Thursday, September 26, 2013

FIVE QUINN RECORDS TM ARTISTS ARE RECEIVING HUGE INTERNATIONAL ATTENTION

[09/27/2013]

On Thursday, September 26th 2013 The APD Global Radio Indicator Charts ™ posted in it's Top 50 Albums - Today, #20-Quinn Records TM Present GO SLOW Blues Crossing. Soul blues singer James Gilbert's Blues This Morning is the # 1 song, followed by Mississippi Red,Send Me Somebody To Love.

 The late LiL Aaron Mosby a.k.a. Blues Man is making notariety again with the powerful rendention covered of Jimmy Reed's 60's hit Oh Baby, You Don't Have To Go. However LiL Aaron is not a stranger in the UK by no means of the word. Had performed in front of a sold out record crowd of twenty thousand at the Holland, Blues, Festival in 2001.

 Blues singer/guitarist Osee Anderson, Breaking Up Somebody's Home employing his signature guitar licks like those of the late great Jimmy Hendricks and the famous Guitar Watson adds a whole new dimension to Albert Blues-Boy Kings Stax's Records hit recording,Breaking Up Somebody's Home.

 Quinn Records TM artist Kevin Wheeler's domestic releases has dropped today in Brussels Belguim and Victoria Australia.

 FM Brussel [FM98] (98.8 FM) Date: 09/26/2013 05:17:33 am www.fmbrussel.be Elsene, Brussels, Brussels Belgium
 1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke)

 West Gippsland Community Radio [3BBR] (103.1 ) Date: 09/26/2013 05:17:33 am 3bbrfm.org.au Drouin, Victoria Australia
1.) Let's Go Party
2.) The Soul of A Man (Medleys of Solomon Burke) 

Quinn Records TM "GO SLOW-Blues Crossing 2-CD Box Set) available: Buy Here.


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Sunday, September 22, 2013

KEVIN WHEELER/KL&R2 CAMP DEBUTED A NEW TRACK TODAY.

by Dwight L. Quinn

The music pro-lif-er-ators over at the Kevin Wheeler/KL&R2 camp debuted a new track today targeted to the audiences of the world’s leading Soul n' Blues guru, the late great Solomon Burke.

” Launched as a tribute recognizing Mr. Burke's great contribution to the art and to the soul n' blues music industry, Kevin's team's aim is to set out and re-discover the profound life impact of this icon works.

The track was made into a medley of songs selected from a broad collection of world-class hits, made famous by Mr. Burke and were fan favorites exclusively for Soul n' blues users. The KL team titled the new track," The Soul of A Man (Medley of Songs by Solomon Burke) the mix of medelys includes, If You Need Me,Tonights The Night and The Price I had To Pay and clocks in at 4:08 minutes in length.

 The songs intro begins with a thundering drum role that would catch the listener by surprise at first, and the second wave Kevin makes this heart-felt announcement, dedicating the song to Mr. Solomon Burke and praying that he rest-in-peace and then he proceeds on into these touching medlodies of moving songs, consisting of “If You Need Me","Tonights The Night," and" The Price I Had To pay". “The Soul of A Man",(The Medleys of Solomon Burke) will rank high among the great works of Kevin Wheeler & KL&R2.

We commend him for his great courage and love for the art and music to take on such a huge undertaking in the effort to keep the Works of a past legend such as Solomon Burke,alive. It ends with a higher,powerful tenor rises that is the signature of Kevin's large vocal ranges that pushes the song skyward as the minutes ticks down to closing of the popular soul medleys the esteemed brava that Kevin has played to crowds worldwide. 

“I was always a Traditional Quartet Gospel singer before I was making soul tracks,” said Kevin. “The Traditional Quartet Gospel singing is the backbone of soul music. Gospel [have] been the direct contributor, and soul n'blues are the way I can bring fresh sounds to people. Real Soul feeling don’t wait for the right timing, it just lets go.. Soul music gives me an audience of stable adults that LOVE soul and dance music from urban stlye genres. I now have the ability to share that soulful and enlightening vision in its purest form with all my fans.



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Friday, September 20, 2013

TERRESTRIAL RADIO'S CRITICS WOULD HAVE YOU THINKING TERRESTRIAL RADIO IS "DEAD".

9/20/2013

Let’s Look Well Into The Matter


Satellite radio, as an example, gained 453,000 subscribers in the first quarter of 2013, bringing its total to 24.4 million. In the same first quarter of 2013, Pandora has around 70 million active users, Pandora One gained more than 700,000 new subscribers, which brings their total subscribers to 2.5 million. Spotify has over 24 million active users,currently and over 6 million paying subscribers.

 Terrestrial radio’s absolute biggest competitor, is iTunes accounting for about 75% of global digital music with over 600 million users worldwide. iTunes has just recently revealed their own iTunes Radio which will compete with the streaming services.

 These numbers reflect global users rather than only in the United States, so the numbers cannot be taken as face value right now. But these are the numbers that critics quote, and even still, some of these numbers can hardly touch the impact of terrestrial radio in the U.S. today.

 Why Digital Radio Is Gaining Strength.

 The question is, how has digital radio gained such speed and momentum, enough to begin to compete with terrestrial radio? For starters, the instantaneous selection of music from one’s library is something that terrestrial radio simply cannot do. Waiting for your favorite song? You don’t have to wait for it to come on the radio—just browse, select and push play.

Another advantage to digital radio is the breadth of one’s music library. Terrestrial radio has its certain playlist of songs decided by the DJ at that time. But with digital and streaming radio, you are the DJ. You have the entire selection of your uploaded or streaming music library at your fingertips, ready to be called up at will.

 Still another advantage is mobility. In the advent of mobile phones and tablets, carrying around your music library has never been easier. There are thinner and sleeker Walkmans these days, but carrying around a device just for radio in addition to your mobile phone or tablet just doesn’t sit well with the majority of consumers.

 Despite All Of The Hype, Terrestrial Radio Still Has Its Own Unique Benefits.

While digital radio is gaining momentum due to these benefits, terrestrial radio still has a hold on the American public for reasons of its own. For starters, some people prefer to not have to choose the music they listen to, and they like a DJ playing the top hits or genre-specific hits of that station for them.
This also helps with song and artist discovery, just in a different way than some of the streaming services.

 Terrestrial radio lives and breathes local content. As wavelengths and signals can only travel so far, radio stations are generally encouraged to maintain some sense of locality in their programming and possibly even sound choice. This includes local news, music from local artists and even advertisements for local businesses that you just can’t get from digital radio.

 In terms of artist royalties, radio stations, for the most part, have got a system, and it’s a system that has worked for many years. Streaming and digital radio services are still trying to work out the kinks in their own plans for rewarding artists for their music, and many people—especially artists—are turned off by this fact.

 And finally, terrestrial radio is free. Several of these digital and streaming providers do end up having free music as well, but terrestrial radio will always be free. No subscriptions necessary. If these providers ever decide to go subscription only, terrestrial radio will always be free. While digital radio does pose something of a threat to terrestrial radio, the traditional medium is just too far engrained to be going anywhere anytime soon. There may be some adaptation involved as the music industry continues to evolve over time, but for the most part, terrestrial radio has found and will continue to hold a special place in the hearts of music listeners.

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Monday, September 16, 2013

KL&R2'S LEAD MAN,KEVIN WHEELER RELEASES NEW CD SINGLE ON OCTOBER 8,2013

by Dwight L. Quinn

On October 8,2013 Quinn Records TM will release Let's Go Party, a follow up to Kevin's, Got My Swag On a recent release on Quinn Records TM label. Recorded in Stafford, Virginia and produced by Kevin himself who is a two-timeGrammy-nominee, James Powell - Bass Guitar,Kevin Wheeler Jr. - Drummer/Background Vocals Larry Mount - keyboards, Mike Bella - Lead Guitar,Harvey Lee - Percussions/Background Vocals, all are bringing to this album a solid vourage of sound and soul that come from Kevin's long years of singing and ministering to the Gospel.

Let's Go Party is written by Bobby Conerly and Charles Burton. Kevin was taken in by the
song for the Club fun and feel. Some of Kevin's previous songs all have the presents of life
and excitement intrenched deep into the lyrics, tempo and beats.

Kevin is feeling good about this Album. Kevin said his hope is that everyone who listens to
Let's Go Party, feels it like he did. Kevin is now working with a new East-coast Agency and
is planning his national tour in support of the album.

Kevin's history is unfolding.KL was born and raised in the Washington DC metropolitan area,
he was inspired in music by his grandfather, the late Grant Williams 111, who played the tenor
saxophone for Louis Armstrong band KL, started his musical training at a young age in the
traditional Baptist church.

K L started playing music professionally in the late 70`s with a local GO GO band.
Then he went on to form his own national gospel group. The group recorded its first gospel album
on Redemption Records which included the instant hit Victory, which vaulted the victory album to
number 18 on the Billboard charts. The album was a huge success and the group was nominated
for the GMWA Excellence award, Dove award, and Soul Train music nominee. The group has also
charted the Billboard at least 5 times.

Kevin first recorded under his own name for Quinn Records TM in 2004, along with the R2, they
fisrt national release was titled,Can You Get Away written by Oliver Johnson. Since that time Kevin
has gone on to record and release five albums on the Quinn Records TM label. He toured with
the Divine Messengers and recorded for the now defunct Redemption Records before stepping
out on his own. As the head of his own group, he quickly made a name for himself in the soul n'
blues arena, doing live show in and around the Washington D.C., Stafford and Maryland area.

Kevin Wheeler & KL&R2 is rapidly gaining the respect and recognition as a soul n' blues force
to reckon with. His pure passion for the music is the driving force behind Kevin's tireless efforts
to becoming the next-best soul and blues artist. So the World had better get ready. Kevin Wheeler & KL&R2 has a Show for you.


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Thursday, September 12, 2013

MOBILE IS NOT AN OPTION,MOBILE IS A MUST!

by Dwight L. Quinn




Mobile is no longer just a luxury, which is available to an exclusive class of society. 
It has now emerged as a necessity for users, developers and businesses alike. 
Users who once browsed Websites now do so, on their mobile devices.
Everything, including payment, has now become mobile.

For the first time, web and mobile measurement firm comScore Inc. is breaking 
out mobile commerce sales by product category. The firm offers a glimpse at what 
mobile shoppers are buying.


Following are select product categories, the percentage of web sales from desktop/laptop computers, the percentage from smartphones, and the percentage from tablets, for the first half of 2013, according to comScore:

Event tickets, 84.6%, 10.9%, 4.5%.
Apparel and accessories, 90.3%, 6.2%, 3.5%.
Consumer electronics, 94.4%, 2.6%, 2.9%.
Computer hardware, 94.5%, 3.3%, 2.1%.
Consumer packaged goods, 95.6%, 3.0%, 1.3%.
Overall, 90.4% of total web sales came from desktops and laptops in the first half 
of 2013, 6.0% from smartphones and 3.5% from tablets, comScore says. 

Mobile commerce sales hit $10.6 billion in the first half of 2013, comScore finds, 
up 27.7% from $8.3 billion during the first half of 2012.

“While mobile devices are already extremely influential in the overall buying process, 
they are also beginning to drive a meaningful percentage of digital commerce
,” says comScore chairman Gian Fulgoni. “One out of every ten consumer e-commerce 
dollars is now spent using either a smartphone or a tablet, and growth in this segment 
of the market is outpacing that of traditional e-commerce by a factor of 2x, which itself 
is growing at rates in the mid-teens. Any channel shift has the potential to be disruptive 
to established revenue streams, and it would appear that m-commerce spending has
reached enough of a critical mass that key stakeholders must begin to address this new 
market dynamic today or risk losing competitive advantage.”

Hence, it would be desirable for you to move with the changing times and adapt to
 the latest mobile technologies. It is no more enough to merely get someone create 
an app for your business – you also need an IT team which is “mobile-literate” and 
can take care of post mobile app development aspects, such as developing an 
effective mobile strategy, promoting the app and so on.

Today, each and every company does need to create a powerful enough mobile 
presence. In case you are not ready to develop a mobile app for your business yet, 
you should think of the next best thing – that of creating a mobile Website to 
showcase your products and services. This Website should ideally be compatible for
 viewing on a number of different mobile devices.

You will have to do a bit of research in order to hire the right app developer or team.
You could ask your business contacts or visit forums online and post your query. 
Once you choose a developer, follow the above-mentioned steps to ensure that your app 
development process is smooth and trouble-free.

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Source: idc,riaa,wash.post.

Sunday, September 8, 2013

JAMES E. GILBERT OUT IN THE OPEN, BLUES N' SOUL MUSIC'S BEST KEPT SECRET!

By Dwight L. Quinn

 The Biography 


James Gilbert has been delighting audiences all over the world for nearly four decades. A James Gilbert & Legacy show promises to take you on a journey of an era when music was MUSIC!! James Gilbert is a man with a missionto get you to listen to what you've been missin.

 James Gilbert starting his singing career in 1974 performing in his grammar school talent show, James been a singing my whole life. James says that his vocal ability is a family trait, as his Mom & Dad both love to sing. James is a self thought musician, learning lead guitar, bass & drums and to avoid trouble as a teenager. Blues music was a staple in our household in his early years as I studied the mechanics of the Blues, which played out when he was 17, as he was fortunate enough to share the stage with Blues Legend John Lee Hooker. From then on performing has been James Gilbert's way of life.

After bouncing around the country as a member of a Top40 Rock and RnB band in the early 1980's, James decided to return home to expand on his own versatility. So he joined a local musicians union singing radio jingles, of which his first assignment was vocalist for the Missouri Lotteries New Pick-3 campaign in 1992. That same year, his new band got noticed and was selected to perform as actors for the Toyota Corporations Big Spring Sale TV commercial. Although falling in love with the art of voiceovers, performing continued to hold James heart hostage, so he put doing voiceovers on the back burner and continued to pursue his musical career. In nearly four decades of performing, James played with and opened for such superstars as B.B King, KoKo Taylor, Johnny Winter and War.

 In 2006 James released his first solo CD project entitled Best Kept Secret, where he had the #1 song for two weeks on Southern Soul radio and received rave reviews in both the US and Europe. In September 2012, James Gilbert was signed to the roster of Quinn Records TM, where his talents as a recording artist as well as company official spokesperson continues to attract attention from all over the world.

 JAMES GILBERT"S Discography; 
1-BEST KEPT SECRET
2-GO SLOW,BLUES CROSSING (QR121222-1)
3-KEEP ON KEEPING ON (QR121236-1)

 JAMES GILBET'S Set List; 
BLUES THIS MORNING
A REAL GOOD SIGN
RAINY NIGHT IN GEORGIA (COVER)
SOMEONE TO LOVE
OOH BABY
KEEP ON KEEPIN ON
KISS (COVER)
I BELIEVE PEOPLE ARE TALKIN
PLEASE COME BACK HOME
LONELY MAN
BREAKING MY HEART AGAIN

 MEET JAMES GILBERT & THE LEGACY BAND 

  • JAMES GILBERT-LEAD VOCALS, LEAD GUITAR, BASS GUITAR, DRUMS 
  • ROBERT (BOBBY) ADAMS-DRUMS 
  • EUGENE SMILEY, SR.-RHYTHM GUITAR 
  • BRENT WHEATLEY-KEYBOARD 
  • TOM FLORA-BASS 
  • RONNIE REED-TRUMPET ERNEST MELTON-SAX 
 James Gilbert's dreams and goals is to continue to work,thrive and delight audiences all over the world for many,many more years to come.

Total Song List is 85+ songs performed own show by James Gilbert & Legency Band.
Average Showtime: 3-4 Hours long..

Covers: see above list.
 Typical Repertoire: Blues/Soul/R&B

Check Out James's Electronic Press Kit (EPK)

Book James email: bookaartist@quinnrecords.net

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Bookmark This Link:
 EPK URL: http://www.sonicbids.com/JamesGilbert3

Source: James Gilbert,Quinn Records TM Archives.
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Thursday, September 5, 2013

DISCOVERING AND SIGNING THE BEST TALENT

 by Dwight L. Quinn


Discovering and signing the best artistic talent is the motor that keeps a record company running. “Breaking acts and protecting A&R will always be the lifeblood of our culture. It’s at the heart of every conversation we have”, says Dwight Quinn, CEO of Quinn Records TM.
There is fierce competition between record companies to discover and sign the best new artistic talent. We are constantly scouting for performers that have the potential to develop their career in music to the highest level. Traditional A&R methods are today complemented by other ways of finding and signing talent.

The way to find talent nowadays is completely different from 25 years ago when bars or small venues were the places to find artists and musicians. Now there are a multitude of different ways. But at the end of the day, no matter how we find talent, it’s about someone making music and someone feeling the emotion that it creates. The internet is often the first port of call for Quinn's A&R looking to find the top performers of tomorrow.

The internet has made pre-selection much easier. Instead of travelling to every gig, you can do a lot of the groundwork online, checking out bands on their homepage, Myspace or YouTube.

 The internet is where you first hear of a buzz around an artist. We’re not the sort of label that looks for someone who’s got two million hits on YouTube, but we do look for an online buzz. While the internet can cut out some of the legwork for our A&R executive, viewing artists online is no substitute for seeing them live and developing a personal relationship with them.

 Evaluating artistic talent is a subjective process, but Quinn agree we are looking for something beyond technical competence when searching for an act to sign. We are looking for an artist that can move music fans. We looking for empirical evidence of a connection between the audience and the artist.

Submit Music To Quinn Records TM


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