NEW RELEASE FROM QUINN RECORDS TM KEVIN WHEELER & R2 " LETS GO PARTY"

by Dwight L. Quinn

Virginia's R&B Soul sensations introduced their ninth Single today on the Quinn Records TM label titled,"Let's Go Party". 
The new cut is strictly for the dance-floor party jammers, a soul filled cut that is fit for D.J. Jamming-Club-jumping enjoyment. 

Kevin has long been wanting to do a what he calls a real soul sound. Signed on to the Label in 2004. Kevin has enjoyed experimenting with various musical experiences that has took him from Spiritual to Smooth Jazz and from Hip/hop to Soul. All because of the freedom afforded to
him by the Label. When Kevin,talked about adding to reportorial, some Soul, was at the very heart of his original attention when signing to the Label Kevin called on help of Quinn Records TM label founder Dwight Quinn to match him up with right song that best defined the musical character, of this Virginia Jammer and to get himself  noticed  in the Southern Soul  Market. Quinn,found what he thought was the right cut, in the Little Delta Music catalog ,the Publishing arm of Malaco Records,(the Southern Soul Label),and pulled out "Lets Go Party" written by Bobby Conerly and Charles Ray Burton. "Lets Go Party" had that feel and bounce that makes for a great party grooving dance song. After hearing the demo the first time Kevin was hooked and immediately got the feel and here we are, Kevin promised that things are going to get better as him and R2 start their tour.
"Lets Go Party" will be a must-listen to blast coming from over the Airways, through the internet and right out to rocking,back in woods,street-side Clubs around the Country."Lets Go Party"!

SONG INFORMATION:

Title: LET'S GO PARTY
Composer: Bobby Conerly, Charles Ray Burton
Artist: Kevin Wheeler & K.L. R 2
Timing: 4:18
Publisher: Little Delta Boy Music/ Malaco Records
Release Date: July 26, 2013
Label: Quinn Records TM
Genre: Soul

For Radio Professionals,(Music Directors,Programming,D.J.'s and Club Jocks)
Download Commercial Quality Track(s)  Here!

MY FAVORITE JUNK FOOD WAS A BOX OF CRACKER JACKS

by Dwight Quinn

I bet you didn't know that when ever you purchase a Quinn Records TM product, we always give the customer something Free, it just comes natural with the Company. The idea came about when I was a boy growing up in East St. Louis. My favorite junk food was a box of Cracker Jacks. What I became to love and appreciate about a box of Cracker jacks, is that it wasn't the fact that it was  a great tasting, lip-smacking snack with its sweet caramel covered popcorn flavor and roasted salted peanuts that blended well with popcorn, it was as I began to realize that with every box of Cracker jacks that you purchased there were always a prize in the box. It was Free, a plastic ring or a spinning top you  name it, it was the prize that excited us. And it soon became apparent that it was the FREE prizes that was drawing us kids to the Cracker Jacks,the prizes was creating the buzz and making for a grand conversation piece, a friend maker and so on. Well I took that Cracker Jacks mentality into the business with me and applied the same strategy here at Quinn Records TM. We appreciate the customer so much that it is always proper for us to give the customer something back. To show our deepest appreciation and thanks for their business.
Quinn Records TM, from July 24th, 2013 until August 24th, 2013  is offering 25% Off List Price Program on all of our Gospel Albums, our customers will not find this offer nowhere else but at Quinn Records TM Online Store. And, if you purchase two or more CD's, we'll give you a FREE Quinn Records TM Signature T-Shirt, a $16.98 value or maybe another CD to go along with the purchase, that's just what we do. After almost forty-two years in business we still get overly excited when customer buy from us. It's the "Cracker Jacks" in us.

And, please do take our "FREE SHIPPING" program seriously when a purchase of $99.99 is ringed up on our P O S Register. We will Ship your order anywhere in the greater U.S.A. FREE. And don't be surprised if you won't find an additional Free gift when your order arrives, we can just see the smile on your face....

I know that being generous to our customers, will make for a grand conversation piece, a friend-maker, a collection item, but most of all, it will be a token of our most deepest and sincere appreciation for doing business with us. Giving back,just comes from our,"Cracker Jack Box" mentality.

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn
Blues This Morning by James Gilbert                   (QR 131232-1)

CLOSE THE DOOR- PE-POLES-AND CLOSE IT QUICK. 
CAUSE, SOMEBODY JUST THREW 
A "ROCK" IN OUR BLUES-
THE SIZE OF A BRICK!
WHO DID? "JAMES GILBERT, DID!" 

 YEP! Blues This Morning is bumping head on  with the likes of the sound of the early 60's,i.e. Little Milton Campbell, B.B. King, Bobby Blues Boy Bland, Elmore James, Jimmy Reed, and the style-like-list goes on and on, James Gilbert's nailed this song he put his Soul in, Blues This Morning. Rock is James fundamental style and it is awesome packed, when he blends both the Rock-a-peal and moody blues together, then you got an ex-bluesion, on your hand,Blues This Morning, has that rumble. James powerful vocals don't leave much room for criticism because this song has all of the flavor that's needed to stir up the taste buds of  Rocking Blues Lover's all over the universe. It's Smooth and Rock hard-Blues This Morning," CD. 

Available: CD Compilation 
Tracks: 16
Album: GO SLOW-Blues Crossing 
Cat.No. (QR 121222-1) 
Format: CD/CAS/12"Vinyl/ Digital 
Genre: Blues/Soul 
Order Online: www.quinnrecords.net

 Published 6/25/2013 YouTube Quinn'President Choice Have a listen, "BLUES THIS MORNING " Enjoy.

 

Visit Us: quinnrecords.net

IT'S MUSIC BUSINESS TODAY!

by Dwight L. Quinn



As the model for a label has changed, so has the role of the artist in the industry. 
Artists today are more powerful than ever, noting that an active Artist can reach 
high on Charts today with very little traditional radio or other marketing. 
They are business people, marketers... They know how to relate to their audience 
and know how to connect properly. Selling "Show Tickets" is the Artist goal. The
income is huge for an Artist who sells from 6,000 to 28,000 tickets per year with a 
indie Label. 
Quinn Records TM and other  different independent labels have different programs 
and signing with John Doe label, for example, is not the same as signing with Willie Earl
records. Artists need to be aware of which indie labels do what best before signing a deal.
An Artist that's into Techno Soul is not going to do well with a Traditional Blues indie Label.

And with today's artists having more options than ever of how to release their music, 
The old record contracts are being  tossed aside in favor of a more 
egalitarian split -- and with digital platforms becoming ubiquitous, the differences between 
major labels and indies will be reduced. Yet the role of the label -- as the vessel, the support 
structure and the team assisting the artist in achieving success -- will not be going away.

The power is and always have been with the artist "but the infrastructure and guidance 
of a label is still a very important and necessary role in the music industry."

Visit Us: quinnrecords.net

WHAT KIND OF BUSINESS AM I REALLY IN ?

                                                                      

by Dwight L. Quinn          

First, I want to began by wishing all of you a very Happy and Safe 4th of July. And despite how bad our Economic condition may seem, we have always managed to overcome adversities and bounce back, that is the American way and we should first above any and  all things be conscious of that fact.
I don't think that there is not a day that goes by that I don't asked the question,What kind of business am I really in? And I asked that question regularly because sometimes you can loose your direction or should I say focus as to what it is that you are doing and where are you going? Well, over the years I finally narrowed that question down to two simple words that I clearly understood and thus the enlightenment put me directly on track and I began to see clearly what kind of  business that I was really in. The business that I'm really in with Quinn records TM is, the listening business. When I first started in this business I  was always  prepared to tell myself and anyone else who asked me, what kind of business am I in, I would be quick to answer by telling them that I was in the music business, or the record business and so on, but I notice that these terms was never clicking, they where empty, to broad, the music business was to generic, what was  really going on here? than it came together it dawn on me, I'm in the listening business.  Now all of my planning and goals are built around that business, the listening business.Now I feel perfectly at ease, my directions are clear and I'm comfortable at being the Clerk behind the counter at the Record Store.
And, that's the feeling that you're  get when you follow Quinn Records TM, we have the ability to let you hear our music first-hand at every opportune time that is made available and at what ever vehicle available to get it out to our fans. We make our music available for you to listen to it at your own convenience 24/7.
We know that it  is unusual for Record Labels to Market like other Industries, but thing changes, those changes can cause you to have change your course in order to continue be able to effectively compete in an ever changing Industry and Market.
Last week we had the good fortune to introduce to you our new CD Single Blues This Morning by James Gilbert (QR 121222-1) that became the top song on the new Blues CD Compilation,GO SLOW-Blues Crossing that was released this Spring.

Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

On Sales this 4th of July week is our ever-popular "Jazz On Washington Ave by Oliver Johnson for $ 9.98 and I really believe for you Jazz Lovers that Jazz On Washington Avenue is a long awaited works. Oliver Johnson put together an assemble of St. Louis legendary Jazz musician for Jazz On Washington Ave, that included jazz pianist,Henry Burns,St. Louis renowned bass play Raymond Eldridges Jr. and on drums, Wallace Alvin Troop, jazz and blues guitarist, Henry Taylor and horn,Oliver Johnson himself. The entertainment history of these talented musician are extensive, making Jazz On Washington Avenue a Jazz treasure.It's available on Sale at www.quinnrecords.net.

Quinn Records TM is known for it's Traditional Quartet Gospel catalog, that has the likes of, The Masonic Quintet, Albert Phillips & The Divine Messengers, Rev. Roy Page & The Spiritual Ares, Leroy Crisp & The Original Southern Harmonizers, Rev. Anderson Sparks & The St. Louis Silvertones, Elder Henry Moye & The Kirkwood Spiritual Ares and Charles O.Collier & The Original Golden Ares.Our Gospel catalog is a valued collection of a Artistry that is lacks the music industry today, but is a lave and well at Quinn Records TM. You order theses Great Gospel treasures online at Quinn Records TM 24/7 and get free shipping on our Volume Purchase program.Check us out at www.quinnrecords.net.

Quinn Records TM President Choice Channel at YouTube is a great tool designed for our fans. They have first-hand access to hear what Quinn music is being sent  and offered to Broadcast  Radio. I wanted my fans to hear what we are doing in this highly competitive Market that is coming from Quinn Records TM and YouTube is that vehicle being used to get  our music to our fans quick and fast, giving them, the fan the power to judge and decide the value of  our music. So, Quinn's President Choice is the place to visit and stay abreast to music we send to Radio. Now you our fans can stay in the know as to what we are doing and how our music is sounding,visit  Quinn's President Choice and Hear It-First.
New CD Single;
YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

NEW SONG ADDED TO QUINN'S PRESIDENT CHOICE CHANNEL-HEAR IT-FIRST!

by Dwight L. Quinn

 Blues This Morning by James Gilbert (QR 121222-1)
WARNING!READERS PLEASE THIS SONG IS THE REAL BLUES- IF SOMEONE HAVE BROKEN YOUR HEART OR THE PEOPLE IN POWER IS MAKING IT HARD FOR YOU TO MAKE ENDS MEET, THAN CAUTION IS ADVISED.
"JAMES GILBERT, IS POURING HIS HEART OUT IN THIS SONG!"

 Blues This Morning is a slow,moody soulful cut written by Eugene Smiley an awesome articulate song writer and composer.Smiley laid down a mixed of styles that you can easily pick on as you listen and involve with this song, for instant the piano part is much a Ray Charles signature, a melody that haunts you, and spells out Little Milton Campbell in all expects, the drive and mood puts you back to top of the sixties when Stax Records began to experiment with Soul and Specialty along with Peacock was putting a New spin on the way Blues licks was being laid down no more twelve bar Blues licks, the search was on for new sounding blues,Soul with deeper into the Church house. Blues This Morning got all of Old Soul flavor put into it. And James Gilbert a young up coming Bluester with powerful vocals is wailing out the sound that he heard from his mentors of the Blues and Soul arena. James has to be given an "E" for excellence for vocal job on Blues This Morning.

 It's moody! It's the Blues."Blues This Morning CD.
Available on CD Compilation;
Album: GO SLOW-Blues Crossing Cat.No. (QR121222-1)
Format: CD/CAS/12"Vinyl/ Digital Genre: Blues/Soul
Order Online: www.quinnrecords.net
 Published 6/27/2013

YouTube Quinn'President Choice Have a listen, "Blues This Morning" Enjoy.

WAS A REGULAR ON THE CHIT'LIN CIRCUIT.

by Dwight Quinn

Freddie King was Born in Gilmer, Texas, Sept. 3, 1934, King was six years old when his uncle taught him how to play a guitar.Lil Aaron said, that this is where Freddie got his style of guitar playing from his uncle teaching.
Still a teenager Freddie left Gilmer,Texas and moved to Chicago, where he got into the urban Blues scene, going to clubs, sitting in with bands and eventually forming his own band, The Every Hour Blues Boys.
He began working as a Studio musician,doing  sessions for than independent label Parrot Records.King auditioned for Chess Records, but was turned down, because it was said that he sounded too much like the then up coming blues artist Riley B. King a.k.a B.B. King.

He finally made his solo debut, as Freddy King in 1956 — he began spelling his name Freddie King in
1968 — with the single “Country Boy,” a duet with Margaret Whitfield, for El Bee Records.
Success was still a few years off. In 1960, he signed with Federal Records, a subsidiary of Syd Nathan’s
King Records label — a good omen, although his first single for the label, “Have You Ever Loved A Woman” (originally written by Billy Miles) made little impression. King began 1961 with “You’ve Got To Love Her With A Feeling,” which reached No. 93, then had his biggest pop-chart success with “Hide Away,” named after the Chicago bar Mel’s Hide Away Lounge. The swinging instrumental, partly drawn on other blues licks, was King’s sole Top 40 entry, peaking at No. 29 (and reaching No. 5 on the R&B charts); “San-Ho-Zay,” also released in 1961, just missed the Top 40 at No. 47 (No. 4 R&B). King alternated between releasing vocal and instrumental material, as evidenced by the albums he released in 1961: “Freddy King Sings” and “Let’s Hide Away and Dance Away With Freddy King: Strictly Instrumental.” King stayed with Federal until 1968.

A regular on the Chitlin’ Circuit, King landed a gig in 1966 in the The Beat Boys, the house band of the R&B TV show “The !!!! Beat” (the band was led by Clarence “Gatemouth” Brown). His stint with the show paved the way for a contract with Atlantic Records, which released the albums “Freddie King is a Blues Master” and “My Feeling for the Blues” in 1968. That same year, King did his first overseas tour to a warm welcome. There was a blues boom in Britain, and aficionados were already fans of King’s work.

“Hide Away” was covered by John Mayall & The Bluesbreakers on the 1966 album “Bluesbreakers With Eric Clapton,” and two other King numbers, “The Stumble” and “Someday After Awhile (You’ll Be Sorry)” were on the Mayall & The Bluesbreakers 1967 album “A Hard Road” (this time with Peter Green on guitar). “Have You Ever Loved A Woman” also would appear on Derek And The Dominos’ 1970 album “Layla and Other Assorted Love Songs,” and became a live favorite of Clapton’s. It was then that King began crossing over into the rock market. He signed with Leon Russell’s label, Shelter Records. Russell was very involved with King’s Shelter albums; he produced, performed and wrote songs for “Getting Ready” (1971), “Texas Cannonball” (1972) and “Woman Across The River” (1973, which reached No. 54 R&B,
No. 158 pop). “Getting Ready” featured another of King’s signature songs, “Going Down.”

The rock influences were now on the forefront, and King began playing for more white rock audiences. Grand Funk Railroad, which toured with King, even name checked him in their song, “We’re An American Band”: “Up all night with Freddie King/I got to tell you, poker’s his thing.” King also toured with Clapton and shared the stage with Led Zeppelin.

There was no shortage of musicians who wanted to work with King; both Clapton and Bobby Tench of The Jeff Beck Group appear on King’s 1974 album “Burglar.” Tench also appears on 1975’s “Larger Than Life” (the last album released during King’s lifetime, which reached No. 53 R&B).
King was considered the most emotive of the “Three Kings.” His singing has a pronounced rawness, and his guitar work is distinctive thanks to his use of thumb and finger picks (in contrast to B.B. King’s single-string style).

King’s primary means of making money was through touring, and he spent most of his years on the road. As a result, his health began to decline, and in 1976, he began having problems with stomach ulcers. King died Dec. 28, 1976, at the age of 42, suffering complications from his ulcers and pancreatic.
Freddie King didn't become a big name like,Fats Domino, Chuck Berry, Little Richard and B.B. King. He got life with the young rockers such as George Harrison, Jimi Hendricks, Eric Clapton and Jeff Beck they all displayed his influence in their playing and Freddie won a new audience.

GET A SINGLE SONG OR AN ENTIRE ALBUM AT OUR DIGITAL MUSIC STORE..

The Quinn Digital Music Store has a large music library of the label's prerecorded blues, gospel,jazz and soul music all selected for your best musical enjoyment-- ensuring you that every one of our genre is catered for. You have the option to preview any music track before you buy via a 30-second music clip (for a track over 2:30 (U.S. only). The Quinn Digital Music Store is always being updated with new releases, keeping the selection fresh and up to date.So that you can keep your digital music collection spiced up with the newest and latest in blues,gospel,jazz and soul music
see more

HOW TO ORDER YOUR MUSIC FROM QUINN RECORDS TM.

NEWS UPDATE:

HOW TO ORDER YOUR MUSIC FROM QUINN RECORDS TM.

Need assistance placing an order? Need to track an existing order?
We can help by phone, by live chat or by email.
That's 3 easy ways to contact us. When you call Quinn,you will
speak to a live representative.
read more

Happy Fathers Day To The Fathers Who Helped Made Us, Quinn Records TM

NEWS UPDATE: 




FATHERS DAY WEEKEND - Happy Fathers Day To The Fathers Who Helped Made Us, Quinn Records TM

From: Dwight Quinn,Founder/Quinn Records TM

I often think about the guys who came along during my earlier years in the business, who had the faith in my idea,enough so, to lend me their talent,knowledge and prudence that I still uses today. Starting with late Lil Aaron Mosby, through him I picked upon the humbleness that he presented also his deep undivided care and concerns that he had for other people. Those who knew Lil Aaron, while he was a live couldn't help from recognizing and picking upon , how polite and manner-able this man was, it just came natural for Lil Aaron to be polite. Lil Aaron never thought that he was a great Blues singer, he would always tell me Quinn,I don't get up there and sing,but instead I get up there and I talk to my audience. I learnt something new. The Late great Gospel singer,Reverend Anderson Sparks,a great motivator he believe in what we were trying to accomplish in the early days of our existence  and Rev. Sparks  jumped right into the business side of the company and things just flourish. Rev. Anderson Sparks is the person that was responsible for single-handily building the Gospel side of Quinn Records TM.  Until this day, I would had never have thought that a great Gospel singer as the late Rev.Anderson Sparks knew so much about the Record business as he did, he  taught me a lot about, the what and the way we do business today. Rev. Sparks understood the pros and cons of  marketing,promoting and the importance of artists in this business,keeping themselves highly visible,with the purpose of building huge fan bases the key necessity needed in order to build a stable career in the Entertainment business. And all the way up until his death, Rev. Sparks would always make it a practice to hand carry our promo records to Radio Stations all across the country between, pastoring his Church,recording and performing live shows. Because of that " don't ease up-until the job is done"mentality of Rev. Anderson Sparks we have little patient for sleepers. Other great Fathers like the late Terry"Dewey" Williams,"Jimmy Jones and my mentor and former coffee buddy the late Leroy Crisp, I credit these men with all the wisdom,faith helping hands that they reached out to me and Quinn Records TM and made us what we are today. We're not a big Company in size, we're  just a Company that do big things. And I say,Happy Fathers Day to them all. And thanks for their faith and support and as promised we will keep the fire a burning.....

For A Promotional Copy of GO SLOW-Blues Crossing:
Radio/Retail/Press/Entertainment Buyers
Email:promotions@quinnrecords.net

NEWS UPDATE: RADIO TALK-GO SLOW-Blues Crossing CD Compilation

NEWS UPDATE: 
RADIO TALK-GO SLOW-Blues Crossing  CD Compilation

From: Ronnie Ray,Promotions Manager/Quinn Records TM

Below is a fantastic Radio interview with our own Rockin' Blues Artist James Gilbert.
GO SLOW-Blues Crossing got introduced to the Nantwich, UK Blues scene by way of James Gilbert's informative radio interview with Nantwich radio personality's  Kev " Legs" Walker anfd Jen Van Cauter,host of "The Monday Morning Blues Show on The Cat Community Radio, Nantwich, UK. The interview took place in April 28th, 2013. James is a native of Kansas City,Missouri. James was invited to the show by Kev to let his fan know how his musical career was moving along and that he has the number one song on Quinn Records TM's  new Go Slow-Blues Crossing album,titled, "Blues This Morning," while at the same time his other fan favorite titled ,It's A Real Good Sign," has been dominating Quinn's Top-10 Song Chart for the past eleven weeks. Kev and Jen  told James in the interview that they liked his music they hope to see and meet him in the UK,soon. So, listen while James Gilbert give Kev, Jen and their Nantwich UK listeners the highlights of his career as an established Blues Artists.



For A Promotional Copy of GO SLOW-Blues Crossing:
Radio/Retail/Press/Entertainment Buyers
Email:promotions@quinnrecords.net

IT'S RADIO TALK TODAY!

NEWS UPDATE: 
RADIO TALK-GO SLOW-Blues Crossing  CD Compilation

From: Ronnie Ray,Promotions Manager/Quinn Records TM

Below is a fantastic Radio interview with our own Rockin' Blues Artist James Gilbert.
GO SLOW-Blues Crossing got introduced to the Kansas City Blues scene by way of James Gilbert's informative radio interview with Kansas City's  ever-popular radio personality  Mike Lytle,host of "The Real Deal Blues Show on station KKFI 90 FM radio. The interview took place last Friday night May 31st, 2013. James is a native of Kansas City and for some he's a hometown legend. James was invited to the show by Mike to let his fan know how his musical career was moving along and that he has the number one song on Quinn Records TM's  new Go Slow-Blues Crossing album,titled, "Blues This Morning," while at the same time his other fan favorite titled ,It's A Real Good Sign," has been dominating Quinn's Top-10 Song Chart for the past eleven weeks. Mike told James in the interview that this is some good stuff. So, listen while James Gilbert gives his home-town nesting place, Kansas City, Missouri some good information as well as a touch of the Blues. 




For A Promotional Copy of GO SLOW-Blues Crossing:
Radio/Retail/Press/Entertainment Buyers
Email:promotions@quinnrecords.net

MAKING DOING BUSINESS WITH US EASIER......

NEWS UPDATE:

We have upgraded our Radio Servicing Program, now Radio Station Programmers, DJ's,and Press can get  FREE  Promo CD's and/ or Digital MP 3 Tracks online by going to our website(www.quinnrecords.net) sign in,create an account and click on the Radio/Press/Media link at the button right hand side of our Homepage, then choose to Download Broadcast Quality tracks using our new digital delivery system or you can select the Promo CD Copy of your choice and we will snail-mail  the Promo CD's right out to you, absolutely FREE, we pay the postage, it fast and it's easy. Your can request a  Promo CD's to sent to you  or you can Download Broadcast Quality Digital tracks of your choice any time,day or night, holidays or weekends it doesn't matter. All we are trying to do is make things easier. It's Fast and It's FREE!
-Now it's "Permanent; we ship Free with any order of $99.99 or more!.
-We've made New Updates to our Quinnrecords.net  Shipping Policy,

DIGITAL STORES BECOMING THE PRIMARY OUTLET FOR BUYING ALBUMS

by Dwight L. Quinn

Last year, 193 million CD's were sold vs. 118 million digital albums, according to Nielsen Soundscan's year-end data report. 
In the album format,digital jumped 6% in 2012, though fans still favor the physical version. 
While album sales at digital services outpaced those at mass merchants, they were far 
exceeded by the combined sales of physical albums at all outlets.

The breakdown in total album sales:

• Digital services such as iTunes and Amazon MP 3: 37%
• Walmart, Target and other mass merchants: 29%
• Best Buy and similar chains: 15%
• Non-traditional outlets such as Amazon physical sales, mail order, venue and fan club sales: 10%
• Indie stores: 7%

CD's, cost more than downloads, have been allocated  far less shelf space at Mass Merchants like Best Buy,Walmart,Target and other chains, fueling digital sale increases.
Digital is consistently growing, and that's to be expected as we get  away from physical 
purchases and get further into streams and music that nobody actually owns.
Its the price of progress.

And yet the LP comeback is flourishing. While only a small piece of the musical pie, vinyl rose 19%, reaching  4.6 million copies in 2012, breaking the 2011 record of 3.9 million.
The wax-is-back, the old way of experiencing music continues to grow every year. 
"A lot of people still want something with value, an element that music have always been able
to give to its users."

2013 Summer Release Season

by Dwight L. Quinn

We're well into our 2013 Summer release season. And the Season looks  very good  for CD Sales,because of their unexpected increase  during this tuf economy. Of course that's music to our ear. Since  the past five years or so, we've released our projects in both formats digital and CD. We know that Digital and streaming is a great way for  fans to get their music fast and convenient, but the CD is still the format of choice by fans and industry professionals. In fact this is not a new phenomenon in the music industry. The music industry has always offered music in two formats simultaneously. 
 This Summer we are going to release three new projects and they're all going to be available in both formats digital and CD,also our customers still will be able to buy the releases in our Special order formats,vinyl, cassette tape and sheet music. This year projects will have a difference that is going to be easily recognized by our regular customers and that is we're going to be offering several covers that will be playing a big part in this years releases and I'm rather excited about this plan because it is not usually our preference to use cover songs in a new projects, since we offer and promote to our customers, new music. Smooth Jazz is one the categories that we will be providing a new product. Kevin has finished four new cuts for this category and I know our Smooth Jazz fans are going to truly love what we got to offer them in the Smooth Jazz area. The other categories that we will  offer this Summer is of course, our signature category,"Blues" with the release of our hot,fast-moving CD Compilation,"GO SLOW-Blues Crossing",the album already has produced a lead off, run away hit song, it's James Gilbert's"Blues In The Morning" the song has been Blues Radio's top selection for the past nine weeks.Other popular songs on the Album is,"Mississippi Red's,Send Me Someone To Love,"Osee Anderson, Breaking Up Somebody's Home," Lil Aaron Mosby,Last Night" and Oliver Johnson,Want You Dance With Me". To further promote the GO SLOW-Blues Crossing Album we're booking a five city tour scheduled to start in July, 2013 promoting the the targeted Cities are,St.Louis,MO.,Chicago,IL.,Houston,TX.,Lansing,MI. and Memphis,TN. We're on a mission to galvanize our Artists fan base by bringing them a hot show that will be packed with new moving and entertaining sounds.

And if you would want the Show to stop in your City email; dwight@quinnrecords.net. 

 Lastly, we are expecting to cover a release in our Jazz category with a Single that's been on the drawing board for nearly three years and the cut is a most-waited on tune since a few Radio pros has already got a sample of it and sitting on needles waiting on it's completion. You can learn more about our new releases and coming soon projects on our website; Visit www.quinnrecords.net

READY OR NOT!

by Dwight L. Quinn
Face it, a big change have come to the record business and there is no turning back. Digital downloads are here to stay and so be it. For the record labels this means a big dip in revenues and of course,a new way of distributing their music. The compact disc allowed the labels to make more money and gave them a lot of marketing funds to do the job of getting the buzz out. Something the Digital format won't do in it's early stages, especially for the smaller label guy. The number of downloads that it takes to earn $7.00 is about 12.86 and/or 13 downloads. So if you have a Sales Budget of 65,000 units and/or $ 455,000.00 a year, you would to have a download of 1.9 million to make that same budget in the digital arena today,this by far is a big change. Does this mean, the compact disc is gone for good, absolutely not, it just means that the cd is going to be another side of the revenue stream such as the vinyl,videos,cassette tapes, a small but not totally a depleted product,etc. From 1990 to 2011, worldwide mobile phone subscriptions grew from 12.4 million to over 6 billion, penetrating about 87% of the global population and reaching the bottom of the economic pyramid. In economics, the bottom of the pyramid is the largest, but poorest socio-economic group. In global terms, this is the 4 billion people who live on less than US$2.50 per day.[1] The phrase “bottom of the pyramid” is used in particular by people developing new models of doing business that deliberately target that demographic, often using new technology. This field is also often referred to as the "Base of the Pyramid" or just the "BoP". Well this sector will be able to download music right from their mobile units. And never before has we ever been able to know who exactly is our End Users,until now.    We even know now, with a shadow of a doubt,what song is selling an album. But like with any progress, there are going to be casualties.And in this case,business models that are finding it hard to adapt to this new way users are getting their music and the niche music companies that have non-working artists. So, does a artists still needs a record label? My answer has always been this,does a sports professional need a coach? You can only be a master of one thing,and after almost 42 years I think that I'm still learning,something new, I'm more comfortable today of the music business than at anytime ever,I can see a bright light at the end of the tunnel. We know to increase sales there have to be an increase in productivity. There are more useful tools out here today to increase that productivity and viability. Artists are able to work more today and build fans faster and bigger today and that's the,"Key"to large Sales numbers. People buy things that they know, and if they like it, they become loyal to that thing.The more an Artist work,the more known they become and if the people like them,then they(the people) become loyal fans of the Artists ,then the Artist grows. It's clear to me is that the only thing that significantly changed in the music business is, how people get their music today. But the mechanics that makes it all happens, have not changed and that is, the Entertainment side,the Show business side,the show must go on side,the come on out and take another bow side. And this is what the whole thing  is all about. READY OR NOT!

Quinn Records TM Remembers The Southern Harmonizers

by Dwight L. Quinn

The Southern Harmonizers were at that time a Radio Artist of Station WIBV in Belleville, Illinois and WESL located in East St. Louis, Illinois. Broadcasting on Sunday mornings at 8:30 a.m. to 9:30 a.m. and were  sponsored by the Ebony Insurance Company, Pat's Barber Shop, Totsie Hair Grower, New York Cleaners and Crisp Confectionery.My first awareness and contact with this group came when I was at the age of 12 years old. I would hear them rehearsing at a house next door to a neighborhood friend of mine that lived one block over from where I was living. The power of those voices with harmony so tight, it would be difficult to get air between the notes would leave me spelled-bound. They were singing without microphones and used no special effects tools like they do today. I  and my friends would stop playing marbles  and we would just listen, like the other neighbors was doing, they had us in their grasp, awesome entertainment coming from a house that made us,my friend and I wish that it was our house that they were rehearsing at, just to give us a boasting edge at school the next day. It was the kind of direct-to-the-point promoting that got real good attention.


The Southern Harmonizers were organized and founded in 1942 by Bro. Leonard Bell and Richard Orange. The original group members were Bro. Leonard Bell, Register Harris, Henry Summers, Harry Lee Barnes and Richard Orange.

At the beginning Bro.Richard Orange served as the Groups Manager from 1942 til 1945 when Bro. Rollie Davis joined the Group and later became it's Manager and served in that capacity until his death in 1972.
Under the the leadership of Bro. Rollie Davis, the following members united in the Group, Leslie Johnson, Alex Yates, Wilbert Jackson, Rev. Jimmie Harris, Leroy Crisp, Robert Wooten, Lee Mosby, Jesse Lawrence, John Thurman, Wiley Whitfield, Booker Jackson, and  Robert McAllister. After the death of Bro. Rollie Davis, Bro. Leroy Crisp took over the rein of Manger that lasted for one year. Bro. Crisp resigned because of the demands of his work. Bro. Register Harris became the the Groups 4th Manager and served in the managers capacity until poor health caused him to resign. The resignation of  Bro. Harris through the Group in limbo and caused them to become inactive for several years, until Bro. Leroy Crisp reactivated the Group and under his guidance and leadership the Group flourish once again. Bro. Crisp recruited several new members under his rein that included, Bro. Alonzo Collier, Bro. Larry Williams, Bro. Sylvester Davis, Bro. John Mathis, Rev. Anderson Sparks, Bro. John Wright, Bro. Rodney Richards and Bro. Raphael.

The Southern Harmonizers under the leadership of Bro. Leroy Crisp signed on to the Quinn Records TM label March 6th, 2006. They did not need to submit a demo, because those regular group rehearsal next door to my friend house in 1958 superseded  that Company's policy.

Bro. Leroy Crisp served as Manager of the Southern Harmonizers until his death in 2010.

ALBUM: Sixty-three Years Of Service For The Lord
CAT.#   : QR 061145-1
UPC      :662154652131
GENRE: Gospel

DISC SPOTLIGHT- the cd

by Dwight L. Quinn
OLIVER JOHNSON &; NITE TRAIN -Oliver Johnson & Nite Train ( QR 061202-1, 2012)
Lu v n' Thing; Lu v n'Thing,Come Back Baby,Hello Time, Do You Love Me Not, Scheming Me,Lied For The First Time, Drink To Much,If You Repay Evil For Good,Take Me Baby, Drink To Much Instrumental.


It was this time last year, that I first en-lighted on a track from this cd and said at the time; this album is so filled with good dance, story-telling lyrics and strong Ballard that any one track could have been pulled off to go under the spotlight. Although it was intimated that a full look may well follow, such a quick return was not fully on the cards until the tally of individual tracks was pulled together and proved to be something of a " Soul mix, with over 50% going in that direction. Consequently, it seemed fitting  to look at a group for the spotlight and where better..?  'Nite Train' may well be Oliver Johnson, whose name is prominent on the album as lead vocalist and band leader, along side Nephew Davis-bassist, Oswald Peters-lead guitar, Mike Bell-drums,Oliver Johnson-trumpet,keyboard and Dwight Quinn-background vocals. The album was produced and arranged by Dwight L. Quinn.

The proceeding start with"Luv n' Thing', rocking , soulful trot that commonly associated with Soul music, heavy bass licks infusing something of the 'Funk' and indeed, once the song gets under way, the use of Nephews thumping bass licks to support the vibrancy of Oliver Johnson's lead voice invokes a hot soul party. Cloaking-in at under four minutes - the longest track on album is 6:14 - it's over all to soon. 'Come Back Baby ' was originally written for Lil Aaron Mosby who passed away before completing his second album  on  the Quinn Records TM label, is up beat urban blues rocker filled with a crazy piano part that reminiscence of the great-late,Rock n' Roll Hall of Fame inductee Johnny Johnson, a style that has been missing in newer blues music. Oliver Johnson did a magnificent job in laying down the piano part that makes 'Come Back Baby ', sensational. Talking dialog intro by Oliver Johnson, trumpet instrumentation, background vocal is joined by percussion to get,' Hello Time', off the starting blocks. 
Well placed trumpet solo, the insistent rhythm and the rapport between the lead vocalist and background singers makes this irresistible. Although this is a 2009 set, the next two songs were written by Dwight at the start of the decade, in fact there is something in the blues-ballad, 
'Do You Love Me Not', that sounds even earlier - maybe it's the use of the organ. It's a tale of incompatibility in a relationship as the storyteller reflects on the difference in the word...' Some people are made for each other, they stay together- til death do 'em part. See they got love and understanding-they can stop a wind storm before it start. But now me and my baby, our love is like house built up on a rock,-you see everybody scared to move-cause if we do-our house is going drop...'
Mid way of the album Oliver Johnson & Nite Train, and despite its moody sound, under the surface once again the lyrics have their serious side.

Down middle ways of the album, 'Scheming Me', reflects Dwight's time with first relationships that gone bad. Wondering along life way thinking that everything is all well when in fact that it's not. Here again, Oliver lays down what I think is the best trumpet solo part in the whole entire album. You'll probably, like myself while to this track multiple times just to hear this hot trump works. Not quite a complete 'slam-dump' but certainly a few center court free throws, 'Lied For The First Time', is an atmospheric r&b-ballad performed principally as a choral effort and,surprisingly, complemented by a  slow-jam guitar that takes over the song three-quarters through and on to the fade. 'Drink To Much', keeps the tempo up and again Dwight Quinn lyric's have to be commented... 'If You Repay Evil For Good', making the most of Rock music... It's one of those Studio fill jobs, that in this case worked. You can have fun with the track...'Take Me', is a big effort, maybe a little out of place within the whole, as it has a distinctly ' 70' pop flavor and seems undecided whether it should that a" more power to the people pop road. No such problem with the instrumental version soulful,"Drink To Much'.. Once again Oliver Johnson is given full rein to rock his way through the climax and take things out on a higher-playing field.

BIRTHDATES OF SOME FAMOUS TAURUS

by Dwight L. Quinn

As Taurus's have a sense of material values and physical possessions, respect for property and a horror of falling into debt, they will do everything in their power to maintain the security of the status quo and be somewhat hostile to change. Mentally, they are keen-witted and practical more often than intellectual, but apt to become fixed in their opinions through their preference for following accepted and reliable patterns of experience. Their character is generally dependable, steadfast, prudent, just, firm 
and unshaken in the face of difficulties. Their vices arise from their virtues, going to extremes on occasion, such as sometimes being too slavish to the conventions they admire.
Here's the Birthdays of some Famous Taurus's. 
April 21, 1816 - Charlotte Bronte - Writer
April 21, 1838 - John Muir - Naturalist
April 21, 1926 - Queen Elizabeth II - British Royalty
April 22, 1724 - Immanuel Kant - Philosopher
April 22, 1870 - Nicolai Lenin - Marxist
April 22, 1904 - Robert Oppenheimer - Physicist
April 22, 1908 - Eddie Albert - Actor
April 22, 1916 - Yehudi Menuhin - Musician
April 22, 1936 - Glen Campbell - Entertainer
April 22, 1937 - Jack Nicholson - Actor
April 23, 1452 - Leonardo Davinci - Artist
April 23, 1519 - Catherine de Medici - French Royalty
April 23, 1891 - Sergei Prokofiev - Composer
April 23, 1928 - Shirley Temple Black - Actress
April 23, 1939 - Lee Majors - Actor
April 24, 1934 - Shirly MacLaine - Actress
April 24, 1942 - Barbara Steisand - Singer
April 25, 1874 - Guglielmo Marconi - Scientist
April 25, 1908 - Eduard R. Murrow - Broadcaster
April 26, 1933 - Carol Burnett - Comedian
April 26, 1924 - Jack Schwartz - Psychic Healer
April 26, 1894 - Rudolph Hess - Nazi
April 27, 1822 - Ulysses S. Grant - U.S. President
April 27, 1891 - Samual Morse - Inventor
April 27, 1822 - Ulysses S. Grant - U.S. President
April 27, 1922 - Jack Klugman - Actor
April 27, 1927 - Coretta King - Activitist
April 28, 1479 - Lucrezia Borgia - Historical Figure
April 28, 1912 - Odette Sanson - Secret Agent
April 29, 1901 - Hirohito - Japanese Royalty
April 29, 1936 - Mehta Zubin - Conductor
April 29, 1947 - Johnny Miller - Golfer
April 29, 1955 - Kate Mulgrew - Actress
April 29, 1970 - Uma Thurman - Actress
April 30, 1893 - J. von Ribbentrop - Nazi
May 01, 1769 - Duke of Wellington - Militarist
May 01, 1881 - Pierre.T. De Chardin - Priest Philosopher
May 01, 1918 - Jack Paar - TV Host
May 01, 1945 - Rita Coolidge - Singer
May 02, 1729 - Catherine the Great - Russian Royality
May 02, 1903 - Dr. Benj. Spock - Child Specialist
May 02, 1903 - Bing Crosby - Singer
May 02, 1925 - Roscoe Lee Browne - Actor
May 03, 1902 - Walter Slezak - Actor
May 03, 1919 - Pete Seeger - Singer
May 03, 1921 - Sugar Ray Robinson - Sports Figure
May 04, 1915 - Moshe Dayan - Politician
May 05, 1599 - Oliver Cromwell - Politician
May 05, 1818 - Karl Marx - Revolutionary
May 05, 1943 - Bob Woodward - Reporter
May 05, 1958 - Annette Benning - Actress
May 06, 1758 - Maximil. Robespierre - Revolutionary
May 06, 1856 - Sigmund Freud - Psychologist
May 06, 1895 - Rudolph Valentino - Actor
May 06, 1913 - Stewart Granger - Actor
May 06, 1915 - Orson Wells - Producer
May 06, 1931 - Willie
Mays - Sports Figure
May 06, 1937 - Rubin Carter - Homicide
May 07, 1861 - Randindranath Tagore - Poet
May 07, 1833 - Johnnes Brahms - Composer
May 07, 1901 - Gary Cooper - Actor
May 07, 1908 - Eva Perone - Dictator
May 08, 1929 - Jane Roberts - Channel
May 08, 1884 - Harry S. Truman - U.S. President
May 09, 1800 - John Brown - Radical
May 09, 1907 - Kathryn Kulman - Evangalist
May 09, 1918 - Mike Wallace - TV Personality
May 09, 1928 - Poncho Gonzales - Sports Figure
May 09, 1942 - David R. Gurgen - TV Personality
May 09, 1944 - Daniel Barrigan - Radical
May 09, 1946 - Candice Bergen - Actress
May 10, 1899 - Fred Astaire - Dancer
May 10, 1902 - David O. Selznick - Producer
May 10, 1900 - Karl Kraft - German Astrologer
May 10, 1939 - Jean Huston - Psychologist
May 10, 1940 - Wayne Dyer - Psychologist
May 11, 1469 - N. Machiavelli - Potitician
May 11, 1888 - Irving Berlin - Composer
May 11, 1894 - Martha Graham - Dancer
May 11, 1927 - Mort Sahl - Comedian
May 12, 1895 - Jeddu Krishnamurti - Religious Leader
May 12, 1820 - Florence Nightingale - Humanitarian
May 12, 1907 - Katherine Hepburn - Actress
May 12, 1937 - George Carlin - Comedian
May 13, 1914 - Joe Lewis - Sports Figure
May 13, 1923 - Richard Avedon - Photographer
May 13, 1931 - Jim Jones - Cultist
May 13, 1939 - Harvey Keitel - Actor
May 13, 1941 - Ritchie Valens - Singer
May 13, 1950 - Stevie Wonder - Singer
May 14, 1925 - Patrice Munsel - Singer
May 14, 1936 - Bobby Darin - Singer
May 14, 1944 - George Lucas - Film maker
May 14, 1952 - David Byrne - Singer
May 15, 1859 - Pierre Curry - Scientist
May 15, 1902 - Richard Daily - Politician
May 15, 1918 - Joseph Wiseman - Activist
May 15, 1937 - Madeleine Albright - Ambassador
May 16, 1905 - Henry Fonda - Actor
May 16, 1908 - Muktananda - Guru
May 16, 1925 - Liberace - Entertainer
May 17, 1866 - Eric Satie - Composer
May 17, 1895 - Gayelord Hauser - Nutritionist
May 18, 1949 - Rick Wakeman
May 19, 1896 - Ida Rolf - Body Worker
May 19, 1964 - Collin Chapman
May 20, 1799 - Honore Balzac - Writer
May 20, 1908 - James Stewart - Actor
May 20, 1946 - Cher - Singer/Actress
May 21, 1904 - Robert Montgomery - Actor
May 21, 1911 - Peter Hurkos - Psychic

OLIVER JOHNSON GOT NEW MATERIAL COMING OUR WAY.

Oliver Johnson "the guy that bought the trumpet to Soul", has been busy working Shows six and sometimes seven nights a week found time to get a little Studio work in between gigs. Today he told me that he have come with some awesome new material that will fit Quinn Records TM taste to a tee. Well, Oliver should know what kind of music that we like. Since he's credited with over eight Albums and four Singles on the Quinn Records TM's label. Oliver Johnson is a very active member of the St. Louis blues, jazz and Motown community. He appears frequently at R& B concerts, clubs, and private parties both as single performer and as a leader of his own group,:The Nite Train Express". Oliver at the age of six, began his study as a vocalist with his mother, Roberta Johnson of Uttica, Mississippi. Roberta, who was a gospel church singer, also introduced Oliver to the music of Performers like Louis Armstrong and Nancy Wilson. When Oliver was eight years old, the famous Jazz organist Tabb Smith and his group would rehearse in Oliver's home. At ten years old, Oliver started the study of the trumpet with Harry Turner of the Count Basie Band. Oliver's first professional performance, at age 13, started at the Cosmo Hall in East St. Louis that featured regular acts like Ike Turner, Johnny Johnson, Chuck Berry, Little Milton and Albert King. After high school Oliver started touring with Westmoreland,Inc. This band that eventually became Albert King's Band included Motown recording regulars like Tyrone Perry and Paul Jackson. For 12 years Oliver toured throughout Europe and Japan playing trumpet and singing with Mel and Tim (Backfield in Motion), Joe Tex (Skinny Leg's and All, Shirley Brown (Woman To Woman, Albert King,(Born Under A Bad Sign), Gladys Knight and The Pips, Rufus Thomas (Walking The Dog), Carla Thomas (B-A-B-Y Baby). Aside from Oliver's regular performances he has recently played the Black Rep's Production"One More Time". Oliver is mostly known for his versatility in many different music formats, from serious Be-bop trumpet to Falsetto R&B singing. Oliver signed on with Quinn Records TM in 2004 and have since created an impressive Catalog of titles both in the R&B, Soul and Jazz genres constantly performing headliners shows in venues all over the St. Louis Metropolitan area.