. Spotify has over 24 million active users,currently and over 6 million paying subscribers.

 Terrestrial radio’s absolute biggest competitor, is iTunes accounting for about 75% of global digital music with over 600 million users worldwide. iTunes has just recently revealed their own iTunes Radio which will compete with the streaming services.

 These numbers reflect global users rather than only in the United States, so the numbers cannot be taken as face value right now. But these are the numbers that critics quote, and even still, some of these numbers can hardly touch the impact of terrestrial radio in the U.S. today.

 Why Digital Radio Is Gaining Strength.

 The question is, how has digital radio gained such speed and momentum, enough to begin to compete with terrestrial radio? For starters, the instantaneous selection of music from one’s library is something that terrestrial radio simply cannot do. Waiting for your favorite song? You don’t have to wait for it to come on the radio—just browse, select and push play.

Another advantage to digital radio is the breadth of one’s music library. Terrestrial radio has its certain playlist of songs decided by the DJ at that time. But with digital and streaming radio, you are the DJ. You have the entire selection of your uploaded or streaming music library at your fingertips, ready to be called up at will.

 Still another advantage is mobility. In the advent of mobile phones and tablets, carrying around your music library has never been easier. There are thinner and sleeker Walkmans these days, but carrying around a device just for radio in addition to your mobile phone or tablet just doesn’t sit well with the majority of consumers.

 Despite All Of The Hype, Terrestrial Radio Still Has Its Own Unique Benefits.

While digital radio is gaining momentum due to these benefits, terrestrial radio still has a hold on the American public for reasons of its own. For starters, some people prefer to not have to choose the music they listen to, and they like a DJ playing the top hits or genre-specific hits of that station for them.
This also helps with song and artist discovery, just in a different way than some of the streaming services.

 Terrestrial radio lives and breathes local content. As wavelengths and signals can only travel so far, radio stations are generally encouraged to maintain some sense of locality in their programming and possibly even sound choice. This includes local news, music from local artists and even advertisements for local businesses that you just can’t get from digital radio.

 In terms of artist royalties, radio stations, for the most part, have got a system, and it’s a system that has worked for many years. Streaming and digital radio services are still trying to work out the kinks in their own plans for rewarding artists for their music, and many people—especially artists—are turned off by this fact.

 And finally, terrestrial radio is free. Several of these digital and streaming providers do end up having free music as well, but terrestrial radio will always be free. No subscriptions necessary. If these providers ever decide to go subscription only, terrestrial radio will always be free. While digital radio does pose something of a threat to terrestrial radio, the traditional medium is just too far engrained to be going anywhere anytime soon. There may be some adaptation involved as the music industry continues to evolve over time, but for the most part, terrestrial radio has found and will continue to hold a special place in the hearts of music listeners.

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Where the sound of blues,gospel, jazz and soul music is made..


Monday, September 16, 2013

KL&R2'S LEAD MAN,KEVIN WHEELER RELEASES NEW CD SINGLE ON OCTOBER 8,2013

by Dwight L. Quinn

On October 8,2013 Quinn Records TM will release Let's Go Party, a follow up to Kevin's, Got My Swag On a recent release on Quinn Records TM label. Recorded in Stafford, Virginia and produced by Kevin himself who is a two-timeGrammy-nominee, James Powell - Bass Guitar,Kevin Wheeler Jr. - Drummer/Background Vocals Larry Mount - keyboards, Mike Bella - Lead Guitar,Harvey Lee - Percussions/Background Vocals, all are bringing to this album a solid vourage of sound and soul that come from Kevin's long years of singing and ministering to the Gospel.

Let's Go Party is written by Bobby Conerly and Charles Burton. Kevin was taken in by the
song for the Club fun and feel. Some of Kevin's previous songs all have the presents of life
and excitement intrenched deep into the lyrics, tempo and beats.

Kevin is feeling good about this Album. Kevin said his hope is that everyone who listens to
Let's Go Party, feels it like he did. Kevin is now working with a new East-coast Agency and
is planning his national tour in support of the album.

Kevin's history is unfolding.KL was born and raised in the Washington DC metropolitan area,
he was inspired in music by his grandfather, the late Grant Williams 111, who played the tenor
saxophone for Louis Armstrong band KL, started his musical training at a young age in the
traditional Baptist church.

K L started playing music professionally in the late 70`s with a local GO GO band.
Then he went on to form his own national gospel group. The group recorded its first gospel album
on Redemption Records which included the instant hit Victory, which vaulted the victory album to
number 18 on the Billboard charts. The album was a huge success and the group was nominated
for the GMWA Excellence award, Dove award, and Soul Train music nominee. The group has also
charted the Billboard at least 5 times.

Kevin first recorded under his own name for Quinn Records TM in 2004, along with the R2, they
fisrt national release was titled,Can You Get Away written by Oliver Johnson. Since that time Kevin
has gone on to record and release five albums on the Quinn Records TM label. He toured with
the Divine Messengers and recorded for the now defunct Redemption Records before stepping
out on his own. As the head of his own group, he quickly made a name for himself in the soul n'
blues arena, doing live show in and around the Washington D.C., Stafford and Maryland area.

Kevin Wheeler & KL&R2 is rapidly gaining the respect and recognition as a soul n' blues force
to reckon with. His pure passion for the music is the driving force behind Kevin's tireless efforts
to becoming the next-best soul and blues artist. So the World had better get ready. Kevin Wheeler & KL&R2 has a Show for you.


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Where the sound of blues,gospel, jazz and soul music is made..


Thursday, September 12, 2013

MOBILE IS NOT AN OPTION,MOBILE IS A MUST!

by Dwight L. Quinn




Mobile is no longer just a luxury, which is available to an exclusive class of society. 
It has now emerged as a necessity for users, developers and businesses alike. 
Users who once browsed Websites now do so, on their mobile devices.
Everything, including payment, has now become mobile.

For the first time, web and mobile measurement firm comScore Inc. is breaking 
out mobile commerce sales by product category. The firm offers a glimpse at what 
mobile shoppers are buying.


Following are select product categories, the percentage of web sales from desktop/laptop computers, the percentage from smartphones, and the percentage from tablets, for the first half of 2013, according to comScore:

Event tickets, 84.6%, 10.9%, 4.5%.
Apparel and accessories, 90.3%, 6.2%, 3.5%.
Consumer electronics, 94.4%, 2.6%, 2.9%.
Computer hardware, 94.5%, 3.3%, 2.1%.
Consumer packaged goods, 95.6%, 3.0%, 1.3%.
Overall, 90.4% of total web sales came from desktops and laptops in the first half 
of 2013, 6.0% from smartphones and 3.5% from tablets, comScore says. 

Mobile commerce sales hit $10.6 billion in the first half of 2013, comScore finds, 
up 27.7% from $8.3 billion during the first half of 2012.

“While mobile devices are already extremely influential in the overall buying process, 
they are also beginning to drive a meaningful percentage of digital commerce
,” says comScore chairman Gian Fulgoni. “One out of every ten consumer e-commerce 
dollars is now spent using either a smartphone or a tablet, and growth in this segment 
of the market is outpacing that of traditional e-commerce by a factor of 2x, which itself 
is growing at rates in the mid-teens. Any channel shift has the potential to be disruptive 
to established revenue streams, and it would appear that m-commerce spending has
reached enough of a critical mass that key stakeholders must begin to address this new 
market dynamic today or risk losing competitive advantage.”

Hence, it would be desirable for you to move with the changing times and adapt to
 the latest mobile technologies. It is no more enough to merely get someone create 
an app for your business – you also need an IT team which is “mobile-literate” and 
can take care of post mobile app development aspects, such as developing an 
effective mobile strategy, promoting the app and so on.

Today, each and every company does need to create a powerful enough mobile 
presence. In case you are not ready to develop a mobile app for your business yet, 
you should think of the next best thing – that of creating a mobile Website to 
showcase your products and services. This Website should ideally be compatible for
 viewing on a number of different mobile devices.

You will have to do a bit of research in order to hire the right app developer or team.
You could ask your business contacts or visit forums online and post your query. 
Once you choose a developer, follow the above-mentioned steps to ensure that your app 
development process is smooth and trouble-free.

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Where the sound of blues,gospel, jazz and soul music is made..

Source: idc,riaa,wash.post.

Sunday, September 8, 2013

JAMES E. GILBERT OUT IN THE OPEN, BLUES N' SOUL MUSIC'S BEST KEPT SECRET!

By Dwight L. Quinn

 The Biography 


James Gilbert has been delighting audiences all over the world for nearly four decades. A James Gilbert & Legacy show promises to take you on a journey of an era when music was MUSIC!! James Gilbert is a man with a missionto get you to listen to what you've been missin.

 James Gilbert starting his singing career in 1974 performing in his grammar school talent show, James been a singing my whole life. James says that his vocal ability is a family trait, as his Mom & Dad both love to sing. James is a self thought musician, learning lead guitar, bass & drums and to avoid trouble as a teenager. Blues music was a staple in our household in his early years as I studied the mechanics of the Blues, which played out when he was 17, as he was fortunate enough to share the stage with Blues Legend John Lee Hooker. From then on performing has been James Gilbert's way of life.

After bouncing around the country as a member of a Top40 Rock and RnB band in the early 1980's, James decided to return home to expand on his own versatility. So he joined a local musicians union singing radio jingles, of which his first assignment was vocalist for the Missouri Lotteries New Pick-3 campaign in 1992. That same year, his new band got noticed and was selected to perform as actors for the Toyota Corporations Big Spring Sale TV commercial. Although falling in love with the art of voiceovers, performing continued to hold James heart hostage, so he put doing voiceovers on the back burner and continued to pursue his musical career. In nearly four decades of performing, James played with and opened for such superstars as B.B King, KoKo Taylor, Johnny Winter and War.

 In 2006 James released his first solo CD project entitled Best Kept Secret, where he had the #1 song for two weeks on Southern Soul radio and received rave reviews in both the US and Europe. In September 2012, James Gilbert was signed to the roster of Quinn Records TM, where his talents as a recording artist as well as company official spokesperson continues to attract attention from all over the world.

 JAMES GILBERT"S Discography; 
1-BEST KEPT SECRET
2-GO SLOW,BLUES CROSSING (QR121222-1)
3-KEEP ON KEEPING ON (QR121236-1)

 JAMES GILBET'S Set List; 
BLUES THIS MORNING
A REAL GOOD SIGN
RAINY NIGHT IN GEORGIA (COVER)
SOMEONE TO LOVE
OOH BABY
KEEP ON KEEPIN ON
KISS (COVER)
I BELIEVE PEOPLE ARE TALKIN
PLEASE COME BACK HOME
LONELY MAN
BREAKING MY HEART AGAIN

 MEET JAMES GILBERT & THE LEGACY BAND 

  • JAMES GILBERT-LEAD VOCALS, LEAD GUITAR, BASS GUITAR, DRUMS 
  • ROBERT (BOBBY) ADAMS-DRUMS 
  • EUGENE SMILEY, SR.-RHYTHM GUITAR 
  • BRENT WHEATLEY-KEYBOARD 
  • TOM FLORA-BASS 
  • RONNIE REED-TRUMPET ERNEST MELTON-SAX 
 James Gilbert's dreams and goals is to continue to work,thrive and delight audiences all over the world for many,many more years to come.

Total Song List is 85+ songs performed own show by James Gilbert & Legency Band.
Average Showtime: 3-4 Hours long..

Covers: see above list.
 Typical Repertoire: Blues/Soul/R&B

Check Out James's Electronic Press Kit (EPK)

Book James email: bookaartist@quinnrecords.net

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Bookmark This Link:
 EPK URL: http://www.sonicbids.com/JamesGilbert3

Source: James Gilbert,Quinn Records TM Archives.
Where the sound of blues,gospel, jazz and soul music is made..

Thursday, September 5, 2013

DISCOVERING AND SIGNING THE BEST TALENT

 by Dwight L. Quinn


Discovering and signing the best artistic talent is the motor that keeps a record company running. “Breaking acts and protecting A&R will always be the lifeblood of our culture. It’s at the heart of every conversation we have”, says Dwight Quinn, CEO of Quinn Records TM.
There is fierce competition between record companies to discover and sign the best new artistic talent. We are constantly scouting for performers that have the potential to develop their career in music to the highest level. Traditional A&R methods are today complemented by other ways of finding and signing talent.

The way to find talent nowadays is completely different from 25 years ago when bars or small venues were the places to find artists and musicians. Now there are a multitude of different ways. But at the end of the day, no matter how we find talent, it’s about someone making music and someone feeling the emotion that it creates. The internet is often the first port of call for Quinn's A&R looking to find the top performers of tomorrow.

The internet has made pre-selection much easier. Instead of travelling to every gig, you can do a lot of the groundwork online, checking out bands on their homepage, Myspace or YouTube.

 The internet is where you first hear of a buzz around an artist. We’re not the sort of label that looks for someone who’s got two million hits on YouTube, but we do look for an online buzz. While the internet can cut out some of the legwork for our A&R executive, viewing artists online is no substitute for seeing them live and developing a personal relationship with them.

 Evaluating artistic talent is a subjective process, but Quinn agree we are looking for something beyond technical competence when searching for an act to sign. We are looking for an artist that can move music fans. We looking for empirical evidence of a connection between the audience and the artist.

Submit Music To Quinn Records TM


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Sunday, September 1, 2013

A HARDWORKING ENTERTAINER KEVIN WHEELER & R2 (KL&R2)

by Dwight L.Quinn 

 THE BIOGRAPHY

 KL was born and raised in the Washington DC metropolitan area, he was inspired in music by his grandfather, the late Grant Williams 111, who played the tenor saxophone for Louis Armstrong band KL, started his musical training at a young age in the traditional Baptist church. K L started playing music professionally in the late 70`s with a local GO GO band. Then he went on to form his own national gospel group. The group recorded its first gospel album on Redemption Records which included the instant hit Victory, which vaulted the victory album to number 18 on the Billboard charts. The album was a huge success and the group was nominated for the GMWA Excellence award, Dove award, and Soul Train music nominee. The group has also charted the Billboard at least 5 times. Then K L signed a contract on the Quinn Record Label. The group was also nominated for a Grammy award for their latest album A Message From The Messengers. K L and his group has performed all over America, appeared on national television shows. K L is now enjoying his latest Soul R&B album`s which include Can You Get Away, Par-Tee Time, Somebody Said, Lied For The Last Time, Do You Love Me, I Got My Swagg On, Sweetness Is Her Weakness, That Lady and Ms Niece.

 LIST OF SINGLES & EP'S OF KEVIN WHEELER & KL&R2
 A.-SINGLES
- Can You Get Away, (QRS41133-1) Release Date:10/22/2004
- Par-Tae! Get Your Groove On,(QRS51135-1) Release Date:01/01/2005
- Somebody Said,(QRS51138-1),Release Date: 02/07/2005
- Let's Go Party,(QRS13032-1), Released Date: 07/09/2013 B.

- EP - I Got My Swag On, (QR100122-1),Release Date:06/03/2013

 SONGS PERFORMED ON SHOW: Kevin Wheeler & KLR2
 Let's Go Party
 I Got My Swag On
Sweetness Is Her Weakness
 If You Need Me Lied For The First Time

 In addition to several other songs from Kevin's albums and EP's.
 Covered Songs Performed By Kevin Wheeler * KL&R2:
 Can I Change My Mind- Tyrone Davis
 Don't Let the Green Grass Fool You- Wilson Pickett
 Sweet Caroline-Bobby Womack

 Total Song List is 150+ songs performed own show by Kevin Wheeler & KL&R2. 
Average Showtime: 3-4 Hours long..

 Covers: see above list.
 Typical Repertoire: Blues/Soul/R&B

 Check Out Kevin's Electronic Press Kit (EPK)

Book Kevin email: bookaartist@quinnrecords.net

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Source:Quinn Records TM Archives




Thursday, August 29, 2013

THE INTERGRATION BETWEEN APP AND AUTO ALL SUGGEST A STREAMING MUSIC MARKET

by Dwight L. Quinn






Despite gloomy reports coming from the state of the economy this year there's been quite interesting news all positive and complementary. Here are recent highlights reported by the RIAA :
•    riaa reported their 2012 year-end sales and shipment numbers, including the increasing importance of streaming music – so-called “access models” which now total $1 billion in revenues
•    new data from NPD finding that “subscription-based and free


  • Internet radio services accounted for nearly one quarter (23 percent) of the average weekly music listening time among consumers between the ages of 13 and 35, an increase from a share of 17 percent the previous  year”
  • booming car sales so far in 2013, which, as  Billboard observed, portend further positive news for music business:

First, better integration between app and auto will mean more subscribers
to services like Spotify, which allow smartphone owners to take music into
the vehicle via cached files. Second, more listening to Internet radio over
broadcast radio means more money. Whereas broadcast radio lacks a
performance right, digital services have a performance right that results in
royalties paid for Internet radio listening.

Jonathan Lamy, EVP, Communications, RIAA said, that this is a positive virtuous
cycle, with each set of data points and facts further validating each other and the
underlying proposition.
RIAA year-end 2012 numbers showed substantial growth in these access models.
NPD 2012 data showed more usage of and time spent with these types of services.
And a booming car industry is leveraging fans’ appetite for these services and the
popularity of music generally to offer more value to would-be customers.
This year  auto show, one companies touted music app integration as one of their
key selling points.
All these developments are interrelated, and all suggest a streaming music market
that will only further expand in importance and reach.




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Source: ifpi,riaa,npd




Sunday, August 25, 2013

GLOBAL RECORDED MUSIC INDUSTRY REVENUES INCEASED


  GLOBAL RECORDED MUSIC INDUSTRY REVENUES INCEASED 
  by Dwight L. Quinn



Global recorded music industry revenues increased by an estimated 0.3 per cent in 2012, the first year of industry growth since 1999, to US$16.5 billion. Digital revenues increased by an estimated 9 per cent to US$5.6 billion in 2012, now accounting for around 34 per cent of global industry revenues. Download sales increased in volume by 12 per cent globally in 2012 and represent around 70 per cent of overall digital music revenues The number of people paying to use subscription services leapt 44 per cent in 2012 to 20 million. Subscription revenues are expected to account for more than 10 per cent of digital revenues for the first time in 2012. Digital channels account for the majority of record companies' income in an increasing number of markets including India, Norway, Sweden and the US Digital retailers' rapid global expansion is opening up the potential for markets such as Brazil and India, to become major sources of future industry growth. At the start of 2011, the major international services were present in 23 countries. Two years later, they are in more than 100 countries. Digital music consumption has become mainstream, as shown by consumer research by Ipsos MediaCT across nine markets in four continents. Two-thirds of internet users (62%) have used a licensed digital music service in the past six months. Among younger consumers (aged 16-24) this figure jumps to 81 per cent. Consumer satisfaction with licensed music services is demonstrably high. 77 per cent of users of licensed services rate them as excellent, very good or fairly good. Even 57 per cent of those who use unlicensed services believe "there are good services available for legally accessing digital music." Many non-digital revenue channels are also increasing. Performance rights income increased in value by an estimated 9.2 per cent in 2012 and now accounts for around 6 per cent of overall industry revenues, up from 3 per cent in 2007. Album charts in most markets show that investment in local repertoire is alive and well. In many countries, local repertoire accounts for the vast majority of the top selling albums of the year. Five major non-English language markets illustrate this. In Italy, Spain and Sweden, eight in 10 of the top selling albums of 2012 were by local artists; in Germany, seven in 10, and in France six in 10.


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 (sources:ifpi,riaa,nielson)

Friday, July 26, 2013

NEW RELEASE FROM QUINN RECORDS TM KEVIN WHEELER & R2 " LETS GO PARTY"

by Dwight L. Quinn


Virginia's R&B Soul sensations introduced their ninth Single today on the Quinn Records TM label titled,"Let's Go Party". 
The new cut is strictly for the dance-floor party jammers, a soul filled cut that is fit for D.J. Jamming-Club-jumping enjoyment. 

Kevin has long been wanting to do a what he calls a real soul sound. Signed on to the Label in 2004. Kevin has enjoyed experimenting with various musical experiences that has took him from Spiritual to Smooth Jazz and from Hip/hop to Soul. All because of the freedom afforded to
him by the Label. When Kevin,talked about adding to reportorial, some Soul, was at the very heart of his original attention when signing to the Label Kevin called on help of Quinn Records TM label founder Dwight Quinn to match him up with right song that best defined the musical character, of this Virginia Jammer and to get himself  noticed  in the Southern Soul  Market. Quinn,found what he thought was the right cut, in the Little Delta Music catalog ,the Publishing arm of Malaco Records,(the Southern Soul Label),and pulled out "Lets Go Party" written by Bobby Conerly and Charles Ray Burton. "Lets Go Party" had that feel and bounce that makes for a great party grooving dance song. After hearing the demo the first time Kevin was hooked and immediately got the feel and here we are, Kevin promised that things are going to get better as him and R2 start their tour.
"Lets Go Party" will be a must-listen to blast coming from over the Airways, through the internet and right out to rocking,back in woods,street-side Clubs around the Country."Lets Go Party"!

SONG INFORMATION:

Title: LET'S GO PARTY
Composer: Bobby Conerly, Charles Ray Burton
Artist: Kevin Wheeler & K.L. R 2
Timing: 4:18
Publisher: Little Delta Boy Music/ Malaco Records
Release Date: July 26, 2013
Label: Quinn Records TM
Genre: Soul

For Radio Professionals,(Music Directors,Programming,D.J.'s and Club Jocks)
Download Commercial Quality Track(s)  Here!


Monday, July 22, 2013

HOW I POSITIONED OUR BRAND

by Dwight L. Quinn


I remember when I opened the label several years ago.
 As a team we were working on how we wanted to position the label, looking for the 
emotional benefit that we could offer to our customers. We finally landed on "We'll give you what you want" as our positioning. We never used it as a tagline, but more as a positioning statement for how we would serve up what we offered customers.

Many of our customers were mid-size independent retail record stores, operating in small and large urban cities. The idea of helping them to get the kind of music that they wanted was engaging. 
Our work would get them track able sales results and they would recognized that.The fact that 
we were and still are today a brand promotion label gave our positioning statement double meaning.
Once it caught on, our brand's positioning became the basis for building the brand experience 
across our entire marketing plan. We realized that the key was to make sure that our actual brand experience delivers on what was intended in the positioning.

In the label at the time, we made sure we helped our customers showcase and display our products to get the recognition they needed in order to generate a sale. We make a big deal when one of our customers sale our products by celebrating every successful sale. It became part of our personality and part of the experience of working with us. This came directly out of our positioning statement:"We'll give you what you want."

Take a look at our brand and what we've done for positioning. Notice, 
our tagline is  a big hint:

Quinn Records TM: "Where the sound of blues,gospel, jazz and soul music is made."

Notice the level of emotion in each of our tagline, which essentially highlights our brand's 
positioning. 

Here's how we translate the tagline into our positioning statements:

Quinn Records TM: Makes you feel like you'll get what you asked for.

We digs deep into the emotional benefit that we offer to our customers. We're always thinking  
about how we want our customer to feel about us, every time they think about us. We tried to 
capture that in a brief statement that best describes what we can offer, and keep a list of  options on hand. And throw them out to the team and do a little brainstorming. 
It's makes for a lot of fun,especially when those creative juices start flowing and ideas comes from seemly out of nowhere.

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Wednesday, July 17, 2013

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn
Blues This Morning by James Gilbert                   (QR 131232-1)

CLOSE THE DOOR- PE-POLES-AND CLOSE IT QUICK. 
CAUSE, SOMEBODY JUST THREW 
A "ROCK" IN OUR BLUES-
THE SIZE OF A BRICK!
WHO DID? "JAMES GILBERT, DID!" 

 YEP! Blues This Morning is bumping head on  with the likes of the sound of the early 60's,i.e. Little Milton Campbell, B.B. King, Bobby Blues Boy Bland, Elmore James, Jimmy Reed, and the style-like-list goes on and on, James Gilbert's nailed this song he put his Soul in, Blues This Morning. Rock is James fundamental style and it is awesome packed, when he blends both the Rock-a-peal and moody blues together, then you got an ex-bluesion, on your hand,Blues This Morning, has that rumble. James powerful vocals don't leave much room for criticism because this song has all of the flavor that's needed to stir up the taste buds of  Rocking Blues Lover's all over the universe. It's Smooth and Rock hard-Blues This Morning," CD. 

Available: CD Compilation 
Tracks: 16
Album: GO SLOW-Blues Crossing 
Cat.No. (QR 121222-1) 
Format: CD/CAS/12"Vinyl/ Digital 
Genre: Blues/Soul 
Order Online: www.quinnrecords.net

 Published 6/25/2013 YouTube Quinn'President Choice Have a listen, "BLUES THIS MORNING " Enjoy.

 

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Thursday, July 11, 2013

THE ARTIST FAMILY TEAM WORKING TOGETHER.

 by Dwight L. Quinn

 If there's one thing that I've  notice , here at the Company,   is the strong sense of creative energy that seem to never stop flowing in the Artist family at Quinn Records TM. I'm delighted to have such great talent around me who are  not only looking out for their own career growth and welfare but they also put their skills and talents where ever needed in the Company doing whatever it takes to keep  both areas operating at full steam.  This week alone behind the scene Artist Kevin Wheeler has been working diligently
both in the Studio and in the field recruiting, interviewing and rehearsing new Band members for the kick off of KL&R 2 road shows, with the plan being focused on most shows being self-produced. Kevin has remixed his I Got My Swag On Album, and has expanded the Album to include three (3) new songs. Kevin has brought on Harvey Lee on as his percussionist.  The Artist Family has decided last week to increase the Band size from five to eight musicians, that's going to include two horns, that will give them a total of three horns in the Band.  

A.J Dickerson,who's a well known Music Scholar and entertainer in his own rights, in the St. Louis Music World was instrumental in partnering Quinn Records TM with a local venue to bring Live Southern Soul, Blues and Jazz Shows through this new St. Louis venue. Mr. Dickerson, Oliver Johnson and myself, met Monday at the Club with the owner and finalized the arrangement. The first Show according to Oliver Johnson has been scheduled for Thursday September 26th,2013 and there will be regular scheduled Live Shows from that point on. I want to re-introduce St. Louis to the outstanding Southern Soul acts that are out there today, that would be a new exciting  and long awaited experience for the St. Louis Market.

James Gilbert is bringing a new and exciting image to Quinn Records TM with his education and major in Broadcasting,Voice overs for Radio and Television. James has already made a great noticeable impact on the Company not only as a great outstanding artist but  his behind the scene work it's very welcomed. James is now the official Voice  for Quinn Records TM  taking us  into the today's  world of visual and sound technology.


The Artist Family Team working together, communicating,sharing ideas among each other and helping each other in there career goals is something to watch. They most definitely want the customer to know that they will be at all times, giving to them by way of there music, their very best.


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Sunday, July 7, 2013

IT'S MUSIC BUSINESS TODAY!

by Dwight L. Quinn



As the model for a label has changed, so has the role of the artist in the industry. 
Artists today are more powerful than ever, noting that an active Artist can reach 
high on Charts today with very little traditional radio or other marketing. 
They are business people, marketers... They know how to relate to their audience 
and know how to connect properly. Selling "Show Tickets" is the Artist goal. The
income is huge for an Artist who sells from 6,000 to 28,000 tickets per year with a 
indie Label. 
Quinn Records TM and other  different independent labels have different programs 
and signing with John Doe label, for example, is not the same as signing with Willie Earl
records. Artists need to be aware of which indie labels do what best before signing a deal.
An Artist that's into Techno Soul is not going to do well with a Traditional Blues indie Label.

And with today's artists having more options than ever of how to release their music, 
The old record contracts are being  tossed aside in favor of a more 
egalitarian split -- and with digital platforms becoming ubiquitous, the differences between 
major labels and indies will be reduced. Yet the role of the label -- as the vessel, the support 
structure and the team assisting the artist in achieving success -- will not be going away.

The power is and always have been with the artist "but the infrastructure and guidance 
of a label is still a very important and necessary role in the music industry."

Visit Us: quinnrecords.net




Friday, July 5, 2013

When You Strip A Way The Glamour.

by Dwight L. Quinn


You know the old wisdom "All that shine is not gold, and " Looks are Deceiving and so on. Well there's a whole lot of truth to those aged old pieces of wisdom. And I discovered it in my early days in the Music business, I came into the Business like most, totally with no reality at all, I told my reality to wait outside for me until I get back, I got this! Than all of a sudden I noticed that I went from eating choice cut fresh meat to can meat, potted meat,spam. I'm asking myself now what going wrong here, this is not the way it suppose to be, I'm in the record business. I' ll go to my office,put up the phone to make a call , no dial tone, so I leave but when I get the parking lot, guess what, my car is gone,so I calls the police so that I can make out a police report for a stolen car, well don't you have any idea who may have stolen your car the policeman would ask, and I would say yeah!,police would ask,than who and tell'em the Bank stole it. Man those days was rough when you leave reality waiting outside. 
I'm glad of one if nothing,else, my father always taught me and brothers to honest with your self first and you'll find it easy to honest with others. I realized that I was going to succeed at this business unless I go back and get my reality back and than go forth. 

Now I see my business as a business, a living entity that needs focused attention, that need to know not only who its customers are,but what they want, in terms of products and service. We don't second guest.
Don't be fooled Music is Entertaining but it takes Business management with planning to get it to and from the stag to the Bank.

 I average 20 working hours a day, trying to get Quinn Records TM right,  right doesn't mean that we're doing something that is wrong, right in our strategy that means,simply staying on course with our idea and plan. We're not in the Hit making business, we don't trade on Wall Street,we're in the Listening business specializing in Artist Development and  make music for, as they use to call it,"turn-table" use and  for customer who only like new music in their favorite genre and wants it right now. 

We're diverse, we build on diversification it gives us a broader base product line and allows us to keep niche music that identifies with an eager to served  Market making available the music that they are most familiar with thus rekindling again a useful and valuable product in today's  market. 

visit us online at; http://www.quinnrecords.net


Thursday, June 20, 2013

GET A SINGLE SONG OR AN ENTIRE ALBUM AT OUR DIGITAL MUSIC STORE..






The Quinn Digital Music Store has a large music library of the label's prerecorded blues, gospel,jazz and soul music all selected for your best musical enjoyment-- ensuring you that every one of our genre is catered for. You have the option to preview any music track before you buy via a 30-second music clip (for a track over 2:30 (U.S. only). The Quinn Digital Music Store is always being updated with new releases, keeping the selection fresh and up to date.So that you can keep your digital music collection spiced up with the newest and latest in blues,gospel,jazz and soul music
see more

Sunday, June 9, 2013

NEWS UPDATE: RADIO TALK-GO SLOW-Blues Crossing CD Compilation

NEWS UPDATE: 
RADIO TALK-GO SLOW-Blues Crossing  CD Compilation
From: Ronnie Ray,Promotions Manager/Quinn Records TM

Below is a fantastic Radio interview with our own Rockin' Blues Artist James Gilbert.
GO SLOW-Blues Crossing got introduced to the Nantwich, UK Blues scene by way of James Gilbert's informative radio interview with Nantwich radio personality's  Kev " Legs" Walker anfd Jen Van Cauter,host of "The Monday Morning Blues Show on The Cat Community Radio, Nantwich, UK. The interview took place in April 28th, 2013. James is a native of Kansas City,Missouri. James was invited to the show by Kev to let his fan know how his musical career was moving along and that he has the number one song on Quinn Records TM's  new Go Slow-Blues Crossing album,titled, "Blues This Morning," while at the same time his other fan favorite titled ,It's A Real Good Sign," has been dominating Quinn's Top-10 Song Chart for the past eleven weeks. Kev and Jen  told James in the interview that they liked his music they hope to see and meet him in the UK,soon. So, listen while James Gilbert give Kev, Jen and their Nantwich UK listeners the highlights of his career as an established Blues Artists.



For A Promotional Copy of GO SLOW-Blues Crossing:
Radio/Retail/Press/Entertainment Buyers
Email:promotions@quinnrecords.net

Friday, May 31, 2013

DIGITAL STORES BECOMING THE PRIMARY OUTLET FOR BUYING ALBUMS

by Dwight L. Quinn



Last year, 193 million CD's were sold vs. 118 million digital albums, according to Nielsen Soundscan's year-end data report. 
In the album format,digital jumped 6% in 2012, though fans still favor the physical version. 
While album sales at digital services outpaced those at mass merchants, they were far 
exceeded by the combined sales of physical albums at all outlets.

The breakdown in total album sales:


  • Digital services such as iTunes and Amazon MP 3: 37%
  • Walmart, Target and other mass merchants: 29%
  • Best Buy and similar chains: 15%
  • Non-traditional outlets such as Amazon physical sales, mail order, venue and fan club sales: 10%
  • Indie stores: 7%

CD's, cost more than downloads, have been allocated  far less shelf space at Mass Merchants like Best Buy,Walmart,Target and other chains, fueling digital sale increases.
Digital is consistently growing, and that's to be expected as we get  away from physical 
purchases and get further into streams and music that nobody actually owns.
Its the price of progress.

And yet the LP comeback is flourishing. While only a small piece of the musical pie, vinyl rose 19%, reaching  4.6 million copies in 2012, breaking the 2011 record of 3.9 million.
The wax-is-back, the old way of experiencing music continues to grow every year. 
"A lot of people still want something with value, an element that music have always been able
to give to its users."

Sunday, May 12, 2013

Quinn Records TM Remembers The Southern Harmonizers

by Dwight L. Quinn

The Southern Harmonizers were at that time a Radio Artist of Station WIBV in Belleville, Illinois and WESL located in East St. Louis, Illinois. Broadcasting on Sunday mornings at 8:30 a.m. to 9:30 a.m. and were  sponsored by the Ebony Insurance Company, Pat's Barber Shop, Totsie Hair Grower, New York Cleaners and Crisp Confectionery.My first awareness and contact with this group came when I was at the age of 12 years old. I would hear them rehearsing at a house next door to a neighborhood friend of mine that lived one block over from where I was living. The power of those voices with harmony so tight, it would be difficult to get air between the notes would leave me spelled-bound. They were singing without microphones and used no special effects tools like they do today. I  and my friends would stop playing marbles  and we would just listen, like the other neighbors was doing, they had us in their grasp, awesome entertainment coming from a house that made us,my friend and I wish that it was our house that they were rehearsing at, just to give us a boasting edge at school the next day. It was the kind of direct-to-the-point promoting that got real good attention.


The Southern Harmonizers were organized and founded in 1942 by Bro. Leonard Bell and Richard Orange. The original group members were Bro. Leonard Bell, Register Harris, Henry Summers, Harry Lee Barnes and Richard Orange.

At the beginning Bro.Richard Orange served as the Groups Manager from 1942 til 1945 when Bro. Rollie Davis joined the Group and later became it's Manager and served in that capacity until his death in 1972.
Under the the leadership of Bro. Rollie Davis, the following members united in the Group, Leslie Johnson, Alex Yates, Wilbert Jackson, Rev. Jimmie Harris, Leroy Crisp, Robert Wooten, Lee Mosby, Jesse Lawrence, John Thurman, Wiley Whitfield, Booker Jackson, and  Robert McAllister. After the death of Bro. Rollie Davis, Bro. Leroy Crisp took over the rein of Manger that lasted for one year. Bro. Crisp resigned because of the demands of his work. Bro. Register Harris became the the Groups 4th Manager and served in the managers capacity until poor health caused him to resign. The resignation of  Bro. Harris through the Group in limbo and caused them to become inactive for several years, until Bro. Leroy Crisp reactivated the Group and under his guidance and leadership the Group flourish once again. Bro. Crisp recruited several new members under his rein that included, Bro. Alonzo Collier, Bro. Larry Williams, Bro. Sylvester Davis, Bro. John Mathis, Rev. Anderson Sparks, Bro. John Wright, Bro. Rodney Richards and Bro. Raphael.

The Southern Harmonizers under the leadership of Bro. Leroy Crisp signed on to the Quinn Records TM label March 6th, 2006. They did not need to submit a demo, because those regular group rehearsal next door to my friend house in 1958 superseded  that Company's policy.

Bro. Leroy Crisp served as Manager of the Southern Harmonizers until his death in 2010.

ALBUM: Sixty-three Years Of Service For The Lord
CAT.#   : QR 061145-1
UPC      :662154652131
GENRE: Gospel

Monday, May 6, 2013

DISC SPOTLIGHT- the cd


by Dwight L. Quinn
OLIVER JOHNSON &; NITE TRAIN -Oliver Johnson & Nite Train ( QR 061202-1, 2012)
Lu v n' Thing; Lu v n'Thing,Come Back Baby,Hello Time, Do You Love Me Not, Scheming Me,Lied For The First Time, Drink To Much,If You Repay Evil For Good,Take Me Baby, Drink To Much Instrumental.


It was this time last year, that I first en-lighted on a track from this cd and said at the time; this album is so filled with good dance, story-telling lyrics and strong Ballard that any one track could have been pulled off to go under the spotlight. Although it was intimated that a full look may well follow, such a quick return was not fully on the cards until the tally of individual tracks was pulled together and proved to be something of a " Soul mix, with over 50% going in that direction. Consequently, it seemed fitting  to look at a group for the spotlight and where better..?  'Nite Train' may well be Oliver Johnson, whose name is prominent on the album as lead vocalist and band leader, along side Nephew Davis-bassist, Oswald Peters-lead guitar, Mike Bell-drums,Oliver Johnson-trumpet,keyboard and Dwight Quinn-background vocals. The album was produced and arranged by Dwight L. Quinn.

The proceeding start with"Luv n' Thing', rocking , soulful trot that commonly associated with Soul music, heavy bass licks infusing something of the 'Funk' and indeed, once the song gets under way, the use of Nephews thumping bass licks to support the vibrancy of Oliver Johnson's lead voice invokes a hot soul party. Cloaking-in at under four minutes - the longest track on album is 6:14 - it's over all to soon. 'Come Back Baby ' was originally written for Lil Aaron Mosby who passed away before completing his second album  on  the Quinn Records TM label, is up beat urban blues rocker filled with a crazy piano part that reminiscence of the great-late,Rock n' Roll Hall of Fame inductee Johnny Johnson, a style that has been missing in newer blues music. Oliver Johnson did a magnificent job in laying down the piano part that makes 'Come Back Baby ', sensational. Talking dialog intro by Oliver Johnson, trumpet instrumentation, background vocal is joined by percussion to get,' Hello Time', off the starting blocks. 
Well placed trumpet solo, the insistent rhythm and the rapport between the lead vocalist and background singers makes this irresistible. Although this is a 2009 set, the next two songs were written by Dwight at the start of the decade, in fact there is something in the blues-ballad, 
'Do You Love Me Not', that sounds even earlier - maybe it's the use of the organ. It's a tale of incompatibility in a relationship as the storyteller reflects on the difference in the word...' Some people are made for each other, they stay together- til death do 'em part. See they got love and understanding-they can stop a wind storm before it start. But now me and my baby, our love is like house built up on a rock,-you see everybody scared to move-cause if we do-our house is going drop...'
Mid way of the album Oliver Johnson & Nite Train, and despite its moody sound, under the surface once again the lyrics have their serious side.

Down middle ways of the album, 'Scheming Me', reflects Dwight's time with first relationships that gone bad. Wondering along life way thinking that everything is all well when in fact that it's not. Here again, Oliver lays down what I think is the best trumpet solo part in the whole entire album. You'll probably, like myself while to this track multiple times just to hear this hot trump works. Not quite a complete 'slam-dump' but certainly a few center court free throws, 'Lied For The First Time', is an atmospheric r&b-ballad performed principally as a choral effort and,surprisingly, complemented by a  slow-jam guitar that takes over the song three-quarters through and on to the fade. 'Drink To Much', keeps the tempo up and again Dwight Quinn lyric's have to be commented... 'If You Repay Evil For Good', making the most of Rock music... It's one of those Studio fill jobs, that in this case worked. You can have fun with the track...'Take Me', is a big effort, maybe a little out of place within the whole, as it has a distinctly ' 70' pop flavor and seems undecided whether it should that a" more power to the people pop road. No such problem with the instrumental version soulful,"Drink To Much'.. Once again Oliver Johnson is given full rein to rock his way through the climax and take things out on a higher-playing field.

Sunday, April 21, 2013

JAMES GILBERT QUINN NEWEST MEMBER TO IT'S FAMILY OF RECORDING ARTIST IS BEING WELL RECEIVED BY RADIO PROFESSIONALS



James Gilbert made his debut presence  known on the Quinn Records TM label on September 28th, 2013 with a reissued  original  hot cut  titled "Keep On Keeping On", his version of Brook Benton's "63" R&B hit song,"Rainy Night In Georgia" "and a original  slow-moody Blues cut,titled "Blues In The Morning". The songs has made James Gilbert one of the most recognizable new up coming R&B/Blues artist  in the industry today. To further prove this statement ,Airplay reports received by Quinn is used to compile Quinn's Top-10 Song Chart and James songs has been ranked on nearly all of the Charts since the release of his  debut CD,"Keep On Keeping On". Kansas City is where James Gilbert calls home.  KC has always been a key market for Blues Music and over the years Kansas City have produced some of the biggest names in  R&B/Blues music such as, Annette "Cotton Candy" Washington, Arnold "Gate mouth" Moore, and Lighting Hopkins just to name a few of the many Kansas City R&B/Blues  gurus. Now,James Gilbert is walking along that path with his strong ambitious R&B rocking Blues style that has people calling him the next great KC Blues giant like,"Lightning Hopkins, while re-kindling the fire that made Kansas City one the top ranking Markets  in the Blues Business.I'm really excited about James, said Dwight Quinn founder of Quinn Records TM, he can carry us to a level of high achievement, because Blues Music is our Business and having a talent like James delivering the real-true sound of the Blues will give us that recognition. Blues Radio has very high standards when it comes to Blues Music, so when you see those Professionals embrace a Artist like they are doing with James Gilbert, than you better watch out, you could very well be looking at the next Little Milton Campbell,Albert King or Bobby Bland coming over the horizon, said Dwight Quinn.

A short tour is being planned that will cover thirty-three U.S. Cities, giving James the opportunity to take his Blues Business to the streets. James said that he's eager to get started because performing live on stage is in his blood and that's where I'm at my best self, James said. James has six songs on Quinn Records TM's New Release,"GO SLOW-Blues Crossing", which is a Special Compilation that features eight of Quinn's Blues/Soul Artists. James Gilbert bringing the Kansas City blues sound to the Album makes it hard to cut it off, when you play it. You get a whole mix of Blues styles, such as, Osee Anderson Chicago style, LiL Aaron Mosby,Delta stlye, Oliver Johnson,Urban style, Mississippi Red, Traditional style and Carl Marshall Texas blues styles.
 James has been invited to do several Radio interviews with the most recent one was on April 15, 2013 with Kevin LEGS Walker of btinternet.com (UK). James has also, been actively promoting his need project through  Radio Drops and Voice Overs that he has been in great demands for by the Media.

Quinn Records TM has just recently released new Single by James Gilbert titled,It's A Real Good Sign. It's A Real Good Sign has already hit the Quinn's Top-10 Song Chart for Monday, 2013 in the #4  spot, making it the third Song that James has on Quinn's Top-10 Song Chart. It's a powerful indication from the Airway that this new Kansas City songster is about to Break. It's A Real Good Sign.
The song "It's A Real Good Sign was published by Quinn Records TM on their YouTube Channel,"Quinn President Choice", please have a listen. Enjoy!