THE ARTIST FAMILY TEAM WORKING TOGETHER.

 by Dwight L. Quinn

 If there's one thing that I've  notice , here at the Company,   is the strong sense of creative energy that seem to never stop flowing in the Artist family at Quinn Records TM. I'm delighted to have such great talent around me who are  not only looking out for their own career growth and welfare but they also put their skills and talents where ever needed in the Company doing whatever it takes to keep  both areas operating at full steam.  This week alone behind the scene Artist Kevin Wheeler has been working diligently
both in the Studio and in the field recruiting, interviewing and rehearsing new Band members for the kick off of KL&R 2 road shows, with the plan being focused on most shows being self-produced. Kevin has remixed his I Got My Swag On Album, and has expanded the Album to include three (3) new songs. Kevin has brought on Harvey Lee on as his percussionist.  The Artist Family has decided last week to increase the Band size from five to eight musicians, that's going to include two horns, that will give them a total of three horns in the Band.  

A.J Dickerson,who's a well known Music Scholar and entertainer in his own rights, in the St. Louis Music World was instrumental in partnering Quinn Records TM with a local venue to bring Live Southern Soul, Blues and Jazz Shows through this new St. Louis venue. Mr. Dickerson, Oliver Johnson and myself, met Monday at the Club with the owner and finalized the arrangement. The first Show according to Oliver Johnson has been scheduled for Thursday September 26th,2013 and there will be regular scheduled Live Shows from that point on. I want to re-introduce St. Louis to the outstanding Southern Soul acts that are out there today, that would be a new exciting  and long awaited experience for the St. Louis Market.

James Gilbert is bringing a new and exciting image to Quinn Records TM with his education and major in Broadcasting,Voice overs for Radio and Television. James has already made a great noticeable impact on the Company not only as a great outstanding artist but  his behind the scene work it's very welcomed. James is now the official Voice  for Quinn Records TM  taking us  into the today's  world of visual and sound technology.


The Artist Family Team working together, communicating,sharing ideas among each other and helping each other in there career goals is something to watch. They most definitely want the customer to know that they will be at all times, giving to them by way of there music, their very best.


Visit Us: quinnrecords.net

IT'S MUSIC BUSINESS TODAY!

by Dwight L. Quinn



As the model for a label has changed, so has the role of the artist in the industry. 
Artists today are more powerful than ever, noting that an active Artist can reach 
high on Charts today with very little traditional radio or other marketing. 
They are business people, marketers... They know how to relate to their audience 
and know how to connect properly. Selling "Show Tickets" is the Artist goal. The
income is huge for an Artist who sells from 6,000 to 28,000 tickets per year with a 
indie Label. 
Quinn Records TM and other  different independent labels have different programs 
and signing with John Doe label, for example, is not the same as signing with Willie Earl
records. Artists need to be aware of which indie labels do what best before signing a deal.
An Artist that's into Techno Soul is not going to do well with a Traditional Blues indie Label.

And with today's artists having more options than ever of how to release their music, 
The old record contracts are being  tossed aside in favor of a more 
egalitarian split -- and with digital platforms becoming ubiquitous, the differences between 
major labels and indies will be reduced. Yet the role of the label -- as the vessel, the support 
structure and the team assisting the artist in achieving success -- will not be going away.

The power is and always have been with the artist "but the infrastructure and guidance 
of a label is still a very important and necessary role in the music industry."

Visit Us: quinnrecords.net

When You Strip A Way The Glamour.

by Dwight L. Quinn


You know the old wisdom "All that shine is not gold, and " Looks are Deceiving and so on. Well there's a whole lot of truth to those aged old pieces of wisdom. And I discovered it in my early days in the Music business, I came into the Business like most, totally with no reality at all, I told my reality to wait outside for me until I get back, I got this! Than all of a sudden I noticed that I went from eating choice cut fresh meat to can meat, potted meat,spam. I'm asking myself now what going wrong here, this is not the way it suppose to be, I'm in the record business. I' ll go to my office,put up the phone to make a call , no dial tone, so I leave but when I get the parking lot, guess what, my car is gone,so I calls the police so that I can make out a police report for a stolen car, well don't you have any idea who may have stolen your car the policeman would ask, and I would say yeah!,police would ask,than who and tell'em the Bank stole it. Man those days was rough when you leave reality waiting outside. 
I'm glad of one if nothing,else, my father always taught me and brothers to honest with your self first and you'll find it easy to honest with others. I realized that I was going to succeed at this business unless I go back and get my reality back and than go forth. 

Now I see my business as a business, a living entity that needs focused attention, that need to know not only who its customers are,but what they want, in terms of products and service. We don't second guest.
Don't be fooled Music is Entertaining but it takes Business management with planning to get it to and from the stag to the Bank.

 I average 20 working hours a day, trying to get Quinn Records TM right,  right doesn't mean that we're doing something that is wrong, right in our strategy that means,simply staying on course with our idea and plan. We're not in the Hit making business, we don't trade on Wall Street,we're in the Listening business specializing in Artist Development and  make music for, as they use to call it,"turn-table" use and  for customer who only like new music in their favorite genre and wants it right now. 

We're diverse, we build on diversification it gives us a broader base product line and allows us to keep niche music that identifies with an eager to served  Market making available the music that they are most familiar with thus rekindling again a useful and valuable product in today's  market. 

visit us online at; http://www.quinnrecords.net

WHAT KIND OF BUSINESS AM I REALLY IN ?

                                                                      

by Dwight L. Quinn          

First, I want to began by wishing all of you a very Happy and Safe 4th of July. And despite how bad our Economic condition may seem, we have always managed to overcome adversities and bounce back, that is the American way and we should first above any and  all things be conscious of that fact.
I don't think that there is not a day that goes by that I don't asked the question,What kind of business am I really in? And I asked that question regularly because sometimes you can loose your direction or should I say focus as to what it is that you are doing and where are you going? Well, over the years I finally narrowed that question down to two simple words that I clearly understood and thus the enlightenment put me directly on track and I began to see clearly what kind of  business that I was really in. The business that I'm really in with Quinn records TM is, the listening business. When I first started in this business I  was always  prepared to tell myself and anyone else who asked me, what kind of business am I in, I would be quick to answer by telling them that I was in the music business, or the record business and so on, but I notice that these terms was never clicking, they where empty, to broad, the music business was to generic, what was  really going on here? than it came together it dawn on me, I'm in the listening business.  Now all of my planning and goals are built around that business, the listening business.Now I feel perfectly at ease, my directions are clear and I'm comfortable at being the Clerk behind the counter at the Record Store.
And, that's the feeling that you're  get when you follow Quinn Records TM, we have the ability to let you hear our music first-hand at every opportune time that is made available and at what ever vehicle available to get it out to our fans. We make our music available for you to listen to it at your own convenience 24/7.
We know that it  is unusual for Record Labels to Market like other Industries, but thing changes, those changes can cause you to have change your course in order to continue be able to effectively compete in an ever changing Industry and Market.
Last week we had the good fortune to introduce to you our new CD Single Blues This Morning by James Gilbert (QR 121222-1) that became the top song on the new Blues CD Compilation,GO SLOW-Blues Crossing that was released this Spring.

Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

On Sales this 4th of July week is our ever-popular "Jazz On Washington Ave by Oliver Johnson for $ 9.98 and I really believe for you Jazz Lovers that Jazz On Washington Avenue is a long awaited works. Oliver Johnson put together an assemble of St. Louis legendary Jazz musician for Jazz On Washington Ave, that included jazz pianist,Henry Burns,St. Louis renowned bass play Raymond Eldridges Jr. and on drums, Wallace Alvin Troop, jazz and blues guitarist, Henry Taylor and horn,Oliver Johnson himself. The entertainment history of these talented musician are extensive, making Jazz On Washington Avenue a Jazz treasure.It's available on Sale at www.quinnrecords.net.

Quinn Records TM is known for it's Traditional Quartet Gospel catalog, that has the likes of, The Masonic Quintet, Albert Phillips & The Divine Messengers, Rev. Roy Page & The Spiritual Ares, Leroy Crisp & The Original Southern Harmonizers, Rev. Anderson Sparks & The St. Louis Silvertones, Elder Henry Moye & The Kirkwood Spiritual Ares and Charles O.Collier & The Original Golden Ares.Our Gospel catalog is a valued collection of a Artistry that is lacks the music industry today, but is a lave and well at Quinn Records TM. You order theses Great Gospel treasures online at Quinn Records TM 24/7 and get free shipping on our Volume Purchase program.Check us out at www.quinnrecords.net.

Quinn Records TM President Choice Channel at YouTube is a great tool designed for our fans. They have first-hand access to hear what Quinn music is being sent  and offered to Broadcast  Radio. I wanted my fans to hear what we are doing in this highly competitive Market that is coming from Quinn Records TM and YouTube is that vehicle being used to get  our music to our fans quick and fast, giving them, the fan the power to judge and decide the value of  our music. So, Quinn's President Choice is the place to visit and stay abreast to music we send to Radio. Now you our fans can stay in the know as to what we are doing and how our music is sounding,visit  Quinn's President Choice and Hear It-First.
New CD Single;
YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn

 Blues This Morning by James Gilbert (QR 121222-1)
WARNING!READERS PLEASE THIS SONG IS THE REAL BLUES- IF SOMEONE HAVE BROKEN YOUR HEART OR THE PEOPLE IN POWER IS MAKING IT HARD FOR YOU TO MAKE ENDS MEET, THAN CAUTION IS ADVISED.
"JAMES GILBERT, IS POURING HIS HEART OUT IN THIS SONG!"

 Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

WAS A REGULAR ON THE CHIT'LIN CIRCUIT.

by Dwight Quinn

Freddie King was Born in Gilmer, Texas, Sept. 3, 1934, King was six years old when his uncle taught him how to play a guitar.Lil Aaron said, that this is where Freddie got his style of guitar playing from his uncle teaching.
Still a teenager Freddie left Gilmer,Texas and moved to Chicago, where he got into the urban Blues scene, going to clubs, sitting in with bands and eventually forming his own band, The Every Hour Blues Boys.
He began working as a Studio musician,doing  sessions for than independent label Parrot Records.King auditioned for Chess Records, but was turned down, because it was said that he sounded too much like the then up coming blues artist Riley B. King a.k.a B.B. King.

He finally made his solo debut, as Freddy King in 1956 — he began spelling his name Freddie King in
1968 — with the single “Country Boy,” a duet with Margaret Whitfield, for El Bee Records.
Success was still a few years off. In 1960, he signed with Federal Records, a subsidiary of Syd Nathan’s
King Records label — a good omen, although his first single for the label, “Have You Ever Loved A Woman” (originally written by Billy Miles) made little impression. King began 1961 with “You’ve Got To Love Her With A Feeling,” which reached No. 93, then had his biggest pop-chart success with “Hide Away,” named after the Chicago bar Mel’s Hide Away Lounge. The swinging instrumental, partly drawn on other blues licks, was King’s sole Top 40 entry, peaking at No. 29 (and reaching No. 5 on the R&B charts); “San-Ho-Zay,” also released in 1961, just missed the Top 40 at No. 47 (No. 4 R&B). King alternated between releasing vocal and instrumental material, as evidenced by the albums he released in 1961: “Freddy King Sings” and “Let’s Hide Away and Dance Away With Freddy King: Strictly Instrumental.” King stayed with Federal until 1968.

A regular on the Chitlin’ Circuit, King landed a gig in 1966 in the The Beat Boys, the house band of the R&B TV show “The !!!! Beat” (the band was led by Clarence “Gatemouth” Brown). His stint with the show paved the way for a contract with Atlantic Records, which released the albums “Freddie King is a Blues Master” and “My Feeling for the Blues” in 1968. That same year, King did his first overseas tour to a warm welcome. There was a blues boom in Britain, and aficionados were already fans of King’s work.

“Hide Away” was covered by John Mayall & The Bluesbreakers on the 1966 album “Bluesbreakers With Eric Clapton,” and two other King numbers, “The Stumble” and “Someday After Awhile (You’ll Be Sorry)” were on the Mayall & The Bluesbreakers 1967 album “A Hard Road” (this time with Peter Green on guitar). “Have You Ever Loved A Woman” also would appear on Derek And The Dominos’ 1970 album “Layla and Other Assorted Love Songs,” and became a live favorite of Clapton’s. It was then that King began crossing over into the rock market. He signed with Leon Russell’s label, Shelter Records. Russell was very involved with King’s Shelter albums; he produced, performed and wrote songs for “Getting Ready” (1971), “Texas Cannonball” (1972) and “Woman Across The River” (1973, which reached No. 54 R&B,
No. 158 pop). “Getting Ready” featured another of King’s signature songs, “Going Down.”

The rock influences were now on the forefront, and King began playing for more white rock audiences. Grand Funk Railroad, which toured with King, even name checked him in their song, “We’re An American Band”: “Up all night with Freddie King/I got to tell you, poker’s his thing.” King also toured with Clapton and shared the stage with Led Zeppelin.

There was no shortage of musicians who wanted to work with King; both Clapton and Bobby Tench of The Jeff Beck Group appear on King’s 1974 album “Burglar.” Tench also appears on 1975’s “Larger Than Life” (the last album released during King’s lifetime, which reached No. 53 R&B).
King was considered the most emotive of the “Three Kings.” His singing has a pronounced rawness, and his guitar work is distinctive thanks to his use of thumb and finger picks (in contrast to B.B. King’s single-string style).

King’s primary means of making money was through touring, and he spent most of his years on the road. As a result, his health began to decline, and in 1976, he began having problems with stomach ulcers. King died Dec. 28, 1976, at the age of 42, suffering complications from his ulcers and pancreatic.
Freddie King didn't become a big name like,Fats Domino, Chuck Berry, Little Richard and B.B. King. He got life with the young rockers such as George Harrison, Jimi Hendricks, Eric Clapton and Jeff Beck they all displayed his influence in their playing and Freddie won a new audience.

GET A SINGLE SONG OR AN ENTIRE ALBUM AT OUR DIGITAL MUSIC STORE..

The Quinn Digital Music Store has a large music library of the label's prerecorded blues, gospel,jazz and soul music all selected for your best musical enjoyment-- ensuring you that every one of our genre is catered for. You have the option to preview any music track before you buy via a 30-second music clip (for a track over 2:30 (U.S. only). The Quinn Digital Music Store is always being updated with new releases, keeping the selection fresh and up to date.So that you can keep your digital music collection spiced up with the newest and latest in blues,gospel,jazz and soul music
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