Monday, March 31, 2014

KEEP ON KEEPING ON - KC'S OWN-SOUL-ROCKER JAMES GILBERT





by Dwight L. Quinn
3/31/2014

"Keep On Keeping On" is a nine track (9) Blues n' Soul CD pack with original rocking tunes by the Kansas City rockersinger/songwriter/
musician James Gilbert.
Songs like,Blues This Morning,A Real Good Sign, Help Me Someone To Love was written by K-City Records owner and Producer Eugene Smiley,Sr.,and was first released on Big Woody's, Going Home cd. Blues This Morning, and cover tune Rainy Night In Georgia was also released in September 2013 on Quinn Records TM's popular 2-CD Box Set album Go Slow Blues Crossing.



The album is a concept album chronicling the typical style, side and sound of Blues.
Keep On Keeping On is an album that will give you full enjoyment and relaxation.

Track Listing;
1. Rainy Night In Georgia
2. Keep On Keeping On
3. Blues This Morning
4. Help Me
5. Please Come Back Home
6. A Real Good Sign
7. Someone To Love
8. I Believe
9. Ooh Baby

Click here to listen to a selected track.  Email us at quinnrecords@quinnrecords.net and let us know what you think.


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Friday, March 28, 2014

LUV N' THING - OLIVER JOHNSON & NITE TRAIN

by Dwight L. Quinn
3/28/2014


QR061202-1:(CD) Oliver Johnson introducing again,to the world of Blues/Soul music,his signature of soul, the trumpet, charging into the realm of Blues and Soul music-lover's hearts with his new sound and his new way of rocking the Blues and Soul music world.








TRACK LISTING:
1. Luv N' Thing,Oliver Johnson & Nite Train,
written by Dwight L. Quinn(ASCAP) 4:19,
2. Come Back Baby,Oliver Johnson & Nite Train,
written by Dwight L. Quinn(ASCAP) 5:33,
3. Hello Time,Oliver Johnson & Nite Train,
written by Dwight L. Quinn(ASCAP)7:15,
4. Do You Love Me Not,Oliver Johnson & Nite Train,
written by Dwight L. Quinn(ASCAP)4:27,
5. You Say I Don't Do Nothing Baby,Oliver Johnson,
written by Dwight L. Quinn(ASCAP)4:51,
6. Scheming Me,Oliver Johnson & Nite Train,
written by Dwight L. Quinn(ASCAP)6:14,
7. Lied For The First Time,Oliver Johnson,
written by Dwight L. Quinn(ASCAP)3:38,
8. Drink To Much,Oliver Johnson & Nite Train,
written by Dwight L. Quinn,
Oliver Johnson(ASCAP)3:47,
9. If You Repay Evil For Good,Oliver Johnson,
written by Dwight L. Quinn(ASCAP)5:03,
10. Take Me,Oliver Johnson & Nite Train,
written by Dwight L. Quinn(ASCAP) 4:22,
11. Drink To Much, instrumental,Oliver Johnson,
written by Dwight L. Quinn(ASCAP)
Oliver Johnson 3:45,

Click here to listen to a selected track.  Email us at quinnrecords@quinnrecords.net and let us know what you think.


Free MP3s on Last.fm

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Monday, March 24, 2014

AT THE BEGINNING, IT WAS JUST AN IMPOSSIBLE DREAM

by Dwight L. Quinn                                                
 3/24/2014

I like to share this  article that I ran across recently, talking about our earlier days in business.
The magazine Black Enterprise and the year was February, 1978 the interview
starts at page 73 to 77, scroll down to page 77 the guy in the black turtle neck
sweater with the afro,is me.
Please, don't asked me, cause  I don't know who pants they are...
GO SLOW-Blues Grossing!
Enjoy the read. P.S. Don't ever give up on your Dream.

Click  here to read the full story 



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Thursday, March 20, 2014

A MESSAGE FROM THE MESSENGERS- THE DIVINE MESSENGERS

  3/20/2014





http://www.quinnrecords.net/mm5/merchant.mvc?Store_Code=33&Screen=PROD&Product_Code=660355590429
QR051129-1: This album is packed with Gospel-Power and full of new songs written and composed by Albert Phillips and Kevin Wheeler who are both long time members of this one time Grammy Award Winning Nominee and Chart Topper on the BillBoard's Gospel Albums
Chart.






Members:
Albert Phillips-Lead
Ralph Parker- 1st.Tenor
Sidney Toland-2nd.Tenor
Kevin Wheeler-Baritone
Mikey Slade &
Rodger Chase-Bass

Musicians:
Adrian Norton-Bass
Sean Chase &
Paul Dudley-Drums
Thomas Nokes-Guitar
Robert Wigginton &
Thomas Nokes-Piano,
Organ,Strings and Horns

Songwriters:
Albert Phillips
Tye Lovell
Sean Chase
Toney Greenhowe
Kevin Wheeler
Thomas Nokes
Real Soul Production

Track listing:
1. Let's Go To Church 3:59,
2. When We All Get There 6:39,
3. He'll Make It Right 3:41,
4. Tomorrow May Never Come 4:46,
5. Wade In The Water 3:39,
6. Christ Will Always Win 4:21,
7. Coming Home 3:53,
8. Dark Cloud 6:54,
9. Burdens 5:31,
10. Your Love 5:48,
11. Shout 1:42,
12. Your Love 5:01,

Click here to listen to a selected track.  Email us at quinnrecords@quinnrecords.net and let us know what you think.


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Monday, March 17, 2014

SONGS WE'LL NEVER FORGET- THE MASONIC QUINTET

 3/17/2014


QR031118-1(CD): This cd features one of gospel's great singer the late R.H.Harris,who is a former original Soul Stirrers member, a long before the days of Sam Cooke and Johnny Taylor. Mr.Harris and the Masonic Quintet relationship lasted for 14 years.







TRACK LISTING
1. Since I Met Jesus 3:47 Frank Adams
2. Because He Lives 3:45 R.H.Harris
3. Draw Me Nearer, 4:37 Frank Adams
4. That's Alright 4:21 R.H. Harris
5. Precious Memories 3:87 Johnny Smith
6. Tell It Everywhere 3:89 Frank Adams
7. Beams of Heaven 4:83 R.H.Harris
8. Signs of The Times 4:22 Johnny Smith
9. Golden Bells 3:98 R.H.Harris
10. Higher Grounds 4:31 Gilbert Yarborough


Click here to listen to the single.  Email us at quinnrecords@quinnrecords.net and let us know what you
think.


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Friday, March 14, 2014

JAZZ ON WASHINGTON AVENUE - OLIVER JOHNSON TRIO


by Dwight L. Quinn                                                                                           3/14/2014

Nothing but raw talent, is the best way to describe trumpeter/singer/songwriter and recording artist Oliver Johnson who at young age of nine first began playing the trumpet backed by the inspiration and motivation of his mother,the late Roberta Johnson whom made it her life goal to coach and guide young Oliver into the master musician that he has become. Growing up in East St. Louis,Illinois Oliver
got to experience the mentorship of the industry's big-named Artists like,Tabb Smith,Leo Chears,Miles Davis, Albert King,who helped Oliver further developed his musical skills. Oliver put his best foot forward when the Label gave him the green light in producing, the album,"Jazz On Washington Avenue",Oliver had opportunity to select songs that formed the mixture of straight ahead jazz with modern and contemporary all together on this must-listen to album. Original songs like,"Brazil,""Quiet Street",and"In The Moment" topped off the mood that Oliver was trying to capture in,"Jazz On Washington Avenue".
Time sort of stood still as the sound of,"Eternal Triangle" and "Mr. Kenyata" bellowed out that hip,
down beat, mellow sound that you use to hear backin the day vibrating out from those cool romantic Jazz
Clubs was frequent venue of choice for Jazz lovers and jazz entertainment.
Accompanying Oliver Johnson on "Jazz On Washington Avenue,"Henry Burns,piano and keyboards,the late "Raymond Eldridges Jr."bass,"Wallace Alvin Troop,"drums, Henry Taylor,"guitar and Oliver Johnson,"horns.
Executive Producer;Dwight L. Quinn,Co-Producer; Oliver Johnson, Recorded,Mixed and Mastered;R.J.Studios, Centerville,Illinois,Graphic Art by;Garrett Graphics Art.

Track listing:
1.  Taking It To The High  4:49
2.  Dear Old Stockholm, 6:15
3.  If I Were A Bell, 6:24
4.  Foot Prints, 4:58
5.  This I Dig Of You, 4:02
6.  Eternal Triangle, 3:54
7.  Mr. Kenyata, 7:02
8.  Quiet Street, 4:10
9.  Brazil, 4:53
10. In The Moment,4:10

Click here to listen to a selected track.  Email us at quinnrecords@quinnrecords.net and let us know what you think.


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Monday, March 10, 2014

Blues This Morning - James Gilbert

Friday March 10th, 2014


One of the most soulful blues  song in a long time.says songwriter/composer and promoter Robert Jones.  By the request of James Gilbert, would like for you to listen to his latest single “Blues This Morning" taken from his debut album “Keep On Keeping On – It’s What I Always Wanted”   CD release that will be on the streets this Spring 2014.

He's backed by the late Big Woody and his Kansas City Blues Band,the song was written by Eugene Smiley also of Kansas City. I think you will enjoy this power soul- packed blues recording of one of the truly smooth moody, straight from the heart blues songs on air today.

Click here to listen to the single.  Email us at quinnrecords@quinnrecords.net and let us know what you
think.


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http://youtu.be/AB3GuMlIs00

Friday, March 7, 2014

ONE THE MOST SOUGHT AFTER JOBS IN THE MUSIC BUSINESS



March 7, 2014
by Dwight L. Quinn

Every person born into this World is gifted with something and they may go on through life forever without ever recognizing that special gift.
When started Quinn Records TM in 1971, the first thing that I did, inorder to feel useful, was to start looking for a Job in the Company that I could do and do fairly well,and strangely enough it turned out to be Music Producing, though at the time it never dawn on me how important this particular Job was in the industry.
So,once I started doing it I began encouraging my artists to do the same, and today I still encourage them to Produce like,Oliver Johnson, James Gilbert,Kevin Wheeler, MC Larry Moody, Carlina Q. Aldridge and others that have shared their time, talent and gift with the Company.
From this very experience we now know that the Music Producer has one of the most sought-after music careers in the music business, they  works dilentgy to get an album produced and within budget and being a small company like us almost always using our own hard-earned dollars controlling budgets is a Cardinal rule in this house.
The altimate goal for most Music Producers is the hope of producing a chart-topping album.
This nerve-wrecking goal,puts a lot of responsibilty on the Music Producer.
One of key jobs of the Music Producer is to help the artist choose which songs they are going to record for the album. The Music Producer will then go to work selecting the studio and booking the estimated amount of recording time that he or she think will be enough time to complete the full album.The Music Producer will work very close with the music arranger and audio engineer,to attempt to achieve the desired sound and feel for the album, the Music Producer in a small company wears many hats and may have the job of
bringing in background vocalists, he may even fill in as a background member or play an instrument on the album or even  be the music arranger themselves to assist with the songs depending how they are written.
.
This being a standard practiced performed by the Music Producer,when the studio recording starts, the Music Producer will works closely with the engineer,(it's all about the sound) who helps him find or achieve certain specific sounds or feel to flow through the album.
This collabration will almost always continue throughout the entire studio session, as the Music Producer will often offer the imput of his own opinions on just how each song on the album would work best.
The Music Producer with all these actions going on, has the monetary responsibility of staying on budget, this oversight of going over the budget could be costly to the label or to the artist, leaving either of owing thousands of dollars.

After each song is recorded, the Music Producer is usually the person who then mixes it into its final version. This isn't always the case, though, as sometimes special engineers or mixers are hired to perform this job. When that happens, the record producer still supervises the mixing process, as it's such an important aspect of creating an album.Even at this point, the Music Producer still has plenty of work to do.
Many times, an entire album is recorded in the studio, complete with songs that don't end up making the final cut.
In other words, they are not included in the album when it's finally released. Part of the Music Producer's job is to help choose which songs make the final album and which don't.
They'll also help decide what order the songs will play in throughout the album (i.e. the songs' track numbers).
The Music Producer will also be a part of selecting which songs will be promoted and sold as singles.

As you can see, the Music Producer is heavily involved with every single step and detail of creating an album. Even when the creative process comes to an end, the Music Producer's responsibilities certainly do not. There is still licensing to be worked on, as well as copyright issues, and consent forms and releases from artists, engineers, photographers, and pretty much anyone else who receives credit for their work on a given album.
Once all of that is complete, the Music Producer submits receipts and pays bills to the record label,if he or she is an independent,or final reciepts are submitted to the A&R Administrator, if he or she is label staff member.

Certain Music Producers work as employees for record labels, reporting to the A&R department head,as mentioned above. Others work independently as freelancers, and and may be contractors for either an artist or a record label.

When working on staff at a record company Music Producers generally earn a base salary, along with royalties from records they produce. If they are as an independent for the record company, they will still usually earn royalties, but they'll command a fee instead of a salary.

Music Producers that have a proven track record of success can negotiate larger royalty payments, usually in advance.

Staff Music Producers can earn anywhere from $27,000 to $115,000 or more per year, while
very successful independent producers may earn up to $1,000,000 or more annually.

Every single album that is sold has a Music Producer attached to it, though sometimes that producer can be a member of the band, or even the staff engineer.
Some albums will even require more than one producer to complete the job.
For these reasons, there are quite a few possibilities for employment within the Music Production specialty, but due to the nature of the position, it's important to start with at least one foot in the door. Small labels is place to start and began building you a track record.

 Once a Music Producer proves his ability to produce hit records, he can eventually move on to working with more prestigious artists.
This can lead to a position at a larger record label, where the Music Producer can command an even larger salary.
Of course this creates a nice cycle of success for him, as he can now work with even better well-known artists, and become even more in demand as a Music Producer.

by Dwight L. Quinn

Sources;
History
Career Services
The Internet
Quinn Records TM

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Monday, March 3, 2014

IT'S "FATS TUESDAY"WEEK LETS GO PARTY


by Dwight L. Quinn

With thousands of visitors celebrating the Mardi Gras in New Orlean, this week is the Big One Fat Tuesday it's the climax of this entire good time party that has turned into one of the biggest street-party in the world.

“Fat Tuesday,” which refers to the practice of eating and indulging in rich,
fatty foods before beginning the fasting season of Lent on the next day, Ash
Wednesday. It’s also called Shrove Tuesday in some places, which comes from the word shrive, which means “to confess.Mardi Gras, is a Frence word that means,"fat Tuesday".

Traditionally accepted as a Christian tradition, Mardi Gras actually began
as a pagan fertility celebration thousands of years ago.
When Rome accepted Christianity, church leaders decided to adopt the traditional Roman festivals of Saturnalia and Lupercalia into the church calendar as a prelude to the 40 days of fasting that lead up to Easter.
The first Mardi Gras in the United States is thought to have taken place in 1699 in Louisiana, just south of what would become New Orleans.
The ritual was celebrated for several decades until the debauchery was banned when the Spanish took control of the city. Bans were lifted when Louisiana became a U.S. state in 1812, and Mardi Gras lives on.

Hundreds of thousands visit New Orleans for Mardi Gras and the buildup to the Fat Tuesday celebration each year, and estimates of the economic impact go as high as $500 million in a given year.

The Mardi Gras season is marked by parades every day through the French Quarter and other areas in and around New Orleans, as well as the expected food and drink for which the region is famous. It all ends, though, the minute the calendar says that Fat Tuesday is over. At midnight on the morning of Ash Wednesday, A line of New Orleans police officers on horseback start at one end of the French
Quarter and move through the area announcing that the party is over and everyone must clear the streets.
The season of fasting and repentance has begun. And the worlds biggest street-party  has come to a close,until next year.
 Those who readied for Fat Tuesday now see Mardi Gras end and the cleanup begin. The line of police officers is immediately followed by street cleaners, and life in New Orleans fast-track back normal.

By Dwight L. Quinn

Sources:
History
St. Louis Post-Dispatch